The Greatest Gothic Classics. Оскар Уайльд
one out of innumerable instances, that every day seemed to multiply, of petty mortifications which Mr. Tyrrel was destined to endure on the part of Mr. Falkland. In all of them Mr. Falkland conducted himself with such unaffected propriety, as perpetually to add to the stock of his reputation. The more Mr. Tyrrel struggled with his misfortune, the more conspicuous and inveterate it became. A thousand times he cursed his stars, which took, as he apprehended, a malicious pleasure in making Mr. Falkland, at every turn, the instrument of his humiliation. Smarting under a succession of untoward events, he appeared to feel, in the most exquisite manner, the distinctions paid to his adversary, even in those points in which he had not the slightest pretensions. An instance of this now occurred.
Mr. Clare, a poet whose works have done immortal honour to the country that produced him, had lately retired, after a life spent in the sublimest efforts of genius, to enjoy the produce of his economy, and the reputation he had acquired, in this very neighbourhood. Such an inmate was looked up to by the country gentlemen with a degree of adoration. They felt a conscious pride in recollecting that the boast of England was a native of their vicinity; and they were by no means deficient in gratitude when they saw him, who had left them an adventurer, return into the midst of them, in the close of his days, crowned with honours and opulence. The reader is acquainted with his works: he has, probably, dwelt upon them with transport; and I need not remind him of their excellence: but he is, perhaps, a stranger to his personal qualifications; he does not know that his productions were scarcely more admirable than his conversation. In company he seemed to be the only person ignorant of the greatness of his fame. To the world his writings will long remain a kind of specimen of what the human mind is capable of performing; but no man perceived their defects so acutely as he, or saw so distinctly how much yet remained to be effected: he alone appeared to look upon his works with superiority and indifference. One of the features that most eminently distinguished him was a perpetual suavity of manners, a comprehensiveness of mind, that regarded the errors of others without a particle of resentment, and made it impossible for any one to be his enemy. He pointed out to men their mistakes with frankness and unreserve, his remonstrances produced astonishment and conviction, but without uneasiness, in the party to whom they were addressed: they felt the instrument that was employed to correct their irregularities, but it never mangled what it was intended to heal. Such were the moral qualities that distinguished him among his acquaintance. The intellectual accomplishments he exhibited were, principally, a tranquil and mild enthusiasm, and a richness of conception which dictated spontaneously to his tongue, and flowed with so much ease, that it was only by retrospect you could be made aware of the amazing variety of ideas that had been presented.
Mr. Clare certainly found few men in this remote situation that were capable of participating in his ideas and amusements. It has been among the weaknesses of great men to fly to solitude, and converse with woods and groves, rather than with a circle of strong and comprehensive minds like their own. From the moment of Mr. Falkland's arrival in the neighbourhood, Mr. Clare distinguished him in the most flattering manner. To so penetrating a genius there was no need of long experience and patient observation to discover the merits and defects of any character that presented itself. The materials of his judgment had long since been accumulated; and, at the close of so illustrious a life, he might almost be said to see through nature at a glance. What wonder that he took some interest in a mind in a certain degree congenial with his own? But to Mr. Tyrrel's diseased imagination, every distinction bestowed on his neighbour seemed to be expressly intended as an insult to him. On the other hand, Mr. Clare, though gentle and benevolent in his remonstrances to a degree that made the taking offence impossible, was by no means parsimonious of praise, or slow to make use of the deference that was paid him, for the purpose of procuring justice to merit.
It happened at one of those public meetings at which Mr. Falkland and Mr. Tyrrel were present, that the conversation, in one of the most numerous sets into which the company was broken, turned upon the poetical talents of the former. A lady, who was present, and was distinguished for the acuteness of her understanding, said, she had been favoured with a sight of a poem he had just written, entitled An Ode to the Genius of Chivalry, which appeared to her of exquisite merit. The curiosity of the company was immediately excited, and the lady added, she had a copy in her pocket, which was much at their service, provided its being thus produced would not be disagreeable to the author. The whole circle immediately entreated Mr. Falkland to comply with their wishes, and Mr. Clare, who was one of the company, enforced their petition. Nothing gave this gentleman so much pleasure as to have an opportunity of witnessing and doing justice to the exhibition of intellectual excellence. Mr. Falkland had no false modesty or affectation, and therefore readily yielded his consent.
Mr. Tyrrel accidentally sat at the extremity of this circle. It cannot be supposed that the turn the conversation had taken was by any means agreeable to him. He appeared to wish to withdraw himself, but there seemed to be some unknown power that, as it were by enchantment, retained him in his place, and made him consent to drink to the dregs the bitter potion which envy had prepared for him.
The poem was read to the rest of the company by Mr. Clare, whose elocution was scarcely inferior to his other accomplishments. Simplicity, discrimination, and energy constantly attended him in the act of reading, and it is not easy to conceive a more refined delight than fell to the lot of those who had the good fortune to be his auditors. The beauties of Mr. Falkland's poem were accordingly exhibited with every advantage. The successive passions of the author were communicated to the hearer. What was impetuous, and what was solemn, were delivered with a responsive feeling, and a flowing and unlaboured tone. The pictures conjured up by the creative fancy of the poet were placed full to view, at one time overwhelming the soul with superstitious awe, and at another transporting it with luxuriant beauty.
The character of the hearers upon this occasion has already been described. They were, for the most part, plain, unlettered, and of little refinement. Poetry in general they read, when read at all, from the mere force of imitation, and with few sensations of pleasure; but this poem had a peculiar vein of glowing inspiration. This very poem would probably have been seen by many of them with little effect; but the accents of Mr. Clare carried it home to the heart. He ended: and, as the countenances of his auditors had before sympathised with the passions of the composition, so now they emulated each other in declaring their approbation. Their sensations were of a sort to which they were little accustomed. One spoke, and another followed by a sort of uncontrollable impulse; and the rude and broken manner of their commendations rendered them the more singular and remarkable. But what was least to be endured was the behaviour of Mr. Clare. He returned the manuscript to the lady from whom he had received it, and then, addressing Mr. Falkland, said with emphasis and animation, "Ha! this is as it should be. It is of the right stamp. I have seen too many hard essays strained from the labour of a pedant, and pastoral ditties distressed in lack of a meaning. They are such as you sir, that we want. Do not forget, however, that the Muse was not given to add refinements to idleness, but for the highest and most invaluable purposes. Act up to the magnitude of your destiny."
A moment after, Mr. Clare quitted his seat, and with Mr. Falkland and two or three more withdrew. As soon as they were gone, Mr. Tyrrel edged further into the circle. He had sat silent so long that he seemed ready to burst with gall and indignation. "Mighty pretty verses!" said he, half talking to himself, and not addressing any particular person: "why, ay, the verses are well enough. Damnation! I should like to know what a ship-load of such stuff is good for."
"Why, surely," said the lady who had introduced Mr. Falkland's Ode on the present occasion, "you must allow that poetry is an agreeable and elegant amusement."
"Elegant, quotha!--Why, look at this Falkland! A puny bit of a thing! In the devil's name, madam, do you think he would write poetry if he could do any thing better?"
The conversation did not stop here. The lady expostulated. Several other persons, fresh from the sensation they had felt, contributed their share. Mr. Tyrrel grew more violent in his invectives, and found ease in uttering them. The persons who were able in any degree to check his vehemence were withdrawn. One speaker after another shrunk back into silence, too timid to oppose, or too indolent to contend with, the fierceness of his passion. He found the appearance of his old ascendancy; but he felt its deceitfulness and uncertainty, and was gloomily dissatisfied.
In his return from