The Education of Henry Adams. Henry Adams
which could never approach the immorality of Roman history. Rome was actual; it was England; it was going to be America. Rome could not be fitted into an orderly, middle-class, Bostonian, systematic scheme of evolution. No law of progress applied to it. Not even time-sequences--the last refuge of helpless historians--had value for it. The Forum no more led to the Vatican than the Vatican to the Forum. Rienzi, Garibaldi, Tiberius Gracchus, Aurelian might be mixed up in any relation of time, along with a thousand more, and never lead to a sequence. The great word Evolution had not yet, in 1860, made a new religion of history, but the old religion had preached the same doctrine for a thousand years without finding in the entire history of Rome anything but flat contradiction.
Of course both priests and evolutionists bitterly denied this heresy, but what they affirmed or denied in 1860 had very little importance indeed for 1960. Anarchy lost no ground meanwhile. The problem became only the more fascinating. Probably it was more vital in May, 1860, than it had been in October, 1764, when the idea of writing the Decline and Fall of the city first started to the mind of Gibbon, "in the close of the evening, as I sat musing in the Church of the Zoccolanti or Franciscan Friars, while they were singing Vespers in the Temple of Jupiter, on the ruins of the Capitol." Murray's Handbook had the grace to quote this passage from Gibbon's "Autobiography," which led Adams more than once to sit at sunset on the steps of the Church of Santa Maria di Ara Cœli, curiously wondering that not an inch had been gained by Gibbon--or all the historians since--towards explaining the Fall. The mystery remained unsolved; the charm remained intact. Two great experiments of Western civilization had left there the chief monuments of their failure, and nothing proved that the city might not still survive to express the failure of a third.
The young man had no idea what he was doing. The thought of posing for a Gibbon never entered his mind. He was a tourist, even to the depths of his sub-consciousness, and it was well for him that he should be nothing else, for even the greatest of men cannot sit with dignity, "in the close of evening, among the ruins of the Capitol," unless they have something quite original to say about it. Tacitus could do it; so could Michael Angelo; and so, at a pinch, could Gibbon, though in figure hardly heroic; but, in sum, none of them could say very much more than the tourist, who went on repeating to himself the eternal question:--Why! Why!! Why!!!--as his neighbor, the blind beggar, might do, sitting next him, on the church steps. No one ever had answered the question to the satisfaction of any one else; yet every one who had either head or heart, felt that sooner or later he must make up his mind what answer to accept. Substitute the word America for the word Rome, and the question became personal.
Perhaps Henry learned something in Rome, though he never knew it, and never sought it. Rome dwarfs teachers. The greatest men of the age scarcely bore the test of posing with Rome for a background. Perhaps Garibaldi--possibly even Cavour--could have sat "in the close of the evening, among the ruins of the Capitol," but one hardly saw Napoleon III there, or Palmerston or Tennyson or Longfellow. One morning, Adams happened to be chatting in the studio of Hamilton Wilde, when a middle-aged Englishman came in, evidently excited, and told of the shock he had just received, when riding near the Circus Maximus, at coming unexpectedly on the guillotine, where some criminal had been put to death an hour or two before. The sudden surprise had quite overcome him; and Adams, who seldom saw the point of a story till time had blunted it, listened sympathetically to learn what new form of grim horror had for the moment wiped out the memory of two thousand years of Roman bloodshed, or the consolation, derived from history and statistics, that most citizens of Rome seemed to be the better for guillotining. Only by slow degrees, he grappled the conviction that the victim of the shock was Robert Browning; and, on the background of the Circus Maximus, the Christian martyrs flaming as torches, and the morning's murderer on the block, Browning seemed rather in place, as a middle-aged gentlemanly English Pippa Passes; while afterwards, in the light of Belgravia dinner-tables, he never made part of his background except by effacement. Browning might have sat with Gibbon, among the ruins, and few Romans would have smiled.
