The Greatest Works of Theodore Dreiser. Theodore Dreiser
He thought he should drop soon and shifted restlessly from one foot to the other. At last his turn came. The man ahead had been paid for and gone to the blessed line of success. He was now first, and already the captain was talking for him.
“Twelve cents, gentlemen — twelve cents puts this man to bed. He wouldn’t stand here in the cold if he had any place to go.”
Hurstwood swallowed something that rose to his throat. Hunger and weakness had made a coward of him.
“Here you are,” said a stranger, handing money to the captain.
Now the latter put a kindly hand on the ex-manager’s shoulder. “Line up over there,” he said.
Once there, Hurstwood breathed easier. He felt as if the world were not quite so bad with such a good man in it. Others seemed to feel like himself about this.
“Captain’s a great feller, ain’t he?” said the man ahead — a little, woebegone, helpless-looking sort of individual, who looked as though he had ever been the sport and care of fortune.
“Yes,” said Hurstwood, indifferently.
“Huh! there’s a lot back there yet,” said a man farther up, leaning out and looking back at the applicants for whom the captain was pleading.
“Yes. Must be over a hundred to-night,” said another.
“Look at the guy in the cab,” observed a third.
A cab had stopped. Some gentleman in evening dress reached out a bill to the captain, who took it with simple thanks and turned away to his line. There was a general craning of necks as the jewel in the white shirt front sparkled and the cab moved off. Even the crowd gaped in awe.
“That fixes up nine men for the night,” said the captain, counting out as many of the line near him. “Line up over there. Now, then, there are only seven. I need twelve cents.”
Money came slowly. In the course of time the crowd thinned out to a meagre handful. Fifth Avenue, save for an occasional cab or foot passenger, was bare. Broadway was thinly peopled with pedestrians. Only now and then a stranger passing noticed the small group, handed out a coin, and went away, unheeding.
The captain remained stolid and determined. He talked on, very slowly, uttering the fewest words and with a certain assurance, as though he could not fail.
“Come; I can’t stay out here all night. These men are getting tired and cold. Some one give me four cents.”
There came a time when he said nothing at all. Money was handed him, and for each twelve cents he singled out a man and put him in the other line. Then he walked up and down as before, looking at the ground.
The theatres let out. Fire signs disappeared. A clock struck eleven. Another half-hour and he was down to the last two men.
“Come, now,” he exclaimed to several curious observers; “eighteen cents will fix us all up for the night. Eighteen cents. I have six. Somebody give me the money. Remember, I have to go over to Brooklyn yet to-night. Before that I have to take these men down and put them to bed. Eighteen cents.”
No one responded. He walked to and fro, looking down for several minutes, occasionally saying softly: “Eighteen cents.” It seemed as if this paltry sum would delay the desired culmination longer than all the rest had. Hurstwood, buoyed up slightly by the long line of which he was a part, refrained with an effort from groaning, he was so weak.
At last a lady in opera cape and rustling skirts came down Fifth Avenue, accompanied by her escort. Hurstwood gazed wearily, reminded by her both of Carrie in her new world and of the time when he had escorted his own wife in like manner.
While he was gazing, she turned and, looking at the remarkable company, sent her escort over. He came, holding a bill in his fingers, all elegant and graceful.
“Here you are,” he said.
“Thanks,” said the captain, turning to the two remaining applicants. “Now we have some for tomorrow night,” he added.
Therewith he lined up the last two and proceeded to the head, counting as he went.
“One hundred and thirty-seven,” he announced. “Now, boys, line up. Right dress there. We won’t be much longer about this. Steady, now.”
He placed himself at the head and called out “Forward.” Hurstwood moved with the line. Across Fifth Avenue, through Madison Square by the winding paths, east on Twenty-third Street, and down Third Avenue wound the long, serpentine company. Midnight pedestrians and loiterers stopped and stared as the company passed. Chatting policemen, at various corners, stared indifferently or nodded to the leader, whom they had seen before. On Third Avenue they marched, a seemingly weary way, to Eighth Street, where there was a lodginghouse, closed, apparently, for the night. They were expected, however.
Outside in the gloom they stood, while the leader parleyed within. Then doors swung open and they were invited in with a “Steady, now.”
Some one was at the head showing rooms, so that there was no delay for keys. Toiling up the creaky stairs, Hurstwood looked back and saw the captain, watching; the last one of the line being included in his broad solicitude. Then he gathered his cloak about him and strolled out into the night.
“I can’t stand much of this,” said Hurstwood, whose legs ached him painfully, as he sat down upon the miserable bunk in the small, lightless chamber allotted to him. “I’ve got to eat, or I’ll die.”
Chapter XLVI
Stirring Troubled Waters
Playing in New York one evening on this her return, Carrie was putting the finishing touches to her toilet before leaving for the night, when a commotion near the stage door caught her ear. It included a familiar voice.
“Never mind, now. I want to see Miss Madenda.”
“You’ll have to send in your card.”
“Oh, come off! Here.”
A half-dollar was passed over, and now a knock came at her dressing-room door. Carrie opened it.
“Well, well!” said Drouet. “I do swear! Why, how are you? I knew that was you the moment I saw you.”
Carrie fell back a pace, expecting a most embarrassing conversation.
“Aren’t you going to shake hands with me? Well, you’re a dandy! That’s all right, shake hands.”
Carrie put out her hand, smiling, if for nothing more than the man’s exuberant good-nature. Though older, he was but slightly changed. The same fine clothes, the same stocky body, the same rosy countenance.
“That fellow at the door there didn’t want to let me in, until I paid him. I knew it was you, all right. Say, you’ve got a great show. You do your part fine. I knew you would. I just happened to be passing to night and thought I’d drop in for a few minutes. I saw your name on the programme, but I didn’t remember it until you came on the stage. Then it struck me all at once. Say, you could have knocked me down with a feather. That’s the same name you used out there in Chicago, isn’t it?”
“Yes,” answered Carrie, mildly, overwhelmed by the man’s assurance.
“I knew it was, the moment I saw you. Well, how have you been, anyhow?”
“Oh, very well,” said Carrie, lingering in her dressing-room. She was rather dazed by the assault. “How have you been?”
“Me? Oh, fine. I’m here now.”
“Is that so?” said Carrie.
“Yes. I’ve been here for six months. I’ve got charge of a branch here.”
“How nice!”