The Greatest Works of Anna Katharine Green. Анна Грин
examining this article of furniture more closely, he attempted to find out where the thread had become loosened which had let the spangles fall. Had it caught on any projection in doorway or furniture? He saw none. All the chairs were cushioned and—But wait! there was the cross! That had a fretwork of gold at its base. Might not this filagree have caught in her dress as she was tearing down the cross from the wall and so have started the thread which had given him this exquisite clew?
Hastening to the spot where the cross had hung, he searched the floor at his feet, but found nothing to confirm his conjecture until he had reached the rug on which the prostrate man lay. There, amid the long hairs of the bearskin, he came upon one other spangle, and knew that the woman in the shiny clothes had stooped there before him.
Satisfied on this point, he returned to the table, and this time subjected it to a thorough and minute examination. That the result was not entirely unsatisfactory was evident from the smile with which he eyed his finger after having drawn it across a certain spot near the inkstand, and also from the care with which he lifted that inkstand and replaced it in precisely the same spot from which he had taken it up. Had he expected to find something concealed under it? Who can tell? A detective’s face seldom yields up its secrets.
He was musing quite intently before this table when a quick step behind him made him turn. Styles, the officer, having now been over the house, had returned, and was standing before him in the attitude of one who has something to say.
“What is it?” asked Mr. Gryce, with a quick movement in his direction.
For answer the officer pointed to the staircase visible through the antechamber door.
“Go up!” was indicated by his gesture.
Mr. Gryce demurred, casting a glance around the room, which at that moment interested him so deeply. At this the man showed some excitement, and, breaking silence, said:
“Come! I have lighted on the guilty party. He is in a room upstairs.”
“He?” Mr. Gryce was evidently surprised at the pronoun.
“Yes; there can be no doubt about it. When you see him—but what is that? Is he coming down? I’m sure there’s nobody else in the house. Don’t you hear footsteps, sir?”
Mr. Gryce nodded. Some one was certainly descending the stairs.
“Let us retreat,” suggested Styles. “Not because the man is dangerous, but because it is very necessary you should see him before he sees you. He’s a very strange-acting man, sir; and if he comes in here, will be sure to do something to incriminate himself. Where can we hide?”
Mr. Gryce remembered the little room he had just left, and drew the officer toward it. Once installed inside, he let the curtain drop till only a small loophole remained. The steps, which had been gradually growing louder, kept advancing; and presently they could hear the intruder’s breathing, which was both quick and labored.
“Does he know that any one has entered the house? Did he see you when you came upon him upstairs?” whispered Mr. Gryce into the ear of the man beside him.
Styles shook his head, and pointed eagerly toward the opposite door. The man for whose appearance they waited had just lifted the portière and in another moment stood in full view just inside the threshold.
Mr. Gryce and his attendant colleague both stared. Was this the murderer? This pale, lean servitor, with a tray in his hand on which rested a single glass of water?
Mr. Gryce was so astonished that he looked at Styles for explanation. But that officer, hiding his own surprise, for he had not expected this peaceful figure, urged him in a whisper to have patience, and both, turning toward the man again, beheld him advance, stop, cast one look at the figure lying on the floor and then let slip the glass with a low cry that at once changed to something like a howl.
“Look at him! Look at him!” urged Styles, in a hurried whisper. “Watch what he will do now. You will see a murderer at work.”
And sure enough, in another instant this strange being, losing all semblance to his former self, entered upon a series of pantomimic actions which to the two men who watched him seemed both to explain and illustrate the crime which had just been enacted there.
With every appearance of passion, he stood contemplating the empty air before him, and then, with one hand held stretched out behind him in a peculiarly cramped position, he plunged with the other toward a table from which he made a feint of snatching something which he no sooner closed his hand upon than he gave a quick side-thrust, still at the empty air, which seemed to quiver in return, so vigorous was his action and so evident his intent.
The reaction following this thrust; the slow unclosing of his hand from an imaginary dagger; the tottering of his body backward; then the moment when with wide open eyes he seemed to contemplate in horror the result of his own deed;—these needed no explanation beyond what was given by his writhing features and trembling body. Gradually succumbing to the remorse or terror of his own crime, he sank lower and lower, until, though with that one arm still stretched out, he lay in an inert heap on the floor.
“It is what I saw him do upstairs,” murmured Styles into the ear of the amazed detective. “He has evidently been driven insane by his own act.”
Mr. Gryce made no answer. Here was a problem for the solution of which he found no precedent in all his past experience.
Chapter III.
The Mute Servitor
Meanwhile the man who, to all appearance, had just re-enacted before them the tragedy which had so lately taken place in this room, rose to his feet, and, with a dazed air as unlike his former violent expression as possible, stooped for the glass he had let fall, and was carrying it out when Mr. Gryce called to him:
“Wait, man! You needn’t take that glass away. We first want to hear how your master comes to be lying here dead.”
It was a demand calculated to startle any man. But this one showed himself totally unmoved by it, and was passing on when Styles laid a detaining hand on his shoulder.
“Stop!” said he. “What do you mean by sliding off like this? Don’t you hear the gentleman speaking to you?”
This time the appeal told. The glass fell again from the man’s hand, mingling its clink (for it struck the floor this time and broke) with the cry he gave—which was not exactly a cry either, but an odd sound between a moan and a shriek. He had caught sight of the men who were seeking to detain him, and his haggard look and cringing form showed that he realized at last the terrors of his position. Next minute he sought to escape, but Styles, gripping him more firmly, dragged him back to where Mr. Gryce stood beside the bearskin rug on which lay the form of his dead master.
Instantly, at the sight of this recumbent figure, another change took place in the entrapped butler. Joy—that most hellish of passions in the presence of violence and death—illumined his wandering eye and distorted his mouth; and, seeking no disguise for the satisfaction he felt, he uttered a low but thrilling laugh, which rang in unholy echo through the room.
Mr. Gryce, moved in spite of himself by an abhorrence which the irresponsible condition of this man seemed only to emphasize, waited till the last faint sounds of this diabolical mirth had died away in the high recesses of the space above. Then, fixing the glittering eye of this strange creature with his own, which, as we know, so seldom dwelt upon that of his fellow-beings, he sternly said:
“There now! Speak! Who killed this man? You were in the house with him, and should know.”
The butler’s lips opened and a string of strange gutturals poured forth, while with his one disengaged hand (for the other was held to his side by Styles) he touched his ears and his lips, and violently shook his head.
There was but one