DEATH COMETH SOON OR LATE: 35+ Mystery & Revenge Tales. Robert Barr
was ten times what the Duke gave, and as he handed me the money he looked up at me and said in that awful whisper of his: 'Count this over carefully when you get home and see if you can find out what else I have given you. There is more than eighty francs there.' Then, after I got home, I——"
But here the Nice Girl paused, when she looked at the face of Robbins, to whom she was talking. That face was ghastly pale and his eyes were staring at her but not seeing her.
"Eighty francs," he was whispering to himself, and he seemed to be making a mental calculation. Then noticing the Nice Girl's amazed look at him, he said:
"Did you take the money?"
"Of course I took it," she said, "why shouldn't I?"
"Great Heavens!" gasped Robbins, and without a word he turned and fled, leaving the Nice Girl transfixed with astonishment and staring after him with a frown on her pretty brow.
"What does he mean by such conduct?" she asked herself. But Robbins disappeared from the gathering throng in the large room of the hotel, dashed down the steps, and hurried along the narrow pavements toward the "Golden Dragon." The proprietor was standing in the hallway with his hands behind him, a usual attitude with the Dragon.
"Where," gasped Robbins, "is Mr.—Mr.——" and then he remembered he didn't know the name. "Where is the Living Skeleton?"
"He has gone to his room," answered the Dragon, "he went early to- night, he wasn't feeling well, I think."
"What is the number of his room?"
"No. 40," and the proprietor rang a loud, jangling bell, whereupon one of the chambermaids appeared. "Show this gentleman to No. 40."
The girl preceded Robbins up the stairs. Once she looked over her shoulder, and said in a whisper, "Is he worse?"
"I don't know," answered Robbins, "that's what I have come to see."
At No. 40 the girl paused, and rapped lightly on the door panel. There was no response. She rapped again, this time louder. There was still no response.
"Try the door," said Robbins.
"I am afraid to," said the girl.
"Why?"
"Because he said if he were asleep the door would be locked, and if he were dead the door would be open."
"When did he say that?"
"He said it several times, sir; about a week ago the last time."
Robbins turned the handle of the door; it was not locked. A dim light was in the room, but a screen before the door hid it from sight. When he passed round the screen he saw, upon the square marble-topped arrangement at the head of the bed, a candle burning, and its light shone on the dead face of the Skeleton, which had a grim smile on its thin lips, while in its clenched hand was a letter addressed to the proprietor of the hotel.
The Living Skeleton had given more than the eighty francs to that deserving charity.
The Woman of Stone
Lurine, was pretty, petite, and eighteen. She had a nice situation at the Pharmacie de Siam, in the Rue St. Honoré. She had no one dependent upon her, and all the money she earned was her own. Her dress was of cheap material perhaps, but it was cut and fitted with that daintiness of perfection which seems to be the natural gift of the Parisienne, so that one never thought of the cheapness, but admired only the effect, which was charming. She was book-keeper and general assistant at the Pharmacie, and had a little room of her own across the Seine, in the Rue de Lille. She crossed the river twice every day—once in the morning when the sun was shining, and again at night when the radiant lights along the river's bank glittered like jewels in a long necklace. She had her little walk through the Gardens of the Tuileries every morning after crossing the Pont Royal, but she did not return through the gardens in the evening, for a park in the morning is a different thing to a park at night. On her return she always walked along the Rue de Tuileries until she came to the bridge. Her morning ramble through the gardens was a daily delight to her, for the Rue de Lille is narrow, and not particularly bright, so it was pleasant to walk beneath the green trees, to feel the crisp gravel under her feet, and to see the gleaming white statues in the sunlight, with the sparkle on the round fountain pond, by the side of which she sometimes sat. Her favorite statue was one of a woman that stood on a pedestal near the Rue de Rivoli. The arm was thrown over her head, and there was a smile on the marble face which was inscrutable. It fascinated the girl as she looked up to it, and seemed to be the morning greeting to her busy day's work in the city. If no one was in sight, which was often the case at eight o'clock in the morning, the girl kissed the tips of her fingers, and tossed the salute airily up to the statue, and the woman of stone always smiled back at her the strange mystical smile which seemed to indicate that it knew much more of this world and its ways than did the little Parisienne who daily gazed up at her.
Lurine was happy, as a matter of course, for was not Paris always beautiful? Did not the sun shine brightly? And was not the air always clear? What more, then, could a young girl wish? There was one thing which was perhaps lacking, but that at last was supplied; and then there was not a happier girl in all Paris than Lurine. She almost cried it aloud to her favorite statue the next morning, for it seemed to her that the smile had broadened since she had passed it the morning before, and she felt as if the woman of stone had guessed the secret of the woman of flesh.
Lurine had noticed him for several days hovering about the Pharmacie, and looking in at her now and then; she saw it all, but pretended not to see. He was a handsome young fellow with curly hair, and hands long, slender, and white as if he were not accustomed to doing hard, manual labor. One night he followed her as far as the bridge, but she walked rapidly on, and he did not overtake her. He never entered the Pharmacie, but lingered about as if waiting for a chance to speak with her. Lurine had no one to confide in but the woman of stone, and it seemed by her smile that she understood already, and there was no need to tell her, that the inevitable young man had come. The next night he followed her quite across the bridge, and this time Lurine did not walk so quickly. Girls in her position are not supposed to have normal introductions to their lovers, and are generally dependent upon a haphazard acquaintance, although that Lurine did not know. The young man spoke to her on the bridge, raising his hat from his black head as he did so.
"Good evening!" was all he said to her.
She glanced sideways shyly at him, but did not answer, and the young man walked on beside her.
"You come this way every night," he said. "I have been watching you.
Are you offended?"
"No," she answered, almost in a whisper.
"Then may I walk with you to your home?" he asked.
"You may walk with me as far as the corner of the Rue de Lille," she replied.
"Thank you!" said the young fellow, and together they walked the short distance, and there he bade her good night, after asking permission to meet her at the corner of the Rue St. Honoré, and walk home with her, the next night.
"You must not come to the shop," she said.
"I understand," he replied, nodding his head in assent to her wishes. He told her his name was Jean Duret, and by-and-by she called him Jean, and he called her Lurine. He never haunted the Pharmacie now, but waited for her at the corner, and one Sunday he took her for a little excursion on the river, which she enjoyed exceedingly. Thus time went on, and Lurine was very happy. The statue smiled its enigmatical smile, though, when the sky was overcast, there seemed to her a subtle warning in the smile. Perhaps it was because they had quarrelled the night before. Jean had seemed to her harsh and unforgiving. He had asked her if she could not bring him some things from the Pharmacie, and gave her a list of three chemicals, the names of which he had written on a paper.
"You can easily get them," he had said; "they are in every Pharmacie, and