The Tales of the Wild North (39 Novels & Stories in One Volume). James Oliver Curwood
masters with their hands and feet, met the much larger and darker-colored Malemutes from the Athabasca. Enemies of all these, fighting, snapping, and snarling, with the lust of killing deep born in them from their wolf progenitors, packs of fierce huskies trailed in from all sides.
There was no cessation in the battle of the fangs. It began with the first brute arrivals. It continued from dawn through the day, and around the campfires at night. There was never an end to the strife between the dogs, and between the men and the dogs. The snow was stained and trailed with blood, and the scent of it added greater fierceness to the wolf-breeds. Half a dozen battles were fought to the death each day and night. Those that died were chiefly the south-bred curs—mixtures of mastiff, Great Dane, and sheep-dogs—and the fatally slow Mackenzie hounds.
From its towering height the sentinel spruce frowned down upon the savage life that had come to outrage the grave it guarded. Yet beyond all this discord and bloody strife there was a great, throbbing human happiness—a beating of honest hearts filled to overflowing with the joys of the moment, a welding of new friendships, a renewal of old ones, a closer union of the brotherhood that holds together all things under the cold gray of the northern skies.
There were no bickerings among the hunters, no anger of man against man in the fierce voices that emphasized the slashing cuts of the caribou-whips. If the fangs of a Hudson's Bay husky let out the lifeblood from the soft throat of a Mackenzie hound, it was a matter of the dogs, and not of their owners. They did not quarrel.
One day a fierce Eskimo pack cornered a giant husky under the big spruce, and slew him. When Cummins came from the company's store in the afternoon, he saw a number of men, with bared heads, working about the grave. He drew near enough to see that they were building around it a barricade of saplings; and his breath choked him as he turned to the cabin and Melisse. He noticed, too, that no fires were built near the spot consecrated to the memory of the dead woman; and to his cabin the paths in the snow became deeper and wider where trod the wild forest men who came to look upon the little Melisse.
These were days of unprecedented prosperity and triumph for the baby, as they were for the company. The cabin was half filled with strange things, for all who came gave something to Melisse. There were polar bears' teeth, brought down by the little black men who in turn had got them from the coast people; strange gods carved from wood; bits of fur, bushy fox tails, lynx paws, dried fruits, candy bought at fabulous prices in the store, and musk—always and incessantly musk— from Mukee's people of the west barrens.
To Jan this homage to Melisse was more than gratifying. It formed a bond between him and Cummins' people. His heart went out to them, and he went more freely among them, and made friends.
CHAPTER VII
THE CARIBOU CARNIVAL
Jan had not played upon his violin since the coming of Jean de Gravois; but one evening he tuned his strings, and said to Melisse:
"They have been good to you, my Melisse. I will give them ze museek of ze violon."
It was the big night at the post—the night that is known from Athabasca to Hudson's Bay as the night of the caribou roast. A week had passed, and there were no more furs to be disposed of. In the company's ledger each man had received his credit, and in the company's store the furs were piled high and safe. Three caribou had been killed by Per-ee and his hunters; and on this night, when Jan took down his violin from its peg on the wall, a huge fire blazed in the open, and on spits six inches in diameter the caribou were roasting.
The air was filled with the sound and odor of the carnival. Above the fighting and snarling of dogs, the forest people lifted their voices in wild celebration, forgetting, in this one holiday of the year, the silence that they would carry back into the solitudes with them.
Numbers gave them courage of voice, and in its manifestation there was the savagery of the forests that hemmed them in. Shrill voices rose in meaningless cries above the roaring of the fire. Caribou whips snapped fiercely. Chippewayans, Crees, Eskimos, and breeds crowded in the red glare. The factor's men shouted and sang like mad, for this was the company's annual "good time"—the show that would lure many of these same men back again at the end of another trapping season.
Huge boxes of white bread were placed near to the fire. A tub of real butter, brought five thousand miles from across the sea for the occasion, was set on a gun-case thrown where the heat played upon it in yellow glory. In a giant copper kettle, over a smaller fire, bubbled and steamed half a barrel of coffee.
The richness of the odors that drifted in the air set the dogs gathering upon their haunches beyond the waiting circle of masters, their lips dripping, their fangs snapping in an eagerness that was not for the flesh of battle. And above it all there gleamed down a billion stars from out of the skies, the aurora flung its banners through the pale night, and softly the smoke rose straight up and then floated into the North, carried there by the gentle breath that spring was luring from out of the South.
Jan picked his way through the cordon of dogs and the inner circle of men until he stood with the firelight flashing in his glossy hair and black eyes, and there, seated upon the edge of one of the bread-boxes, he began to play.
It was not the low, sweet music of Cummins and the little Melisse that he played now, but a wild, wailing song that he had found in the autumn winds. It burst above the crackling fire and the tumult of man and dog in a weird and savage beauty that hushed all sound; and life about him became like life struck suddenly dead. With his head bowed Jan saw nothing—saw nothing of the wonder in the faces of the halfcringing little black men who were squatted in a group a dozen feet away, nothing of the staring amazement in the eyes that were looking upon this miracle he was performing. He knew only that about him there was a deep hush, and after a while his violin sang a lower song, and sweeter; and still softer it became, and more sweet, until he was playing that which he loved most of all—the music that had filled the little cabin when Cummins' wife died.
As he continued to play there came an interruption to the silence—a low refrain that was almost like that of the moaning wind. It grew beyond the tense circle of men, until a song of infinite sadness rose from the throats of a hundred dogs in response to Jan Thoreau's violin. To Jan, it was like the song of life. The unending loneliness and grief of it stirred him to the quick of his soul, and unconsciously his voice rose and fell softly with the wailing of the brute chorus. But to the others it was a thing that rose portentous above their understanding, a miracle of mystery that smote them with awe even as they surrendered themselves to the wonderful sweetness of the music.
Cummins saw the change in his people, and understood what it meant. He saw the surrounding cordon become thinner as man crushed closer to man, and he saw strained faces turned from the player to where the dogs sat full-throated upon their haunches, with their heads pointed straight to the stars in the sky.
Suddenly he burst into a volume of wild song, and made his way through the crouching Eskimos to Jan.
"For the love of Heaven, play no more of that!" he cried in the boy's ear. "Play something fast!"
Jan lifted his head as if from a dream. In an instant he perceived the strange effect of his music, and his bow raced across the strings of his violin in a rhythm swift and buoyant, his voice rising shrill and clear in words familiar to them all:
"Oh, ze cariboo-oo-oo, ze cariboo-oo-oo, He roas' on high, Jes' under ze sky, Ze beeg white cariboo-oo-oo!"
With a yell Cummins joined in, waving his arms and leaping in the firelight. The spell was broken. Williams and Mukee and the rest of the company's men burst forth in song; Jan's violin leaped in crescendos of stirring sound; and where before there had been a silent circle of awestruck men there was now a yelling din of voices.
The dogs lowered their heads again, and licked their chops at the odors in the air. With a yell Mukee and three Crees dashed toward the fire, long-hooked poles in their hands; and as the caribou carcasses were turned upon their huge spits, and their dripping fat fell sizzling into the flames, the wild chorus