The Greatest Works of Anna Katharine Green. Анна Грин
into his side, crying:
“We cannot part, we cannot die, we are too young, too happy!”
It was sudden; the birth of purpose in her so unexpected and so rapid that Felix, the ready, who was prepared for all contingencies, for the least movement or suggestion of escape, faltered and pressed, not the fatal button, but his heart.
One impulsive act on the part of a woman had overthrown all the fine-spun plans of the subtlest spirit that ever attempted to work its will in the face of God and man.
But I did not think of this then; I did not even bestow a thought upon the narrowness of our escape, or the price which the darling of my heart might be called upon to pay for this supreme act of self-defence. My mind, my heart, my interest were with Felix, in whom the nearness of death had called up all that was strongest and most commanding in his strong and commanding spirit.
Though struck to the heart, he had not fallen. It was as if the will which had sustained him through thirty years of mental torture held him erect still, that he might give her, Eva, one look, the like of which I had never seen on mortal face, and which will never leave my heart or hers until we die. Then as he saw her sink shudderingly down and the delicate woman reappear in her pallid and shrunken figure, he turned his eyes on me and I saw,—good God!—a tear well up from those orbs of stone and fall slowly down his cheek, fast growing hollow under the stroke of death.
“Eva! Eva! I love Eva!” shrilled the voice which once before had startled me from the hollow vault above.
Felix heard, and a smile faint as the failing rush of blood through his veins moved his lips and brought a revelation to my soul. He, too, loved Eva!
When he saw I knew, the will which had kept him on his feet gave way, and he sank to the floor murmuring:
“Take her away! I forgive. Save! Save! She did not know I loved her.”
Eva, aghast, staring with set eyes at her work, had not moved from her crouching posture. But when she saw that speaking head fall back, the fine limbs settle into the repose of death, a shock went through her which I thought would never leave her reason unimpaired.
“I’ve killed him!” she murmured. “I’ve killed him!” and looking wildly about, her eyes fell on the cross that hung behind us on the wall. It seemed to remind her that Felix was a Catholic. “Bring it!” she gasped. “Let him feel it on his breast. It may bring him peace—hope.”
As I rushed to do her bidding, she fell in a heap on the floor.
“Save!” came again from the lips we thought closed forever in death. And realizing at the words both her danger and the necessity of her not opening her eyes again upon this scene, I laid the cross in his arms, and catching her up from the floor, ran with her out of the house. But no sooner had I caught sight of the busy street and the stream of humanity passing before us, than I awoke to an instant recognition of our peril. Setting my wife down, I commanded life back into her limbs by the force of my own energy, and then dragging her down the steps, mingled with the crowd, encouraging her, breathing for her, living in her till I got her into a carriage and we drove away.
For the silence we have maintained from that time to this you must not blame Mrs. Adams. When she came to herself—which was not for days—she manifested the greatest desire to proclaim her act and assume its responsibility. But I would not have it. I loved her too dearly to see her name bandied about in the papers; and when her father was taken into our confidence, he was equally peremptory in enjoining silence, and shared with me the watch I now felt bound to keep over her movements.
But alas! His was the peremptoriness of pride rather than love. John Poindexter has no more heart for his daughter than he had for his wife or that long-forgotten child from whose grave this tragedy has sprung. Had Felix triumphed he would never have wrung the heart of this man. As he once said, when a man cares for nothing and nobody, not even for himself, it is useless to curse him.
As for Felix himself, judge him not, when you realize, as you now must, that his last conscious act was to reach for and put in his mouth the paper which connected Eva with his death. At the moment of death his thought was to save, not to avenge. And this after her hand had struck him.
Chapter VI.
Answered
A silence more or less surcharged with emotion followed this final appeal. Then, while the various auditors of this remarkable history whispered together and Thomas Adams turned in love and anxiety toward his wife, the inspector handed back to Mr. Gryce the memorandum he had received from him.
It presented the following appearance:
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1. Why a woman who was calm enough to stop and arrange her hair during the beginning of an interview should be wrought up to such a pitch of frenzy and exasperation before it was over as to kill with her own hand a man she had evidently had no previous grudge against. (Remember the comb found on the floor of Mr. Adams’s bedroom.)
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2. What was the meaning of the following words, written just previous to this interview by the man thus killed: “I return you your daughter. Neither you nor she will ever see me again. Remember Evelyn!”
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3. Why was the pronoun “I” used in this communication? What position did Mr. Felix Adams hold toward this young girl qualifying him to make use of such language after her marriage to his brother?
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4. And having used it, why did he, upon being attacked by her, attempt to swallow the paper upon which he had written these words, actually dying with it clinched between his teeth?
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5. If he was killed in anger and died as monsters do (her own word), why did his face show sorrow rather than hate, and a determination as far as possible removed from the rush of over-whelming emotions likely to follow the reception of a mortal blow from the hand of an unexpected antagonist?
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6. Why, if he had strength to seize the above-mentioned paper and convey it to his lips, did he not use that strength in turning on a light calculated to bring him assistance, instead of leaving blazing the crimson glow which, according to the code of signals as now understood by us, means: “Nothing more required just now. Keep away?”
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7. What was the meaning of the huge steel plate found between the casings of the doorway, and why did it remain at rest within its socket at this, the culminating, moment of his life?
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8. An explanation of how old Poindexter came to appear on the scene so soon after the event. His words as overheard were: “It is Amos’ son, not Amos!” Did he not know whom he was to meet in this house? Was the condition of the man lying before him with a cross on his bosom and a dagger in his heart less of a surprise to him than the personality of the victim?
Not Answered
9. Remember the conclusions we have drawn from Bartow’s pantomime. Mr. Adams was killed by a left-handed thrust. Watch for an acknowledgment that the young woman is left-handed, and do not forget that an explanation is due why for so long a time she held her other arm stretched out behind her.
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10. Why did the bird whose chief cry is “Remember Evelyn!” sometimes vary it with “Poor Eva! Lovely Eva! Who would strike Eva?” The story of this tragedy, to be true, must show that Mr. Adams knew his brother’s bride both long and well.
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11. If Bartow is, as we think, innocent of all connection with this crime save as witness,