The Greatest Works of Arthur B. Reeve - 60 Titles in One Edition. Arthur B. Reeve
a radiograph of even a part of a picture shows the layers of pigment that are hidden from the eye and the changes made during the composition of the work. One can easily distinguish the genuine from the spurious copies, for it is absolutely impossible for an imitator to make a copy that will stand the X-ray test.
"You see," he went on enthusiastically, "the most striking feature of these radiographs is their revelation of details of the first sketch, which have been altered in the finished picture. We actually obtain an insight into the methods of an artist—" he paused, adding—"who has been dead for centuries."
It was wonderful what Kennedy was getting out of those, to us, blurred and indistinct skiagraphs. I studied the faces before me. None seemed to indicate any disposition to break down. Kennedy saw it, too, and evidently determined to go to the bitter end in hammering out the truth of the mystery.
"One moment more, please," he resumed. "The radiograph shows even more than that. It shows the possibility of detecting a signature that has been painted over, in order to disarm suspicion. The detection is easier in proportion to the density of the pigment used for the signature and the lack of density of the superposed coat."
He had laid the radiographs on the table before him, with a finger on the corner of each, as he faced us.
"At the bottom of each of the paintings in question," he shot out, leaning forward, "you will find nothing in the way of a signature. But here, in radiograph number two, for instance, barely discernible, are the words, "R. Fleming," quite invisible to the eye, but visible to the X-ray. These words have been painted over. Why? Was it to prevent anyone from thinking that the owner had ever had any connection with Rhoda Fleming?"
I was following Kennedy, but not so closely that I missed a fearful glance of Rita from Faber to Jacot. What it meant, I did not know. The others were too intent on Kennedy's exposure to notice. I wondered whether someone had sought to conceal the fact that he had a copy of the famous Watteau, made by Miss Fleming?
"Look at the bottom of the other radiograph, number one, further toward the left," pursued Kennedy resistlessly. "There you will discover traces of an 'A' and a 'W,' which do not appear on the painting. Between these two are marks which can also be deciphered by the X-ray—'Antoine Watteau.' Perhaps it was painted over lightly so that an original could be smuggled in as a copy. More likely it was done so that a thief and murderer could not be traced."
As Kennedy's voice rang out, more and more accusatory, Rita Tourville became more and more uncontrollably nervous.
"It was suggested," modulated Kennedy, playing with his little audience as a cat might with a mouse, "that someone murdered Rhoda Fleming with the little-understood poison, ergot, because of an infatuation for the picture itself. But the modern crook has an eye for pictures, just as for other valuables. The spread of the taste for art has taught these fellows that such things as old masters are worth money, and they will even murder now to get them. No, that radiograph which I have labeled number one is not a copy. It is of the genuine old master—the real Watteau.
"Someone, closely associated with Miss Fleming, had found out that she had the original. That person, in order to get it, went even so far as to—"
Rita Tourville jumped up, wildly, facing Craig and crying out, "No, no—his is the copy—the copy by Miss Fleming. It was I who told him to paint over the signature. It was I who called him away—both nights—on a pretext—when he was dining with her—alone—called him because—I—I loved him and I knew—"
Faber was on his feet beside her in a moment, his face plainly showing his feelings toward her. As he laid his hand on her arm to restrain her, she turned and caught a penetrating glance from Jacot's hypnotic eye.
Slowly she collapsed into her chair, covering her face with her hands, sobbing. For a moment a look of intense scorn and hatred blazed in Leila's face, then was checked.
Craig waved the radiograph of the real Watteau as he emphasized his last words.
"In spite of Rita Tourville's unexpected love for Faber, winning him from your victim, and with the aid of your wife, Leila, in the rôle of maid, the third member of your unique gang of art thieves, you are convicted infallibly by my X-ray detective," thundered Craig as he pointed his finger at the now cowering Jacot.
Chapter XXII
The Absolute Zero
"Isn't there some way you can save him, Professor Kennedy? You must come out to Briar Lake."
When a handsome woman like Mrs. Fraser Ferris pleads, she is irresistible. Not only that, but the story which she had not trusted either to a message or a messenger was deeply interesting, for, already, it had set agog the fashionable country house colony.
Mrs. Ferris had come to us not as the social leader now, but as a mother. Only the night before her son, young Fraser, had been arrested by the local authorities at Briar Lake on the charge of homicide. I had read the meager dispatch in the morning papers and had wondered what the whole story might be.
"You see, Professor Kennedy," she began in an agitated voice as soon as she arrived at the laboratory and introduced herself to us, "day before yesterday, Fraser was boxing at the Country Club with another young man, Irving Evans."
Kennedy nodded. Both of them were well known. Ferris had been the All-America tackle on the University football team a couple of years previous and Evans was a crack pitcher several years before.
"Irving," she continued, adding, "of course I call him Irving, for his mother and I were schoolgirls together—Irving, I believe, fell unconscious during the bout. I'm telling you just what Fraser told me.
"The other men in the Club gymnasium at the time carried him into the locker-room and there they all did what they could to revive him. They succeeded finally, but when he regained consciousness he complained of a burning sensation in his stomach, or, rather, as Fraser says, just below the point where his ribs come together. They say, too, that there was a red spot on his skin, about the size of a half-dollar.
"Finally," she continued with a sigh, "the other men took Irving home—but he lapsed into a half-comatose condition. He never got better. He—he died the next day—yesterday."
It was evidently a great effort for Mrs. Ferris to talk of the affair which had involved her son, but she had made up her mind to face the necessity and was going through it bravely.
"Of course," she resumed a moment later, "the death of Irving Evans caused a great deal of talking. It was natural in a community like Briar Lake. But I don't think anything would have been thought about it, out of the way, if the afternoon after his death—yesterday—the body of one of the Club's stewards, Benson, had not been found jammed into a trunk. Apparently, it had been dumped off an automobile in one of the most lonely sections of the country.
"In fact," she went on, "it was the sort of thing that might have taken place, one would say, in the dark alleys of a big city. But in a country resort like Briar Lake, the very uncommonness of such a case called added attention to it."
"I understand," agreed Craig, "but why did they suspect your son?"
"That's the ridiculous part of it, at least to me," hastened the mother to her son's defense. "Both Irving and my son, as you know, were former University athletic stars, and, as in all country clubs, I suppose, that meant popularity. Irving was engaged to Anita Allison. Anita is one of the most beautiful and popular girls in the younger set, a splendid golfer, charming and clever, the life of the Club at the dances and teas."
Mrs. Ferris paused as though she would convey to us just the social status of everyone concerned.
"Of course," she threw in parenthetically, "you know the Allisons are reputed to be quite well off. When old Mr. Allison died, Anita's brother, Dean, several years older than herself, inherited the brokerage business of his father and, according to the will, assumed the guardianship