The Memoirs of Casanova (Illustrated Edition). Giacomo Casanova
my delightful work. What is a kiss? Is it not an ardent desire to inhale a portion of the being we love? Was not the blood I was sucking from that charming wound a portion of the woman I worshipped? When I had completed my work, she thanked me affectionately, and told me to spit out the blood I had sucked.
"It is here," I said, placing my hand on my heart, "and God alone knows what happiness it has given me."
"You have drunk my blood with happiness! Are you then a cannibal?"
"I believe not, madam; but it would have been sacrilege in my eyes if I had suffered one single drop of your blood to be lost."
One evening, there was an unusually large attendance at M. D—— R——'s assembly, and we were talking of the carnival which was near at hand. Everybody was regretting the lack of actors, and the impossibility of enjoying the pleasures of the theatre. I immediately offered to procure a good company at my expense, if the boxes were at once subscribed for, and the monopoly of the faro bank granted to me. No time was to be lost, for the carnival was approaching, and I had to go to Otranto to engage a troop. My proposal was accepted with great joy, and the proveditore-generale placed a felucca at my disposal. The boxes were all taken in three days, and a Jew took the pit, two nights a week excepted, which I reserved for my own profit.
The carnival being very long that year, I had every chance of success. It is said generally that the profession of theatrical manager is difficult, but, if that is the case, I have not found it so by experience, and am bound to affirm the contrary.
I left Corfu in the evening, and having a good breeze in my favour, I reached Otranto by day-break the following morning, without the oarsmen having had to row a stroke. The distance from Corfu to Otranto is only about fifteen leagues.
I had no idea of landing, owing to the quarantine which is always enforced for any ship or boat coming to Italy from the east. I only went to the parlour of the lazaretto, where, placed behind a grating, you can speak to any person who calls, and who must stand behind another grating placed opposite, at a distance of six feet.
As soon as I announced that I had come for the purpose of engaging a troupe of actors to perform in Corfu, the managers of the two companies then in Otranto came to the parlour to speak to me. I told them at once that I wished to see all the performers, one company at a time.
The two rival managers gave me then a very comic scene, each manager wanting the other to bring his troupe first. The harbour-master told me that the only way to settle the matter was to say myself which of the two companies I would see first: one was from Naples, the other from Sicily. Not knowing either I gave the preference to the first. Don Fastidio, the manager, was very vexed, while Battipaglia, the director of the second, was delighted because he hoped that, after seeing the Neapolitan troupe, I would engage his own.
An hour afterwards, Fastidio returned with all his performers, and my surprise may be imagined when amongst them I recognized Petronio and his sister Marina, who, the moment she saw me, screamed for joy, jumped over the grating, and threw herself in my arms. A terrible hubbub followed, and high words passed between Fastidio and the harbour-master. Marina being in the service of Fastidio, the captain compelled him to confine her to the lazaretto, where she would have to perform quarantine at his expense. The poor girl cried bitterly, but I could not remedy her imprudence.
I put a stop to the quarrel by telling Fastidio to shew me all his people, one after the other. Petronio belonged to his company, and performed the lovers. He told me that he had a letter for me from Therese. I was also glad to see a Venetian of my acquaintance who played the pantaloon in the pantomime, three tolerably pretty actresses, a pulcinella, and a scaramouch. Altogether, the troupe was a decent one.
I told Fastidio to name the lowest salary he wanted for all his company, assuring him that I would give the preference to his rival, if he should ask me too much.
"Sir," he answered, "we are twenty, and shall require six rooms with ten beds, one sitting-room for all of us, and thirty Neapolitan ducats a day, all travelling expenses paid. Here is my stock of plays, and we will perform those that you may choose."
Thinking of poor Marina who would have to remain in the lazaretto before she could reappear on the stage at Otranto, I told Fastidio to get the contract ready, as I wanted to go away immediately.
I had scarcely pronounced these words than war broke out again between the manager-elect and his unfortunate competitor. Battipaglia, in his rage, called Marina a harlot, and said that she had arranged beforehand with Fastidio to violate the rules of the lazaretto in order to compel me to choose their troupe. Petronio, taking his sister's part, joined Fastidio, and the unlucky Battipaglia was dragged outside and treated to a generous dose of blows and fisticuffs, which was not exactly the thing to console him for a lost engagement.
Soon afterwards, Petronio brought me Therese's letter. She was ruining the duke, getting rich accordingly, and waiting for me in Naples.
Everything being ready towards evening, I left Otranto with twenty actors, and six large trunks containing their complete wardrobes. A light breeze which was blowing from the south might have carried us to Corfu in ten hours, but when we had sailed about one hour my cayabouchiri informed me that he could see by the moonlight a ship which might prove to be a corsair, and get hold of us. I was unwilling to risk anything, so I ordered them to lower the sails and return to Otranto. At day-break we sailed again with a good westerly wind, which would also have taken us to Corfu; but after we had gone two or three hours, the captain pointed out to me a brigantine, evidently a pirate, for she was shaping her course so as to get to windward of us. I told him to change the course, and to go by starboard, to see if the brigantine would follow us, but she immediately imitated our manoeuvre. I could not go back to Otranto, and I had no wish to go to Africa, so I ordered the men to shape our course, so as to land on the coast of Calabria, by hard rowing and at the nearest point. The sailors, who were frightened to death, communicated their fears to my comedians, and soon I heard nothing but weeping and sobbing. Every one of them was calling earnestly upon some saint, but not one single prayer to God did I hear. The bewailings of scaramouch, the dull and spiritless despair of Fastidio, offered a picture which would have made me laugh heartily if the danger had been imaginary and not real. Marina alone was cheerful and happy, because she did not realize the danger we were running, and she laughed at the terror of the crew and of her companions.
A strong breeze sprang up towards evening, so I ordered them to clap on all sail and scud before the wind, even if it should get stronger. In order to escape the pirate, I had made up my mind to cross the gulf. We took the wind through the night, and in the morning we were eighty miles from Corfu, which I determined to reach by rowing. We were in the middle of the gulf, and the sailors were worn out with fatigue, but I had no longer any fear. A gale began to blow from the north, and in less than an hour it was blowing so hard that we were compelled to sail close to the wind in a fearful manner. The felucca looked every moment as if it must capsize. Every one looked terrified but kept complete silence, for I had enjoined it on penalty of death. In spite of our dangerous position, I could not help laughing when I heard the sobs of the cowardly scaramouch. The helmsman was a man of great nerve, and the gale being steady I felt we would reach Corfu without mishap. At day-break we sighted the town, and at nine in the morning we landed at Mandrachia. Everybody was surprised to see us arrive that way.
As soon as my company was landed, the young officers naturally came to inspect the actresses, but they did not find them very desirable, with the exception of Marina, who received uncomplainingly the news that I could not renew my acquaintance with her. I felt certain that she would not lack admirers. But my actresses, who had appeared ugly at the landing, produced a very different effect on the stage, and particularly the pantaloon's wife. M. Duodo, commander of a man-of-war, called upon her, and, finding master pantaloon intolerant on the subject of his better-half, gave him a few blows with his cane. Fastidio informed me the next day that the pantaloon and his wife refused to perform any more, but I made them alter their mind by giving them a benefit night.
The pantaloon's wife was much applauded, but she felt insulted because, in the midst of the applause, the pit called out, "Bravo, Duodo!" She presented herself to the general in his own box, in which I was generally, and complained of the manner in which