THE COMPLETE FORSYTE SAGA SERIES: The Forsyte Saga, A Modern Comedy, End of the Chapter & On Forsyte 'Change (A Prequel). John Galsworthy
head. His name was Crum, and no one could get through money quicker. It seemed to be his only aim in life—dazzling to young Val, in whom, however, the Forsyte would stand apart, now and then, wondering where the value for that money was.
They dined quietly, in style and taste; left the Club smoking cigars, with just two bottles inside them, and dropped into stalls at the Liberty. For Val the sound of comic songs, the sight of lovely legs were fogged and interrupted by haunting fears that he would never equal Crum's quiet dandyism. His idealism was roused; and when that is so, one is never quite at ease. Surely he had too wide a mouth, not the best cut of waistcoat, no braid on his trousers, and his lavender gloves had no thin black stitchings down the back. Besides, he laughed too much—Crum never laughed, he only smiled, with his regular dark brows raised a little so that they formed a gable over his just drooped lids. No! he would never be Crum's equal. All the same it was a jolly good show, and Cynthia Dark simply ripping. Between the acts Crum regaled him with particulars of Cynthia's private life, and the awful knowledge became Val's that, if he liked, Crum could go behind. He simply longed to say: "I say, take me!" but dared not, because of his deficiencies; and this made the last act or two almost miserable. On coming out Crum said: "It's half an hour before they close; let's go on to the Pandemonium." They took a hansom to travel the hundred yards, and seats costing seven-and-six apiece because they were going to stand, and walked into the Promenade. It was in these little things, this utter negligence of money that Crum had such engaging polish. The ballet was on its last legs and night, and the traffic of the Promenade was suffering for the moment. Men and women were crowded in three rows against the barrier. The whirl and dazzle on the stage, the half dark, the mingled tobacco fumes and women's scent, all that curious lure to promiscuity which belongs to Promenades, began to free young Val from his idealism. He looked admiringly in a young woman's face, saw she was not young, and quickly looked away. Shades of Cynthia Dark! The young woman's arm touched his unconsciously; there was a scent of musk and mignonette. Val looked round the corner of his lashes. Perhaps she was young, after all. Her foot trod on his; she begged his pardon. He said:
"Not at all; jolly good ballet, isn't it?"
"Oh, I'm tired of it; aren't you?"
Young Val smiled—his wide, rather charming smile. Beyond that he did not go—not yet convinced. The Forsyte in him stood out for greater certainty. And on the stage the ballet whirled its kaleidoscope of snow-white, salmon-pink, and emerald-green and violet and seemed suddenly to freeze into a stilly spangled pyramid. Applause broke out, and it was over! Maroon curtains had cut it off. The semi-circle of men and women round the barrier broke up, the young woman's arm pressed his. A little way off disturbance seemed centring round a man with a pink carnation; Val stole another glance at the young woman, who was looking towards it. Three men, unsteady, emerged, walking arm in arm. The one in the centre wore the pink carnation, a white waistcoat, a dark moustache; he reeled a little as he walked. Crum's voice said slow and level: "Look at that bounder, he's screwed!" Val turned to look. The 'bounder' had disengaged his arm, and was pointing straight at them. Crum's voice, level as ever, said:
"He seems to know you!" The 'bounder' spoke:
"H'llo!" he said. "You f'llows, look! There's my young rascal of a son!"
Val saw. It was his father! He could have sunk into the crimson carpet. It was not the meeting in this place, not even that his father was 'screwed'; it was Crum's word 'bounder,' which, as by heavenly revelation, he perceived at that moment to be true. Yes, his father looked a bounder with his dark good looks, and his pink carnation, and his square, self-assertive walk. And without a word he ducked behind the young woman and slipped out of the Promenade. He heard the word, "Val!" behind him, and ran down deep-carpeted steps past the 'chuckersout,' into the Square.
