MAPP AND LUCIA: Complete Series (All 8 Titles in One Edition). Эдвард Бенсон
can meditate just as well in my little room, for he says he was never in any house that had such a wonderful atmosphere. He has no money at all which is so beautiful of him, and looked so pained and disappointed when I asked him if I might not give him some. He doesn't even know how he got here from London; he doesn't think he came by train, so perhaps he was wafted here in some astral manner. He looked so bewildered too when I said the word 'money,' and evidently he had to think what it was, because it is so long since it has meant anything to him. So if he wants anything, I have told him to go into any shop and ask that it shall be put down to me. He has often been without food or sleep for days together when he is meditating. Just think!
Shall I bring him to see you, or will you come here? He wants to meet you, because he feels you have a beautiful soul and may help him in that way, as well as his helping you. I am helping him too he says, which seems more wonderful than I can believe. Send me a line as soon as you get back. Tante salute!
Your own,
DAISY
The voluminous sheets had taken long in reading and Mrs Lucas folded them up slowly and thoughtfully. She felt that she had to make a swift decision that called into play all her mental powers. On the one hand it was "up to her" to return a frigid reply, conveying, without making any bones about the matter, that she had no interest in nameless gurus who might or might not be Brahmins from Benares and presented themselves at Daisy's doors in a penniless condition without clear knowledge whether they had come by train or not. In favour of such prudent measures was the truly Athenian character of Daisy's mind, for she was always enquiring into "some new thing," which was the secret of life when first discovered, and got speedily relegated to the dust-heap. But against such a course was the undoubted fact that Daisy did occasionally get hold of somebody who subsequently proved to be of interest, and Lucia would never forget to her dying day the advent in Riseholme of a little Welsh attorney, in whom Daisy had discovered a wonderful mentality. Lucia had refused to extend her queenly hospitality to him, or to recognise his existence in any way during the fortnight when he stayed with Daisy, and she was naturally very much annoyed to find him in a prominent position in the Government not many years later. Indeed she had snubbed him so markedly on his first appearance at Riseholme that he had refused on subsequent visits to come to her house at all, though he several times visited Mrs Quantock again, and told her all sorts of political secrets (so she said) which she would not divulge for anything in the world. There must never be a repetition of so fatal an error.
Another thing inclined the wavering balance. She distinctly wanted some fresh element at her court, that should make Riseholme know that she was in residence again. August would soon be here with its languors and absence of stimulus, when it was really rather difficult in the drowsy windless weather to keep the flag of culture flying strongly from her own palace. The guru had already said that he felt sure she had a beautiful soul, and — The outline of the scheme flashed upon her. She would have Yoga evenings in the hot August weather, at which, as the heat of the day abated, graceful groups should assemble among the mottos in the garden and listen to high talk on spiritual subjects. They would adjourn to delicious moonlit suppers in the pergola, or if the moon was indisposed — she could not be expected to regulate the affairs of the moon as well as of Riseholme — there would be dim séances and sandwiches In the smoking-parlour. The humorous furniture should be put in cupboards, and as they drifted towards the front hall again, when the clocks struck an unexpectedly late hour, little whispered colloquies of "How wonderful he was tonight" would be heard, and there would be faraway looks and sighs, and the notings down of the titles of books that conducted the pilgrim on the Way. Perhaps as they softly assembled for departure, a little music would be suggested to round off the evening, and she saw herself putting down the soft pedal as people rustled into their places, for the first movement of the "Moonlight Sonata." Then at the end there would be silence, and she would get up with a sigh, and someone would say "Lucia mia!" and somebody else "Heavenly Music," and perhaps the guru would say "Beloved lady," as he had apparently said to poor Daisy Quantock. Flowers, music, addresses from the guru, soft partings, sense of refreshment . . . With the memory of the Welsh attorney in her mind, it seemed clearly wiser to annex rather than to repudiate the guru. She seized a pen and drew a pile of postcards towards her, on the top of which was printed her name and address.