Yet Browning never revealed the poetic depths of Saint Francis; William Story could not touch the secret of Michael Angelo, and Mommsen hardly said all that one felt by instinct in the lives of Cicero and Caesar. They taught what, as a rule, needed no teaching, the lessons of a rather cheap imagination and cheaper politics. Rome was a bewildering complex of ideas, experiments, ambitions, energies; without her, the Western world was pointless and fragmentary; she gave heart and unity to it all; yet Gibbon might have gone on for the whole century, sitting among the ruins of the Capitol, and no one would have passed, capable of telling him what it meant. Perhaps it meant nothing.
So it ended; the happiest month of May that life had yet offered, fading behind the present, and probably beyond the past, somewhere into abstract time, grotesquely out of place with the Berlin scheme or a Boston future. Adams explained to himself that he was absorbing knowledge. He would have put it better had he said that knowledge was absorbing him. He was passive. In spite of swarming impressions he knew no more when he left Rome than he did when he entered it. As a marketable object, his value was less. His next step went far to convince him that accidental education, whatever its economical return might be, was prodigiously successful as an object in itself. Everything conspired to ruin his sound scheme of life, and to make him a vagrant as well as pauper. He went on to Naples, and there, in the hot June, heard rumors that Garibaldi and his thousand were about to attack Palermo. Calling on the American Minister, Chandler of Pennsylvania, he was kindly treated, not for his merit, but for his name, and Mr. Chandler amiably consented to send him to the seat of war as bearer of despatches to Captain Palmer of the American sloop of war Iroquois. Young Adams seized the chance, and went to Palermo in a government transport filled with fleas, commanded by a charming Prince Caracciolo.
He told all about it to the Boston Courier; where the narrative probably exists to this day, unless the files of the Courier have wholly perished; but of its bearing on education the Courier did not speak. He himself would have much liked to know whether it had any bearing whatever, and what was its value as a post-graduate course. Quite apart from its value as life attained, realized, capitalized, it had also a certain value as a lesson in something, though Adams could never classify the branch of study. Loosely, the tourist called it knowledge of men, but it was just the reverse; it was knowledge of one's ignorance of men. Captain Palmer of the Iroquois, who was a friend of the young man's uncle, Sydney Brooks, took him with the officers of the ship to make an evening call on Garibaldi, whom they found in the Senate House towards sunset, at supper with his picturesque and piratic staff, in the full noise and color of the Palermo revolution. As a spectacle, it belonged to Rossini and the Italian opera, or to Alexandre Dumas at the least, but the spectacle was not its educational side. Garibaldi left the table, and, sitting down at the window, had a few words of talk with Captain Palmer and young Adams. At that moment, in the summer of 1860, Garibaldi was certainly the most serious of the doubtful energies in the world; the most essential to gauge rightly. Even then society was dividing between banker and anarchist. One or the other, Garibaldi must serve. Himself a typical anarchist, sure to overshadow Europe and alarm empires bigger than Naples, his success depended on his mind; his energy was beyond doubt.
Adams had the chance to look this sphinx in the eyes, and, for five minutes, to watch him like a wild animal, at the moment of his greatest achievement and most splendid action. One saw a quiet-featured, quiet-voiced man in a red flannel shirt; absolutely impervious; a type of which Adams knew nothing. Sympathetic it was, and one felt that it was simple; one suspected even that it might be childlike, but could form no guess of its intelligence. In his own eyes Garibaldi might be a Napoleon or a Spartacus; in the hands of Cavour he might become a Condottiere; in the eyes of history he might, like the rest of the world, be only the vigorous player in the game he did not understand. The student was none the wiser.
This compound nature of patriot and pirate had illumined Italian history from the beginning, and was no more intelligible to itself than to a young American who had no experience in double natures. In the end, if the "Autobiography" tells truth, Garibaldi saw and said that he had not understood his own acts; that he had been an instrument; that he had served the purposes of the class he least wanted to help; yet in 1860 he thought himself the revolution anarchic, Napoleonic, and his ambition was unbounded. What should a young Bostonian have made of a character like this, internally alive with childlike fancies, and externally quiet, simple, almost innocent;