THE WORLD WAR COLLECTION OF H. C. MCNEILE (SAPPER). Sapper

THE WORLD WAR COLLECTION OF H. C. MCNEILE (SAPPER) - Sapper


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elapsed after the light went out before all the patients who could move, and most of those who couldn't, were lying on the floor beside their beds.

      Gradually the explosions became fewer and fewer; though the earth still shook and throbbed like a living thing, and at last it seemed to Vane that the raid was over. He was lifting himself on his elbow preparatory to going outside and exploring, when an ominous whistling noise seemed to pierce his very brain. He had just time to throw himself on to the girl beside him so that he partially covered her, when the last bomb came. He heard the top of the marquee rip: there was a deafening roar in his ears: a scorching flame enveloped him. He lay stiff and rigid, and the thought flashed through him that this was the end. The next moment he knew he was safe, and that it was merely another close shave such as he had not been unaccustomed to in the past. The bomb had burst in the tent, but the Fate which ordained things had decided it should miss him. It had done so before, and Vane laughed to himself . . .

      "Close, my lady, very close," he whispered—"but not quite close enough." With a quick, savage movement he turned Margaret's face towards him, and kissed her on the lips. For a while she clung to him, and then he felt her relax in his arms. She had fainted, and as he realised this, he felt something pressing down on him. With his sound arm he fumbled above his head, and found it was the canvas of the tent.

      Tugging and scrambling, he half dragged, half carried Margaret through the entrance which still remained intact, and laid her down on the grass outside. Men and nurses were moving about in the darkness, stumbling over guy ropes and tent pegs. For the moment every one was too intent on his own affairs to bother over a mere faint, and Vane left her lying against the side of the tent. Then he cautiously felt his way round to investigate the damage. A great crater midway between Number 13 and the next tent showed where the first close one had fallen, but he had no wish to explore that any further. He stumbled round the edge and went on. Then in the faint light given by the moon, he saw what had happened when the last bomb had burst. It was nothing worse than many similar sights he had seen, but Vane as he looked at the wreckage cursed bitterly and fluently. And then of a sudden he stopped cursing, and drew a deep breath. . . . Staring up at him in the cold white light was what was left of the Gunner subaltern. The bomb had burst at the foot of his bed . . . A cheery soul . . . A bitter end . . .

      Opposite, the bed blown in half, the boy who would not have lasted through the night sprawled uncouthly on to the floor. God knows! a merciful release. . . . A few hours sooner—that's all. . . . And to both—Kismet.

      All around lay fragments and debris. For a few seconds he stood there motionless, while every now and then the canvas heaved where it lay on the ground, and someone crawled out into the open. Then he felt a touch on his arm, and, turning, he saw Margaret. Dry-eyed, she watched with him, while the wounded dragged themselves painfully past the still smoking crater, and the acrid smell of high explosive tainted the air.

      In the far distance the drone of aeroplanes was getting fainter and fainter. Success had crowned the raider's daring exploit; they were entitled to their well-earned rest. And so for a space did Vane and Margaret stand. . . . It was only when very gently he slipped his arm round her waist that a hard dry sob shook her.

      "Oh! the devils," she whispered—"the vile devils."

      CHAPTER III

       Table of Content

      The following afternoon Vane turned his steps once again towards the beach at Paris Plage. The wreckage in the hospital had been cleared away, and there were rows laid side by side in the mortuary. Over everyone there breathed a sense of restless excitement and fierce anger, and Vane wanted to get away by himself. He felt that he had to think.

      For suddenly and quite unexpectedly Margaret Trent had become a factor in his life. After long years their paths had touched again, and Vane found that he could not turn away with the same careless indifference as he had in the past. Though she had always attracted him, he had never seriously contemplated the final step; he had had far too good a time as a bachelor. And then when she had so unaccountably cooled towards him, he had shrugged his shoulders and sought distraction elsewhere.

      Before the war Derek Vane had been what is generally described as a typical Englishman. That is to say, he regarded his own country—whenever he thought about it at all—as being the supreme country in the world. He didn't force his opinion down anyone's throat; it simply was so. If the other fellow didn't agree, the funeral was his, not Vane's. He had to the full what the uninitiated regard as conceit; on matters connected with literature, or art, or music his knowledge was microscopic. Moreover, he regarded with suspicion anyone who talked intelligently on such subjects. On the other hand, he had been in the eleven at Eton, and was a scratch golfer. He had a fine seat on a horse and rode straight; he could play a passable game of polo, and was a good shot. Possessing as he did sufficient money to prevent the necessity of working, he had not taken the something he was supposed to be doing in the City very seriously. He had put in a periodical appearance at a desk and drawn pictures on the blotting paper; for the remainder of the time he had amused himself. He belonged, in fact, to the Breed; the Breed that has always existed in England, and will always exist till the world's end. You may meet its members in London and in Fiji; in the lands that lie beyond the mountains and at Henley; in the swamps where the stagnant vegetation rots and stinks; in the great deserts where the night air strikes cold. They are always the same, and they are branded with the stamp of the breed. They shake your hand as a man shakes it; they meet your eye as a man meets it. Just now a generation of them lie around Ypres and La Bassée; Neuve Chapelle and Bapaume. The graves are overgrown and the crosses are marked with indelible pencil. Dead—yes; but not the Breed. The Breed never dies. . . .

      We have it on reliable evidence that the breed has its faults; its education is rotten. Men of great learning and understanding have fulminated on the subject; women with their vast experience have looked upon the Breed with great clarity of vision and have written as their eyes have seen; even boys themselves who doubtless must be right, as the question concerns them most, have contributed to current literature one or two damning indictments.

      It may well be that hunting butterflies or dissecting rats are more suitable pursuits for young Percival Johnson than doing scram practice up against the playground wall. It may well be that it would be a far, far better thing for mob adoration to be laid at the feet of the composer of the winning Greek Iambic rather than at the cricketing boots of the Captain of the Eleven. It may be so, but, then, most assuredly it may not. . . .

      The system which has turned out hundreds of the Breed, and whose object is to mould all who pass through it on the model of the Breed, is not one to be dismissed lightly. Doubtless it has its faults; a little more latitude both in games and work might be allowed; originality encouraged more. But let us be very certain before we gaily pull the system to pieces that the one we erect in its place will stand the strain, and produce the one great result beside which everything else is as nothing. For if, at the price of team work and playing for the side, we can only buy two or three more years of individualism—at an age when the value of individualism is, at best, a doubtful blessing and, at worst, sheer blatant selfishness—we shall indeed have messed things up. The cranks will be delighted; but the Empire will gnash its teeth.

      And now after nearly four years in the fiercest forcing house of character Derek Vane found himself trying to take an inventory of his own stock. And since the material question of money did not come in to cloud the horizon, he felt he could do it impartially. There are many now who, having sacrificed every prospect, find their outlook haunted by the spectre of want; there are many more, formerly engaged in skilled trades such as engineering or mining, who find that they have four years of leeway to make up in their profession—four years of increased knowledge and mechanical improvements—unknown to them, but not to their competitors, who remained behind. But such prospects did not trouble him. The future, as far as money was concerned, was assured.

      Vane thoughtfully lit a cigarette. It seemed to him that he had wasted four of the best years of his life, sitting, save for brief intervals, on the same filthy piece of ground, with the sole object of killing complete strangers before they


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