THE COMPLETE FORSYTE SAGA SERIES: The Forsyte Saga, A Modern Comedy, End of the Chapter & On Forsyte 'Change (A Prequel). John Galsworthy
was a bit of the sculptor in him, I fancy."
"Yes. He loved balance and symmetry; he loved the whole-hearted way the Greeks gave themselves to art."
Balance! The chap had no balance at all, if he remembered; as for symmetry—clean-built enough he was, no doubt; but those queer eyes of his, and high cheek-bones—Symmetry?
"You're of the Golden Age, too, Uncle Jolyon."
Old Jolyon looked round at her. Was she chaffing him? No, her eyes were soft as velvet. Was she flattering him? But if so, why? There was nothing to be had out of an old chap like him.
"Phil thought so. He used to say: 'But I can never tell him that I admire him.'"
Ah! There it was again. Her dead lover; her desire to talk of him! And he pressed her arm, half resentful of those memories, half grateful, as if he recognised what a link they were between herself and him.
"He was a very talented young fellow," he murmured. "It's hot; I feel the heat nowadays. Let's sit down."
They took two chairs beneath a chestnut tree whose broad leaves covered them from the peaceful glory of the afternoon. A pleasure to sit there and watch her, and feel that she liked to be with him. And the wish to increase that liking, if he could, made him go on:
"I expect he showed you a side of him I never saw. He'd be at his best with you. His ideas of art were a little new—to me "—he had stiffed the word 'fangled.'
"Yes: but he used to say you had a real sense of beauty." Old Jolyon thought: 'The devil he did!' but answered with a twinkle: "Well, I have, or I shouldn't be sitting here with you." She was fascinating when she smiled with her eyes, like that!
"He thought you had one of those hearts that never grow old. Phil had real insight."
He was not taken in by this flattery spoken out of the past, out of a longing to talk of her dead lover—not a bit; and yet it was precious to hear, because she pleased his eyes and heart which—quite true!—had never grown old. Was that because—unlike her and her dead lover, he had never loved to desperation, had always kept his balance, his sense of symmetry. Well! It had left him power, at eighty-four, to admire beauty. And he thought, 'If I were a painter or a sculptor! But I'm an old chap. Make hay while the sun shines.'
A couple with arms entwined crossed on the grass before them, at the edge of the shadow from their tree. The sunlight fell cruelly on their pale, squashed, unkempt young faces. "We're an ugly lot!" said old Jolyon suddenly. "It amazes me to see how—love triumphs over that."
"Love triumphs over everything!"
"The young think so," he muttered.
"Love has no age, no limit, and no death."
With that glow in her pale face, her breast heaving, her eyes so large and dark and soft, she looked like Venus come to life! But this extravagance brought instant reaction, and, twinkling, he said: "Well, if it had limits, we shouldn't be born; for by George! it's got a lot to put up with."
Then, removing his top hat, he brushed it round with a cuff. The great clumsy thing heated his forehead; in these days he often got a rush of blood to the head—his circulation was not what it had been.
She still sat gazing straight before her, and suddenly she murmured:
"It's strange enough that I'm alive."
Those words of Jo's 'Wild and lost' came back to him.
"Ah!" he said: "my son saw you for a moment—that day."
"Was it your son? I heard a voice in the hall; I thought for a second it was—Phil."
Old Jolyon saw her lips tremble. She put her hand over them, took it away again, and went on calmly: "That night I went to the Embankment; a woman caught me by the dress. She told me about herself. When one knows that others suffer, one's ashamed."
"One of those?"
She nodded, and horror stirred within old Jolyon, the horror of one who has never known a struggle with desperation. Almost against his will he muttered: "Tell me, won't you?"
"I didn't care whether I lived or died. When you're like that, Fate ceases to want to kill you. She took care of me three days—she never left me. I had no money. That's why I do what I can for them, now."
But old Jolyon was thinking: 'No money!' What fate could compare with that? Every other was involved in it.
"I wish you had come to me," he said. "Why didn't you?" But Irene did not answer.
"Because my name was Forsyte, I suppose? Or was it June who kept you away? How are you getting on now?" His eyes involuntarily swept her body. Perhaps even now she was—! And yet she wasn't thin—not really!
"Oh! with my fifty pounds a year, I make just enough." The answer did not reassure him; he had lost confidence. And that fellow Soames! But his sense of justice stifled condemnation. No, she would certainly have died rather than take another penny from him. Soft as she looked, there must be strength in her somewhere—strength and fidelity. But what business had young Bosinney to have got run over and left her stranded like this!
"Well, you must come to me now," he said, "for anything you want, or I shall be quite cut up." And putting on his hat, he rose. "Let's go and get some tea. I told that lazy chap to put the horses up for an hour, and come for me at your place. We'll take a cab presently; I can't walk as I used to."
He enjoyed that stroll to the Kensington end of the gardens—the sound of her voice, the glancing of her eyes, the subtle beauty of a charming form moving beside him. He enjoyed their tea at Ruffel's in the High Street, and came out thence with a great box of chocolates swung on his little finger. He enjoyed the drive back to Chelsea in a hansom, smoking his cigar. She had promised to come down next Sunday and play to him again, and already in thought he was plucking carnations and early roses for her to carry back to town. It was a pleasure to give her a little pleasure, if it WERE pleasure from an old chap like him! The carriage was already there when they arrived. Just like that fellow, who was always late when he was wanted! Old Jolyon went in for a minute to say good-bye. The little dark hall of the flat was impregnated with a disagreeable odour of patchouli, and on a bench against the wall—its only furniture—he saw a figure sitting. He heard Irene say softly: "Just one minute." In the little drawing-room when the door was shut, he asked gravely: "One of your protegees?"
"Yes. Now thanks to you, I can do something for her."
He stood, staring, and stroking that chin whose strength had frightened so many in its time. The idea of her thus actually in contact with this outcast grieved and frightened him. What could she do for them? Nothing. Only soil and make trouble for herself, perhaps. And he said: "Take care, my dear! The world puts the worst construction on everything."
"I know that."
He was abashed by her quiet smile. "Well then—Sunday," he murmured: "Good-bye."
She put her cheek forward for him to kiss.
"Good-bye," he said again; "take care of yourself." And he went out, not looking towards the figure on the bench. He drove home by way of Hammersmith; that he might stop at a place he knew of and tell them to send her in two dozen of their best Burgundy. She must want picking-up sometimes! Only in Richmond Park did he remember that he had gone up to order himself some boots, and was surprised that he could have had so paltry an idea.
III
The little spirits of the past which throng an old man's days had never pushed their faces up to his so seldom as in the seventy hours elapsing before Sunday came. The spirit of the future, with the charm of the unknown, put up her lips instead. Old Jolyon was not restless now, and paid no visits to the log, because she was coming to lunch. There is wonderful finality about a meal; it removes a world of doubts, for no one misses meals except for reasons beyond control.