Expositor's Bible: The Epistles of St. John. William Alexander
XI.
THE GOSPEL AS A GOSPEL OF WITNESS; THE THREE WITNESSES.
THE WITNESS OF MEN (APPLIED TO THE RESURRECTION) .
THE TERRIBLE TRUISM WHICH HAS NO EXCEPTION.
THE SECOND EPISTLE OF ST. JOHN.
THEOLOGY AND LIFE IN KYRIA'S LETTER.
THE THIRD EPISTLE OF ST. JOHN.
THE QUIETNESS OF TRUE RELIGION.
Dr. Miller's "Silent Times" Series.
The Household Library of Exposition.
PART I.
"Johannis Epistolæ, ultimusque primæ versiculus, in Ephesum
imprimis conveniunt."
(Bengelin Act. xix. 21.)
DISCOURSE I.
THE SURROUNDINGS OF THE FIRST EPISTLE OF ST. JOHN.
"Little children, keep yourselves from idols."—i John v. 21.
After the example of a writer of genius, preachers and essayists for the last forty years have constantly applied—or misapplied—some lines from one of the greatest of Christian poems. Dante sings of St. John—
"As he, who looks intent,
And strives with searching ken, how he may see
The sun in his eclipse, and, through decline
Of seeing, loseth power of sight: so I
Gazed on that last resplendence."[2]
The poet meant to be understood of the Apostle's spiritual splendour of soul, of the absorption of his intellect and heart in his conception of the Person of Christ and of the dogma of the Holy Trinity. By these expositors of Dante the image is transferred to the style and structure of his writings. But confusion of thought is not magnificence, and mere obscurity is never sunlike. A blurred sphere and undecided outline is not characteristic of the sun even in eclipse. Dante never intended us to understand that St. John as a writer was distinguished by a beautiful vagueness of sentiment, by bright but tremulously drawn lines of dogmatic creed. It is indeed certain that round St. John himself, at the time when he wrote, there were many minds affected by this vague mysticism. For them, beyond the scanty region of the known, there was a world of darkness whose shadows they desired to penetrate. For them this little island of life was surrounded by waters into whose depths they affected to gaze. They were drawn by a mystic attraction to things which they themselves called the "shadows," the "depths," the "silences." But for St. John these shadows were a negation of the message which he delivered that "God is light, and darkness in Him is none." These silences were the contradiction of the Word who has once for all interpreted God. These depths were "depths of Satan."[3] For the men who were thus enamoured of indefiniteness, of shifting sentiments and flexible creeds, were Gnostic heretics. Now St. John's style, as such, has not the artful variety, the perfect balance in the masses of composition, the finished logical cohesion of the Greek classical writers. Yet it can be loftily or pathetically impressive. It can touch the problems and processes of the moral and spiritual world with a pencil-tip of deathless light, or compress them into symbols which are solemnly or awfully picturesque.[4] Above all St. John has the faculty of enshrining dogma in forms of statement which are firm and precise—accurate enough to be envied by philosophers, subtle enough to defy the passage of heresy through their finely drawn yet powerful lines. Thus in the beginning of his Gospel all false thought upon the Person of Him who is the living theology of His Church is refuted by anticipation—that which in itself or in its certain consequences unhumanises or undeifies the God Man; that which denies the singularity of the One Person who was Incarnate, or the reality and entireness of the Manhood of Him who fixed His Tabernacle[5] of humanity in us.[6]
It