Pharos, the Egyptian (Horror Classic). Guy Boothby
evening; consequently it was not until my guests bade me 'Good night,' and retired to their various rooms, by which time it was well after eleven o'clock, that I found myself at liberty to return to the study.
"Once there, I made up the fire, wheeled an easy-chair to a position before it, arranged the reading-lamp so that the light should fall upon the paper over my left shoulder, and having made these preparations, unlocked the drawer and took out the packet De Silva had handed to me.
"It was with a mixture of pain, a small measure of curiosity, but more apprehension as to what I should find within, that I cut the string and broke the seals. Inside I discovered a note and a roll of manuscript in that fine and delicate handwriting we used to know so well. After a hasty glance at it, I put the latter aside, and opened the envelope. The note I found within was addressed to you, Trevelyan, as well as to myself, and read as follows:—
"'My dear old Friends: In company with many other people, you must have wondered what the circumstances could have been that induced me to leave England so suddenly, to forfeit the success I had won for myself after so much up-hill work, and, above all, to bid farewell to a life and an art I loved so devotedly, and from which, I think I may be excused for saying, I had such brilliant expectations. I send you herewith, Betford, by a bearer I can trust, an answer to that question. I want you to read it, and, having done so, to forward it to George Trevelyan, with the request that he will do the same. When you have mastered the contents, you must unitedly arrange with some publishing house to put it before the world, omitting nothing, and in no way attempting to offer any extenuation for my conduct. We were three good friends once, in an age as dead to me now as the Neolithic. For the sake of that friendship, therefore, I implore this favour at your hands. As you hope for mercy on that Last Great Day when the sins of all men shall be judged, do as I entreat you now. How heavily I have sinned against my fellow-men—in ignorance, it is true—you will know when you have read what I have written. This much is certain—the effect of it weighs upon my soul like lead. If you have any desire to make that load lighter, carry out the wish I now express to you. Remember me also in your prayers, praying not as for a man still living, but as you would for one long since dead. That God may bless and keep you both will ever be the wish of your unhappy friend,
"'Cyril Forrester.
"'P. S.—Matthew Simpford, in the Strand, is keeping two pictures for me. They were once considered among my best work. I ask you each to accept one, and when you look at them try to think as kindly as possible of the friend who is gone from you forever.'
"So much for the letter. It is possible there may be people who will smile sarcastically when they read that, as I finished it, tears stood in my eyes, so that I could scarcely see the characters upon the paper.
"You, Trevelyan, I know, will understand my emotion better. And why should I not have been affected? Forrester and I had been good friends in the old days, and it was only fit and proper I should mourn his loss. Handsome, generous, clever, who could help loving him? I could not, that's certain.
"The letter finished, I replaced it in its envelope and turned my attention to the manuscript. When I began to read, the hands of the clock upon the chimneypiece stood at twenty minutes to twelve, and they had reached a quarter past five before I had completed my task. All that time I read on without stopping, filled with amazement at the story my poor friend had to tell, and consumed with a great sorrow that his brilliant career should have terminated in such an untoward manner.
"Now, having completed my share of the task, as required of me in the letter, I send the manuscript by special messenger to you. Read it as he desires, and when you have done so let me have your opinion upon it. Then I will come up to town, and we will arrange to carry out the last portion of our poor friend's request together. In the meantime,
"Believe me ever your friend,
"William Betford."
* * * * *
Six months later.
Trevelyan and I have completed the task allotted to us. We have read Forrester's manuscript, and we have also discovered a publisher who will place it before the world. What the result is to be it remains for time to decide.
Chapter I.
If ever a man in this world had a terrible—I might almost go so far as to add a shameful—story to relate, surely I, Cyril Forrester, am the one. How strange—indeed, how most unbelievable—it is I do not think I even realised myself until I sat down to write it. The question the world will in all probability ask when it has read it is, why it should have been told at all. It is possible it may be of opinion that I should have served my generation just as well had I allowed it to remain locked up in my own bosom for all time. This, however, my conscience would not permit. There are numberless reasons, all of them important and some imperative beyond all telling, why I should make my confession, though God knows I am coward enough to shrink from the task. And if you consider for a moment, I think you will understand why. In the first place, the telling of the story can only have the effect of depriving me of the affection of those I love, the respect of those whose good opinion I have hitherto prized so highly, the sympathy of my most faithful friends, and, what is an equal sacrifice as far as I am personally concerned—though it is, perhaps, of less importance to others—the fame I have won for myself after so hard a struggle. All this is swept away like drift-wood before a rising tide, and as a result I retire into voluntary exile, a man burdened with a life-long sorrow. How I have suffered, both in body and mind, none will ever understand. That I have been punished is also certain, how heavily you, my two old friends, will be able to guess when you have read my story. With the writing of it I have severed the last link that binds me to the civilized world. Henceforth I shall be a wanderer and an outcast, and but for one reason could wish myself dead. But that is enough of regret; let me commence my story.
Two years ago, as you both have terrible reason to remember, there occurred in Europe what may, perhaps, be justly termed the most calamitous period in its history, a time so heart-breaking, that scarcely a man or woman can look back upon it without experiencing the keenest sorrow. Needless to say I refer to the outbreak of the plague among us, that terrible pestilence which swept Europe from end to end, depopulated its greatest cities, filled every burial-place to overflowing, and caused such misery and desolation in all ranks of life as has never before been known among us. Few homes were there, even in this fair England of ours, but suffered some bereavement; few families but mourn a loss the wound of which has even now barely healed. And it is my part in this dreadful business that I have forced myself with so much bitter humiliation to relate. Let me begin at the very beginning, tell everything plainly and straightforwardly, offer nothing in extenuation of my conduct, and trust only to the world to judge me, if such a thing be possible, with an unbiassed mind.
I date my misery from a wet, miserable night in the last week of March—a night without a glimpse of the moon, which, on that particular evening, was almost at its full. There had been but one solitary hour of painting-light all day; short as it was, however, it was sufficient for my purpose. My picture for the Academy was finished, and now all that remained was to pack it up and send it in. It was, as you remember, my eighth, and in every way my most successful effort. The subject I had chosen had enthralled me from the moment it had first entered my head, and the hours of thought and preparation it had entailed will always rank among the happiest of my life. It represented Merenptah, the Pharaoh of the Exodus, learning from the magicians the effect of his obstinacy in the death of his first-born son. The canvas showed him seated on his throne, clad in his robes of state. His head was pushed a little forward, his chin rested in his hand, while his eyes looked straight before him as though he were endeavouring to peer into the future in the hope of reading there the answer to the troubled thoughts inside his brain. Behind him stood the sorcerers, one of whom had found courage to announce the baneful tidings.
The land of Egypt has always possessed a singular attraction for me—a taste which, doubtless, I inherit from my poor father, who, as you are aware, was one of the greatest authorities upon