The Greatest Works of Theodore Dreiser. Theodore Dreiser
pretty woman who has moved in next door,” said Carrie to Hurstwood at the breakfast table.
“Who are they?” asked Hurstwood.
“I don’t know,” said Carrie. “The name on the bell is Vance. Some one over there plays beautifully. I guess it must be she.”
“Well, you never can tell what sort of people you’re living next to in this town, can you?” said Hurstwood, expressing the customary New York opinion about neighbours.
“Just think,” said Carrie, “I have been in this house with nine other families for over a year and I don’t know a soul. These people have been here over a month and I haven’t seen any one before this morning.”
“It’s just as well,” said Hurstwood. ‘You never know who you’re going to get in with. Some of these people are pretty bad company.”
“I expect so,” said Carrie, agreeably.
The conversation turned to other things, and Carrie thought no more upon the subject until a day or two later, when, going out to market, she encountered Mrs. Vance coming in. The latter recognised her and nodded, for which Carrie returned a smile. This settled the probability of acquaintanceship. If there had been no faint recognition on this occasion, there would have been no future association.
Carrie saw no more of Mrs. Vance for several weeks, but she heard her play through the thin walls which divided the front rooms of the flats, and was pleased by the merry selection of pieces and the brilliance of their rendition. She could play only moderately herself, and such variety as Mrs. Vance exercised bordered, for Carrie, upon the verge of great art. Everything she had seen and heard thus far — the merest scraps and shadows — indicated that these people were, in a measure, refined and in comfortable circumstances. So Carrie was ready for any extension of the friendship which might follow.
One day Carrie’s bell rang and the servant, who was in the kitchen, pressed the button which caused the front door of the general entrance on the ground floor to be electrically unlatched. When Carrie waited at her own door on the third floor to see who it might be coming up to call on her, Mrs. Vance appeared.
“I hope you’ll excuse me,” she said. “I went out a while ago and forgot my outside key, so I thought I’d ring your bell.”
This was a common trick of other residents of the building, whenever they had forgotten their outside keys. They did not apologise for it, however.
“Certainly,” said Carrie. “I’m glad you did. I do the same thing sometimes.”
“Isn’t it just delightful weather?” said Mrs. Vance, pausing for a moment.
Thus, after a few more preliminaries, this visiting acquaintance was well launched, and in the young Mrs. Vance Carrie found an agreeable companion.
On several occasions Carrie visited her and was visited. Both flats were good to look upon, though that of the Vances tended somewhat more to the luxurious.
“I want you to come over this evening and meet my husband,” said Mrs. Vance, not long after their intimacy began. “He wants to meet you. You play cards, don’t you?”
“A little,” said Carrie.
“Well, we’ll have a game of cards. If your husband comes home bring him over.”
“He’s not coming to dinner to-night,” said Carrie.
“Well, when he does come we’ll call him in.”
Carrie acquiesced, and that evening met the portly Vance, an individual a few years younger than Hurstwood, and who owed his seemingly comfortable matrimonial state much more to his money than to his good looks. He thought well of Carrie upon the first glance and laid himself out to be genial, teaching her a new game of cards and talking to her about New York and its pleasures. Mrs. Vance played some upon the piano, and at last Hurstwood came.
“I am very glad to meet you,” he said to Mrs. Vance when Carrie introduced him, showing much of the old grace which had captivated Carrie. “Did you think your wife had run away?” said Mr. Vance, extending his hand upon introduction.
“I didn’t know but what she might have found a better husband,” said Hurstwood.
He now turned his attention to Mrs. Vance, and in a flash Carrie saw again what she for some time had subconsciously missed in Hurstwood — the adroitness and flattery of which he was capable. She also saw that she was not well dressed — not nearly as well dressed — as Mrs. Vance. These were not vague ideas any longer. Her situation was cleared up for her. She felt that her life was becoming stale, and therein she felt cause for gloom. The old helpful, urging melancholy was restored. The desirous Carrie was whispered to concerning her possibilities.
There were no immediate results to this awakening, for Carrie had little power of initiative; but, nevertheless, she seemed ever capable of getting herself into the tide of change where she would be easily borne along. Hurstwood noticed nothing. He had been unconscious of the marked contrasts which Carrie had observed.
He did not even detect the shade of melancholy which settled in her eyes. Worst of all, she now began to feel the loneliness of the flat and seek the company of Mrs. Vance, who liked her exceedingly.
“Let’s go to the matinee this afternoon,” said Mrs. Vance, who had stepped across into Carrie’s flat one morning, still arrayed in a soft pink dressing-gown, which she had donned upon rising. Hurstwood and Vance had gone their separate ways nearly an hour before.
“All right,” said Carrie, noticing the air of the petted and well-groomed woman in Mrs. Vance’s general appearance. She looked as though she was dearly loved and her every wish gratified. “What shall we see?”
“Oh, I do want to see Nat Goodwin,” said Mrs. Vance. “I do think he is the jolliest actor. The papers say this is such a good play.”
“What time will we have to start?” asked Carrie.
“Let’s go at once and walk down Broadway from Thirty-fourth Street,” said Mrs. Vance. “It’s such an interesting walk. He’s at the Madison Square.”
“I’ll be glad to go,” said Carrie. “How much will we have to pay for seats?”
“Not more than a dollar,” said Mrs. Vance.
The latter departed, and at one o’clock reappeared, stunningly arrayed in a dark-blue walking dress, with a nobby hat to match. Carrie had gotten herself up charmingly enough, but this woman pained her by contrast. She seemed to have so many dainty little things which Carrie had not. There were trinkets of gold, an elegant green leather purse set with her initials, a fancy handkerchief, exceedingly rich in design, and the like. Carrie felt that she needed more and better clothes to compare with this woman, and that any one looking at the two would pick Mrs. Vance for her raiment alone. It was a trying, though rather unjust thought, for Carrie had now developed an equally pleasing figure, and had grown in comeliness until she was a thoroughly attractive type of her colour of beauty. There was some difference in the clothing of the two, both of quality and age, but this difference was not especially noticeable. It served, however, to augment Carrie’s dissatisfaction with her state.
The walk down Broadway, then as now, was one of the remarkable features of the city. There gathered, before the matinee and afterwards, not only all the pretty women who love a showy parade, but the men who love to gaze upon and admire them. It was a very imposing procession of pretty faces and fine clothes. Women appeared in their very best hats, shoes, and gloves, and walked arm in arm on their way to the fine shops or theatres strung along from Fourteenth to Thirty-fourth Streets. Equally the men paraded with the very latest they could afford. A tailor might have secured hints on suit measurements, a shoemaker on proper lasts and colours, a hatter on hats. It was literally true that if a lover of fine clothes secured a new suit, it was sure to have its first airing on Broadway. So true and well understood was this fact, that several years later a popular song, detailing this and other facts concerning the afternoon parade on matinee days, and entitled “What Right