The Greatest Works of Theodore Dreiser. Theodore Dreiser
into McGee, a comparatively quiet thoroughfare along which he tore for a few blocks to the wide and winding Gillham Parkway, whose course was southward. But having followed that at terrific speed for a short distance, he again — at Thirty-first — decided to turn — the houses in the distance confusing him and the suburban country to the north seeming to offer the best opportunity for evading his pursuers. And so now he swung the car to the left into that thoroughfare, his thought here being that amid these comparatively quiet streets it was possible to wind in and out and so shake off pursuit — at least long enough to drop his passengers somewhere and return the car to the garage.
And this he would have been able to do had it not been for the fact that in turning into one of the more outlying streets of this region, where there were scarcely any houses and no pedestrians visible, he decided to turn off his lights, the better to conceal the whereabouts of the car. Then, still speeding east, north, and east and south by turns, he finally dashed into one street where, after a few hundred feet, the pavement suddenly ended. But because another cross street was visible a hundred feet or so further on, and he imagined that by turning into that he might find a paved thoroughfare again, he sped on and then swung sharply to the left, only to crash roughly into a pile of paving stones left by a contractor who was preparing to pave the way. In the absence of lights he had failed to distinguish this. And diagonally opposite to these, lengthwise of a prospective sidewalk, had been laid a pile of lumber for a house.
Striking the edge of the paving stones at high speed, he caromed, and all but upsetting the car, made directly for the lumber pile opposite, into which he crashed. Only instead of striking it head on, the car struck one end, causing it to give way and spread out, but only sufficiently to permit the right wheels to mount high upon it and so throw the car completely over onto its left side in the grass and snow beyond the walk. Then there, amid a crash of glass and the impacts of their own bodies, the occupants were thrown down in a heap, forward and to the left.
What happened afterwards is more or less of a mystery and a matter of confusion, not only to Clyde, but to all the others. For Sparser and Laura Sipe, being in front, were dashed against the wind-shield and the roof and knocked senseless, Sparser, having his shoulder, hip and left knee wrenched in such a way as to make it necessary to let him lie in the car as he was until an ambulance arrived. He could not possibly be lifted out through the door, which was in the roof as the car now lay. And in the second seat, Clyde, being nearest the door to the left and next to him Hortense, Lucille Nickolas and Ratterer, was pinioned under and yet not crushed by their combined weights. For Hortense in falling had been thrown completely over him on her side against the roof, which was now the left wall. And Lucille, next above her, fell in such a way as to lie across Clyde’s shoulders only, while Ratterer, now topmost of the four, had, in falling, been thrown over the seat in front of him. But grasping the steering wheel in front of him as he fell, the same having been wrenched from Sparser’s hands, he had broken his fall in part by clinging to it. But even so, his face and hands were cut and bruised and his shoulder, arm and hip slightly wrenched, yet not sufficiently to prevent his being of assistance to the others. For at once, realizing the plight of the others as well as his own, and stirred by their screams, Ratterer was moved to draw himself up and out through the top or side door which he now succeeded in opening, scrambling over the others to reach it.
Once out, he climbed upon the chassis beam of the toppled car, and, reaching down, caught hold of the struggling and moaning Lucille, who like the others was trying to climb up but could not. And exerting all his strength and exclaiming, “Be still, now, honey, I gotcha. You’re all right, I’ll getcha out,” he lifted her to a sitting position on the side of the door, then down in the snow, where he placed her and where she sat crying and feeling her arms and her head. And after her he helped Hortense, her left cheek and forehead and both hands badly bruised and bleeding, but not seriously, although she did not know that at the time. She was whimpering and shivering and shaking — a nervous chill having succeeded the dazed and almost unconscious state which had followed the first crash.
At that moment, Clyde, lifting his bewildered head above the side door of the car, his left cheek, shoulder and arm bruised, but not otherwise injured, was thinking that he too must get out of this as quickly as possible. A child had been killed; a car stolen and wrecked; his job was most certainly lost; the police were in pursuit and might even find them there at any minute. And below him in the car was Sparser, prone where he fell, but already being looked to by Ratterer. And beside him Laura Sipe, also unconscious. He felt called upon to do something — to assist Ratterer, who was reaching down and trying to lay hold of Laura Sipe without injuring her. But so confused were his thoughts that he would have stood there without helping any one had it not been for Ratterer, who called most irritably, “Give us a hand here, Clyde, will you? Let’s see if we can get her out. She’s fainted.” And Clyde, turning now instead of trying to climb out, began to seek to lift her from within, standing on the broken glass window of the side beneath his feet and attempting to draw her body back and up off the body of Sparser. But this was not possible. She was too limp — too heavy. He could only draw her back — off the body of Sparser — and then let her rest there, between the second and first seats on the car’s side.
But, meanwhile, at the back Hegglund, being nearest the top and only slightly stunned, had managed to reach the door nearest him and throw it back. Thus, by reason of his athletic body, he was able to draw himself up and out, saying as he did so: “Oh, Jesus, what a finish! Oh, Christ, dis is de limit! Oh, Jesus, we better beat it outa dis before de cops git here.”
At the same time, however, seeing the others below him and hearing their cries, he could not contemplate anything so desperate as desertion. Instead, once out, he turned and making out Maida below him, exclaimed: “Here, for Christ’s sake, gimme your hand. We gotta get outa dis and dam quick, I tell ya.” Then turning from Maida, who for the moment was feeling her wounded and aching head, he mounted the top chassis beam again and, reaching down, caught hold of Tina Kogel, who, only stunned, was trying to push herself to a sitting position while resting heavily on top of Higby. But he, relieved of the weight of the others, was already kneeling, and feeling his head and face with his hands.
“Gimme your hand, Dave,” called Hegglund. “Hurry! For Christ’s sake! We ain’t got no time to lose around here. Are ya hurt? Christ, we gotta git outa here, I tellya. I see a guy comin’ acrost dere now an’ I doughno wedder he’s a cop or not.” He started to lay hold of Higby’s left hand, but as he did so Higby repulsed him.
“Huh, uh,” he exclaimed. “Don’t pull. I’m all right. I’ll get out by myself. Help the others.” And standing up, his head above the level of the door, he began to look about within the car for something on which to place his foot. The back cushion having fallen out and forward, he got his foot on that and raised himself up to the door level on which he sat and drew out his leg. Then looking about, and seeing Hegglund attempting to assist Ratterer and Clyde with Sparser, he went to their aid.
Outside, some odd and confusing incidents had already occurred. For Hortense, who had been lifted out before Clyde, and had suddenly begun to feel her face, had as suddenly realized that her left cheek and forehead were not only scraped but bleeding. And being seized by the notion that her beauty might have been permanently marred by this accident, she was at once thrown into a state of selfish panic which caused her to become completely oblivious, not only to the misery and injury of the others, but to the danger of discovery by the police, the injury to the child, the wreck of this expensive car — in fact everything but herself and the probability or possibility that her beauty had been destroyed. She began to whimper on the instant and wave her hands up and down. “Oh, goodness, goodness, goodness!” she exclaimed desperately. “Oh, how dreadful! Oh, how terrible! Oh, my face is all cut.” And feeling an urgent compulsion to do something about it, she suddenly set off (and without a word to any one and while Clyde was still inside helping Ratterer) south along 35th Street, toward the city where were lights and more populated streets. Her one thought was to reach her own home as speedily as possible in order that she might do something for herself.
Of Clyde, Sparser, Ratterer and the other girls — she really thought nothing. What were they now? It was only intermittently and between thoughts of her marred beauty that she could even bring herself to think of the injured child — the horror of which