The Greatest Works of Theodore Dreiser. Theodore Dreiser
so,” she replied, very respectfully.
“Um,” he replied, for want of something better, and walked on.
Under better material conditions, this kind of work would not have been so bad, but the new socialism which involves pleasant working conditions for employees had not then taken hold upon manufacturing companies.
The place smelled of the oil of the machines and the new leather — a combination which, added to the stale odours of the building, was not pleasant even in cold weather. The floor, though regularly swept every evening, presented a littered surface. Not the slightest provision had been made for the comfort of the employees, the idea being that something was gained by giving them as little and making the work as hard and unremunerative as possible. What we know of foot-rests, swivel-back chairs, dining-rooms for the girls, clean aprons and curling irons supplied free, and a decent cloak room, were unthought of. The washrooms were disagreeable, crude, if not foul places, and the whole atmosphere was sordid.
Carrie looked about her, after she had drunk a tinful of water from a bucket in one corner, for a place to sit and eat. The other girls had ranged themselves about the windows or the work-benches of those of the men who had gone out. She saw no place which did not hold a couple or a group of girls, and being too timid to think of intruding herself, she sought out her machine and, seated upon her stool, opened her lunch on her lap. There she sat listening to the chatter and comment about her. It was, for the most part, silly and graced by the current slang. Several of the men in the room exchanged compliments with the girls at long range.
“Say, Kitty,” called one to a girl who was doing a waltz step in a few feet of space near one of the windows, “are you going to the ball with me?”
“Look out, Kitty,” called another, “you’ll jar your back hair.”
“Go on, Rubber,” was her only comment.
As Carrie listened to this and much more of similar familiar badinage among the men and girls, she instinctively withdrew into herself. She was not used to this type, and felt that there was something hard and low about it all. She feared that the young boys about would address such remarks to her — boys who, beside Drouet, seemed uncouth and ridiculous. She made the average feminine distinction between clothes, putting worth, goodness, and distinction in a dress suit, and leaving all the unlovely qualities and those beneath notice in overalls and jumper.
She was glad when the short half hour was over and the wheels began to whirr again. Though wearied, she would be inconspicuous. This illusion ended when another young man passed along the aisle and poked her indifferently in the ribs with his thumb. She turned about, indignation leaping to her eyes, but he had gone on and only once turned to grin. She found it difficult to conquer an inclination to cry.
The girl next her noticed her state of mind. “Don’t you mind,” she said. “He’s too fresh.”
Carrie said nothing, but bent over her work. She felt as though she could hardly endure such a life. Her idea of work had been so entirely different. All during the long afternoon she thought of the city outside and its imposing show, crowds, and fine buildings. Columbia City and the better side of her home life came back. By three o’clock she was sure it must be six, and by four it seemed as if they had forgotten to note the hour and were letting all work overtime. The foreman became a true ogre, prowling constantly about, keeping her tied down to her miserable task. What she heard of the conversation about her only made her feel sure that she did not want to make friends with any of these. When six o’clock came she hurried eagerly away, her arms aching and her limbs stiff from sitting in one position.
As she passed out along the hall after getting her hat, a young machine hand, attracted by her looks, made bold to jest with her.
“Say, Maggie,” he called, “if you wait, I’ll walk with you.”
It was thrown so straight in her direction that she knew who was meant, but never turned to look.
In the crowded elevator, another dusty, toil-stained youth tried to make an impression on her by leering in her face.
One young man, waiting on the walk outside for the appearance of another, grinned at her as she passed.
“Ain’t going my way, are you?” he called jocosely.
Carrie turned her face to the west with a subdued heart. As she turned the corner, she saw through the great shiny window the small desk at which she had applied. There were the crowds, hurrying with the same buzz and energy-yielding enthusiasm. She felt a slight relief, but it was only at her escape. She felt ashamed in the face of better dressed girls who went by. She felt as though she should be better served, and her heart revolted.
Chapter V
A Glittering Night Flower — The Use of a Name
Drouet did not call that evening. After receiving the letter, he had laid aside all thought of Carrie for the time being and was floating around having what he considered a gay time. On this particular evening he dined at “Rector’s,” a restaurant of some local fame, which occupied a basement at Clark and Monroe Streets. There — after he visited the resort of Fitzgerald and Moy’s in Adams Street, opposite the imposing Federal Building. There he leaned over the splendid bar and swallowed a glass of plain whiskey and purchased a couple of cigars, one of which he lighted. This to him represented in part high life — a fair sample of what the whole must be. Drouet was not a drinker in excess. He was not a moneyed man. He only craved the best, as his mind conceived it, and such doings seemed to him a part of the best. Rector’s, with its polished marble walls and floor, its profusion of lights, its show of china and silverware, and, above all, its reputation as a resort for actors and professional men, seemed to him the proper place for a successful man to go. He loved fine clothes, good eating, and particularly the company and acquaintanceship of successful men. When dining, it was a source of keen satisfaction to him to know that Joseph Jefferson was wont to come to this same place, or that Henry E. Dixie, a well-known performer of the day, was then only a few tables off. At Rector’s he could always obtain this satisfaction, for there one could encounter politicians, brokers, actors, some rich young “rounders” of the town, all eating and drinking amid a buzz of popular commonplace conversation.
“That’s So-and-so over there,” was a common remark of these gentlemen among themselves, particularly among those who had not yet reached, but hoped to do so, the dazzling height which money to dine here lavishly represented.
“You don’t say so,” would be the reply.
“Why, yes, didn’t you know that? Why, he’s manager of the Grand Opera House.”
When these things would fall upon Drouet’s ears, he would straighten himself a little more stiffly and eat with solid comfort. If he had any vanity, this augmented it, and if he had any ambition, this stirred it. He would be able to flash a roll of greenbacks too some day. As it was, he could eat where THEY did.
His preference for Fitzgerald and Moy’s Adams Street place was another yard off the same cloth. This was really a gorgeous saloon from a Chicago standpoint. Like Rector’s, it was also ornamented with a blaze of incandescent lights, held in handsome chandeliers. The floors were of brightly coloured tiles, the walls a composition of rich, dark, polished wood, which reflected the light, and coloured stucco-work, which gave the place a very sumptuous appearance. The long bar was a blaze of lights, polished woodwork, coloured and cut glassware, and many fancy bottles. It was a truly swell saloon, with rich screens, fancy wines, and a line of bar goods unsurpassed in the country.
At Rector’s, Drouet had met Mr. G. W. Hurstwood, manager of Fitzgerald and Moy’s. He had been pointed out as a very successful and well-known man about town. Hurstwood looked the part, for, besides being slightly under forty, he had a good, stout constitution, an active manner, and a solid, substantial air, which was composed in part of his fine clothes, his clean linen, his jewels, and, above all, his own sense of