To be ashamed of his own father is perhaps the bitterest experience a young man can go through. It seemed to Val, hurrying away, that his career had ended before it had begun. How could he go up to Oxford now amongst all those chaps, those splendid friends of Crum's, who would know that his father was a 'bounder'! And suddenly he hated Crum. Who the devil was Crum, to say that? If Crum had been beside him at that moment, he would certainly have been jostled off the pavement. His own father—his own! A choke came up in his throat, and he dashed his hands down deep into his overcoat pockets. Damn Crum! He conceived the wild idea of running back and fending his father, taking him by the arm and walking about with him in front of Crum; but gave it up at once and pursued his way down Piccadilly. A young woman planted herself before him. "Not so angry, darling!" He shied, dodged her, and suddenly became quite cool. If Crum ever said a word, he would jolly well punch his head, and there would be an end of it. He walked a hundred yards or more, contented with that thought, then lost its comfort utterly. It wasn't simple like that! He remembered how, at school, when some parent came down who did not pass the standard, it just clung to the fellow afterwards. It was one of those things nothing could remove. Why had his mother married his father, if he was a 'bounder'? It was bitterly unfair—jolly low-down on a fellow to give him a 'bounder' for father. The worst of it was that now Crum had spoken the word, he realised that he had long known subconsciously that his father was not 'the clean potato.' It was the beastliest thing that had ever happened to him—beastliest thing that had ever happened to any fellow! And, down-hearted as he had never yet been, he came to Green Street, and let himself in with a smuggled latch-key. In the dining-room his plover's eggs were set invitingly, with some cut bread and butter, and a little whisky at the bottom of a decanter—just enough, as Winifred had thought, for him to feel himself a man. It made him sick to look at them, and he went upstairs.
Winifred heard him pass, and thought: 'The dear boy's in. Thank goodness! If he takes after his father I don't know what I shall do! But he won't he's like me. Dear Val!'
CHAPTER III—SOAMES PREPARES TO TAKE STEPS
When Soames entered his sister's little Louis Quinze drawing-room, with its small balcony, always flowered with hanging geraniums in the summer, and now with pots of Lilium Auratum, he was struck by the immutability of human affairs. It looked just the same as on his first visit to the newly married Darties twenty-one years ago. He had chosen the furniture himself, and so completely that no subsequent purchase had ever been able to change the room's atmosphere. Yes, he had founded his sister well, and she had wanted it. Indeed, it said a great deal for Winifred that after all this time with Dartie she remained well-founded. From the first Soames had nosed out Dartie's nature from underneath the plausibility, savoir faire, and good looks which had dazzled Winifred, her mother, and even James, to the extent of permitting the fellow to marry his daughter without bringing anything but shares of no value into settlement.
Winifred, whom he noticed next to the furniture, was sitting at her Buhl bureau with a letter in her hand. She rose and came towards him. Tall as himself, strong in the cheekbones, well tailored, something in her face disturbed Soames. She crumpled the letter in her hand, but seemed to change her mind and held it out to him. He was her lawyer as well as her brother.
Soames read, on Iseeum Club paper, these words:
'You will not get chance to insult in my own again. I am leaving country to-morrow. It's played out. I'm tired of being insulted by you. You've brought on yourself. No self-respecting man can stand it. I shall not ask you for anything again. Good-bye. I took the photograph of the two girls. Give them my love. I don't care what your family say. It's all their doing. I'm going to live new life. 'M.D.'
This after-dinner note had a splotch on it not yet quite dry. He looked at Winifred—the splotch had clearly come from her; and he checked the words: 'Good riddance!' Then it occurred to him that with this letter she was entering that very state which he himself so earnestly desired to quit—the state of a Forsyte who was not divorced.
Winifred had turned away, and was taking a long sniff from a little gold-topped bottle. A dull commiseration, together with a vague sense of injury, crept about Soames' heart. He had come to her to talk of his own position, and get sympathy, and here was she in the same position, wanting of course to talk of it, and get sympathy from him. It was always like that! Nobody