OF TIME AND THE RIVER. Thomas Wolfe
the molten hues of autumn, are all about him: the towering summits, wild and lonely, full of joy and strangeness and their haunting premonitions of oncoming winter soar above him, the gulches, gorges, gaps, and wild ravines, fall sheer and suddenly away with a dizzy terrifying steepness, and all the time the great train toils slowly down from the mountain summits with the sinuous turnings of an enormous snake. And from the very toiling slowness of the train, together with the terrific stillness and nearness of the marvellous hills, a relation is established, an emotion evoked, which it is impossible to define, but which, in all its strange and poignant mingling of wild sorrow and joy, grief for the world that one is losing, swelling triumph at the thought of the strange new world that one will find, is instantly familiar, and has been felt by every one.
The train toils slowly round the mountain grades, the short and powerful blasts of its squat funnel sound harsh and metallic against the sides of rocky cuts. One looks out the window and sees cut, bank, and gorge slide slowly past, the old rock wet and gleaming with the water of some buried mountain spring. The train goes slowly over the perilous and dizzy height of a wooden trestle; far below, the traveller can see and hear the clean foaming clamours of rock-bright mountain water; beside the track, before his little hut, a switchman stands looking at the train with the slow wondering gaze of the mountaineer. The little shack in which he lives is stuck to the very edge of the track above the steep and perilous ravine. His wife, a slattern with a hank of tight-drawn hair, a snuff-stick in her mouth, and the same gaunt, slow wondering stare her husband has, stands in the doorway of the shack, holding a dirty little baby in her arms.
It is all so strange, so near, so far, so terrible, beautiful, and instantly familiar, that it seems to the traveller that he must have known these people for ever, that he must now stretch forth his hand to them from the windows and the rich and sumptuous luxury of the Pullman car, that he must speak to them. And it seems to him that all the strange and bitter miracle of life — how, why, or in what way, he does not know — is in that instant greeting and farewell; for once seen, and lost the moment that he sees it, it is his for ever and he can never forget it. And then the slow toiling train has passed these lives and faces and is gone, and there is something in his heart he cannot say.
At length the train has breached the last great wall of the soaring ranges, has made its slow and sinuous descent around the powerful bends and cork-screws of the shining rails (which now he sees above him seven times) and towards dark, the lowland country has been reached. The sun goes down behind the train a tremendous globe of orange and pollen, the soaring ranges melt swiftly into shapes of smoky and enchanted purple, night comes — great-starred and velvet-breasted night — and now the train takes up its level pounding rhythm across the piedmont swell and convolution of the mighty State.
Towards nine o’clock at night there is a pause to switch cars and change engines at a junction town. The traveller, with the same feeling of wild unrest, wonder, nameless excitement and wordless expectancy, leaves the train, walks back and forth upon the platform, rushes into the little station luncheon room or out into the streets to buy cigarettes, a sandwich — really just to feel this moment’s contact with another town. He sees vast flares and steamings of gigantic locomotives on the rails, the seamed, blackened, lonely faces of the engineers in the cabs of their great engines, and a little later he is rushing again across the rude, mysterious visage of the powerful, dark, and lonely earth of old Catawba.
Toward midnight there is another pause at a larger town — the last stop in Catawba — again the feeling of wild unrest and nameless joy and sorrow. The traveller gets out, walks up and down the platform, sees the vast slow flare and steaming of the mighty engine, rushes into the station, and looks into the faces of all the people passing with the same sense of instant familiarity, greeting, and farewell — that lonely, strange, and poignantly wordless feeling that Americans know so well. Then he is in the Pullman again, the last outposts of the town have slipped away from him and the great train which all through the afternoon has travelled eastward from the mountains half across the mighty State, is now for the first time pointed northward, worldward, towards the secret borders of Virginia, towards the great world cities of his hope, the fable of his childhood legendry, and the wild and secret hunger of his heart, his spirit and his life.
Already the little town from which he came in the great hills, the faces of his kinsmen and his friends, their most familiar voices, the shapes of things he knew seem far and strange as dreams, lost at the bottom of the million-visaged sea-depth of dark time, the strange and bitter miracle of life. He cannot think that he has ever lived there in the far lost hills, or ever left them, and all his life seems stranger than the dream of time, and the great train moves on across the immense and lonely visage of America, making its great monotone that is the sound of silence and for ever. And in the train, and in ten thousand little towns, the sleepers sleep upon the earth.
Then bitter sorrow, loneliness and joy come swelling to his throat — quenchless hunger rises from the adyts of his life and conquers him, and with wild wordless fury horsed upon his life, he comes at length, in dark mid-watches of the night, up to the borders of the old earth of Virginia.
Who has seen fury riding in the mountains? Who has known fury striding in the storm? Who has been mad with fury in his youth, given no rest or peace or certitude by fury, driven on across the earth by fury, until the great vine of the heart was broke, the sinews wrenched, the little tenement of bone, blood, marrow, brain, and feeling in which great fury raged, was twisted, wrung, depleted, worn out, and exhausted by the fury which it could not lose or put away? Who has known fury, how it came?
How have we breathed him, drunk him, eaten fury to the core, until we have him in us now and cannot lose him anywhere we go? It is a strange and subtle worm that will be for ever feeding at our heart. It is a madness working in our brain, a hunger growing from the food it feeds upon, a devil moving in the conduits of our blood, it is a spirit wild and dark and uncontrollable forever swelling in our soul, and it is in the saddle now, horsed upon our lives, rowelling the spurs of its insatiate desire into our naked and defenceless sides, our owner, master, and the mad and cruel tyrant who goads us on for ever down the blind and brutal tunnel of kaleidoscopic days at the end of which is nothing but the blind mouth of the pit and darkness and no more.
Then, then, will fury leave us, he will cease from those red channels of our life he has so often run, another sort of worm will work at that great vine, whereat he fed. Then, then, indeed, he must give over, fold his camp, retreat; there is no place for madness in a dead man’s brain, no place for hunger in a dead man’s flesh, and in a dead man’s heart there is a place for no desire.
At what place of velvet-breasted night long, long ago, and in what leafy darkened street of mountain summer, hearing the footsteps of approaching lovers in the night, the man’s voice, low, hushed, casual, confiding, suddenly the low rich welling of a woman’s laughter, tender and sensual in the dark, going, receding, fading, and then the million-noted silence of the night again? In what ancient light of fading day in a late summer; what wordless passion then of sorrow, joy, and ecstasy — was he betrayed to fury when it came?
Or in the black dark of some forgotten winter’s morning, child of the storm and brother to the dark, alone and wild and secret in the night as he leaned down against the wind’s strong wall towards Niggertown, blocking his folded papers as he went, and shooting them terrifically in the wind’s wild blast against the shack-walls of the jungle-sleeping blacks, himself alone awake, wild, secret, free and stormy as the wild wind’s blast, giving it howl for howl and yell for yell, with madness, and a demon’s savage and exultant joy, up-welling in his throat! Oh, was he then, on such a night, betrayed to fury — was it then, on such a night, that fury came?
He never knew; it may have been a rock, a stone, a leaf, the moths of golden light as warm and moving in a place of magic green, it may have been the storm-wind howling in the barren trees, the ancient fading light of day in some forgotten summer, the huge unfolding mystery of undulant, oncoming night.
Oh, it might have been all this in the April and moist lilac darkness of some forgotten morning as he saw the clean line of the East cleave into morning at the mountain’s ridge. It may have been the first light, bird-song, an end to labour and the sweet ache and pure fatigue of the lightened shoulder as he came home at morning hearing the single lonely hoof, the jinking