When Ghost Meets Ghost. William De Morgan

When Ghost Meets Ghost - William De Morgan


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that your third cigar, Mr. Pellew?"

      "No—second. Come, I say, Miss Dickenson, two's not much. … "

      But her remark was less a tobacco-crusade than a protest against too abrupt a production of family history by a family friend. Mr. Pellew felt confident it would come, though; and it did, at about the third whiff of the new cigar.

      "I suppose you know the story?"

      "Couldn't say, without hearing it first to know."

      "About Philippa and Sir Hamilton Torrens?"

      "Can't say I have. But then I'm the sort of fellah nobody ever tells things to."

      "I suppose I oughtn't to have mentioned it."

      "I shall not tell anyone you did so. You may rely on that." Mr. Pellew gave his cigar a half-holiday to say this seriously, and Miss Dickenson felt that his type, though too tailor-made, was always to be relied on; you had only to scratch it to find a Gentleman underneath. No audience ever fails to applaud the discovery on the stage. Evidently there was no reserve needed—a relation of the Earl, too! Still, she felt satisfied at this passing recognition of Prudence on her part. Preliminaries had been done justice to.

      She proceeded to tell what she knew of the episode of her friend's early engagement to the father of the gentleman who had been shot. It was really a very flat story; so like a thousand others of its sort as scarcely to claim narration-space. Youth, beauty, high spirits, the London season, first love—warranted the genuine article—parental opposition to the union of Romeo and Juliet, on the vulgar, unpoetical ground of Romeo having no particular income and vague expectations; the natural impatience of eighteen and five-and-twenty when they don't get their own way in everything; misunderstandings, ups-and-downs, reconciliations and new misunderstandings; finally one rather more serious than its predecessors, and judicious non-interference of bystanders—underhanded bystanders who were secretly favouring another suitor, who wasn't so handsome and showy as Romeo certainly, but who was of sterling worth and all that sort of thing. Besides, he was very nearly an Earl, and Hamilton Torrens was three-doors off his father's Baronetcy and Pensham Steynes. This may have had its weight with Juliet. Miss Dickenson candidly admitted that she herself would have been influenced; but then, no doubt she was a worldling. Mr. Pellew admired the candour, discerning in it exaggeration to avoid any suspicion of false pretence. He did not suspect himself of any undue leniency to this lady. She was altogether too passée to admit of any such idea.

      The upshot of the flat episode, of course, was that Philippa "became engaged" to her new suitor, and did not fall out with him. They were married within the year, and three months later her former fiancé's father died, rather unexpectedly. His eldest son, coming home from Burmah on sick-leave, died on the voyage, of dysentery; and his second brother, a naval officer, was in the autumn of the same year killed by a splinter at the Battle of Navarino. So by a succession of fatalities Romeo found himself the owner of his father's estate, and a not very distant neighbour of Juliet and his successful rival.

      It appeared that he had consoled himself by marrying a Miss Abercrombie, Miss Dickenson believed. These Romeos always marry a Miss Something; who, owing to the way she comes into the story, is always on the top-rung of the ladder of insipidity. Nobody cares for her; she appears too late to interest us. No doubt there were several Miss Abercrombies on draught, and he selected the tallest or the cleverest or the most musical, avoiding, of course, the dowdiest.

      However, there was Lady Ancester's romance, told to account for the languid intercourse between the Castle and Pensham Steynes, and the non-recognition of one another by Gwen and the Man in the Park. Miss Dickenson added a rider to the effect that she could quite understand the position. It would be a matter of mutual tacit consent, tempered down by formal calls enough to allay local gossip. "I think Miss Torrens has stopped," said she collaterally; you know how one speaks collaterally? "Shall we walk towards the house?"

      Then the Hon. Percival made a speech he half repented of later; videlicet, when he woke next morning. It became the fulcrum, as it were, of an inexplicable misgiving that Miss Dickenson would be bearing the light worse than ever when he saw her at breakfast. The speech was:—"It's very nice out here. One can hear the Don at Covent Garden. Besides … one can hear out here just as well." This must have been taken to mean that two could. For the lady's truncated reply was:—"Till you've finished your cigar, then!"

      Combustion was lip-close when the cigar-end was thrown away. The reader of this story may be able to understand a thing its writer can only record without understanding—the fact that this gentleman felt grateful to the fine moonlight night, now nearly a fait-accompli, for enhancing this lady's white silk, which favoured a pretence that she was only reasonably passée, and enabled him to reflect upon the contour of her throat without interruption from its skin. For it had a contour by moonlight. Well!—sufficient to the day is the evil thereof; daylight might have its say to-morrow. Consider the clock put back a dozen years!

      "Oh yes, he's asleep still, but I've seen him—looked in on my way down. Do you know, I really believe he will be quite fit for the journey to-morrow. He's getting such a much better colour, and last night he seemed so much stronger." Thus the last comer to the morning-rally of breakfast claimants, in its ante-room, awaiting its herald. Miss Irene Torrens is a robust beauty with her brother's eyes. She has been with him constantly since she came with her father three weeks ago, and the two of them watched his every breath through the terrible day and night that followed.

      "Then perhaps he will let us see him," says Lady Gwen. "At last!"

      "You must not expect too much," says Miss Torrens. She does not like saying it, but facts are overpowering. Her brother has exacted a pledge from her to say nothing, even now, about his blindness—merely to treat him as weak-eyed temporarily. He will pass muster, he says—will squeak through somehow. "I can't have that glorious girl made miserable," were the words he had used to her, half an hour since. This Irene will be all on tenterhooks till the interview is safely over. Meanwhile it is only prudent not to sound too hopeful a note. It is as well to keep a margin in reserve in case the performance should fall through.

      Irene's response to her brother's words had been, "She is a glorious girl," and she was on the way to "You should have seen her eyes last night over that Beethoven!" But she broke down on the word eyes. How else could it have been? Then the blind man had laughed, in the courage of his heart, as big a laugh as his pitiable weakness could sustain, and had made light of his affliction. He had never given way from the first hour of his revival, when he had asked to have the shutters open, and had been told they were already wide open, and the July sun streaming into the room.

      It was the Countess who answered Irene's caution, as accompaniment to her morning salute. "We are not to expect anything, my dear. That is quite understood. It would be unreasonable. And we won't stop long and tire him. But this girl of mine will never be happy if he goes away without our—well!—becoming acquainted, I might almost say. Because really we are perfect strangers. And when one has shot a man, even by accident. … " Her ladyship did not finish, but went on to hope the eyesight was recovering.

      "Oh yes!" said Irene audaciously. "We are quite hopeful about it now. It will be all right with rest and feeding up. Only, if I let you in to see him you will promise me, won't you—not to say a word about his eyes? It only frightens him, and does no one any good." Of course, Miss Torrens got her promise. It was an easy one to make, because reference to the eyes only seemed a means towards embarrassment. Much easier to say nothing about them. Gwen and Miss Torrens, very liées already, went out by the garden window to talk, but would keep within hearing because breakfast was imminent.

      More guests, and the newspapers; as great an event in the early fifties as now, but with only a fraction of the twentieth century's allowance of news. Old General Rawnsley, guilty of his usual rudeness in capturing the Times from all comers, had to surrender it to the Hon. Percival because none but a dog-in-the-manger could read a letter from Sir C. Napier of Scinde, and about Dr. Livingstone and Sekeletu and the Leeambye all at the same time. All comers, or several male comers at least, essayed to pinion the successful captor of the Times,


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