Too wonderful [she wrote]. Pray bring him yourself to my little garden-party on Friday. There will be only a few. Let me know if he wants a quiet room ready for him.
All this had taken time, and she had but scribbled a dozen postcards to friends bidding them come to her garden-party on Friday, when tea was announced. These invitations had the mystic word "Hightum" written at the bottom left hand corner, which conveyed to the enlightened recipient what sort of party it was to be, and denoted the standard of dress. For one of Lucia's quaint ideas was to divide dresses into three classes, "Hightum," "Tightum" and "Scrub." "Hightum" was your very best dress, the smartest and newest of all, and when "Hightum" was written on a card of invitation, it implied that the party was a very resplendent one. "Tightum" similarly indicated a moderately smart party, "Scrub" carried its own significance on the surface. These terms applied to men's dress as well and as regards evening parties: a dinner-party "Hightum" would indicate a white tie and a tail coat; a dinner-party "Tightum" a black tie and a short coat, and a dinner "Scrub" would mean morning clothes.
With tea was announced also the advent of Georgie Pillson, who was her gentleman-in-waiting when she was at home, and her watch-dog when she was not. In order to save subsequent disappointment, it may be at once stated that there never has been, was, or ever would be the smallest approach to a flirtation between them. Neither of them, she with her forty respectable years and he with his blameless forty-five years, had ever flirted, with anybody at all. But it was one of the polite and pleasant fictions of Riseholme that Georgie was passionately attached to her and that it was for her sake that he had settled in Riseholme now some seven years ago, and that for her sake he remained still unmarried. She never, to do her justice, had affirmed anything of the sort, but it is a fact that sometimes when Georgie's name came up in conversation, her eyes wore that "faraway" look that only the masterpieces of art could otherwise call up, and she would sigh and murmur "Dear Georgie!" and change the subject, with the tact that characterized her. In fact their mutual relations were among the most Beautiful Things of Riseholme, and hardly less beautiful was Peppino's attitude towards it all. That large-hearted man trusted them both, and his trust was perfectly justified. Georgie was in and out of the house all day, chiefly in; and not only did scandal never rear its hissing head, but it positively had not a head to hiss with, or a foot to stand on. On his side again Georgie had never said that he was in love with her (nor would it have been true if he had), but by his complete silence on the subject coupled with his constancy he seemed to admit the truth of this bloodless idyll. They talked and walked and read the masterpieces of literature and played duets on the piano together. Sometimes (for he was the more brilliant performer, though as he said "terribly lazy about practising," for which she scolded him) he would gently slap the back of her hand, if she played a wrong note, and say "Naughty!" And she would reply in baby language "Me vewy sowwy! Oo naughty too to hurt Lucia!" That was the utmost extent of their carnal familiarities, and with bright eyes fixed on the music they would break into peals of girlish laughter, until the beauty of the music sobered them again.
Georgie (he was Georgie or Mr Georgie, never Pillson to the whole of Riseholme) was not an obtrusively masculine sort of person. Such masculinity as he was possessed of was boyish rather than adult, and the most important ingredients in his nature were womanish. He had, in common with the rest of Riseholme, strong artistic tastes, and in addition to playing the piano, made charming little watercolour sketches, many of which he framed at his own expense and gave to friends, with slightly sentimental titles, neatly printed in gilt letters on the mount. "Golden Autumn Woodland," "Bleak December," "Yellow Daffodils," "Roses of Summer" were perhaps his most notable series, and these he had given to Lucia, on the occasion of four successive birthdays. He did portraits as well in pastel; these were of two types, elderly ladies in lace caps with a row of pearls, and boys in cricket shirts with their sleeves rolled up. He was not very good at eyes, so his sitters always were looking down, but he was excellent at smiles, and the old ladies smiled patiently and sweetly, and the boys gaily. But his finest accomplishment was needlework and his house was full of the creations of his needle, wool-work curtains, petit-point chair seats, and