The Mystery of Edwin Drood. Чарльз Диккенс
the crypt, Durdles?’ asks John Jasper.
‘Anything old, I think you mean,’ growls Durdles. ‘It ain’t a spot for novelty.’
‘Any new discovery on your part, I meant.’
‘There’s a old ’un under the seventh pillar on the left as you go down the broken steps of the little underground chapel as formerly was; I make him out (so fur as I’ve made him out yet) to be one of them old ’uns with a crook. To judge from the size of the passages in the walls, and of the steps and doors, by which they come and went, them crooks must have been a good deal in the way of the old ’uns! Two on ’em meeting promiscuous must have hitched one another by the mitre pretty often, I should say.’
Without any endeavour to correct the literality of this opinion, Jasper surveys his companion—covered from head to foot with old mortar, lime, and stone grit—as though he, Jasper, were getting imbued with a romantic interest in his weird life.
‘Yours is a curious existence.’
Without furnishing the least clue to the question, whether he receives this as a compliment or as quite the reverse, Durdles gruffly answers: ‘Yours is another.’
‘Well! inasmuch as my lot is cast in the same old earthy, chilly, never-changing place, Yes. But there is much more mystery and interest in your connection with the Cathedral than in mine. Indeed, I am beginning to have some idea of asking you to take me on as a sort of student, or free ’prentice, under you, and to let me go about with you sometimes, and see some of these odd nooks in which you pass your days.’
The Stony One replies, in a general way, ‘All right. Everybody knows where to find Durdles, when he’s wanted.’ Which, if not strictly true, is approximately so, if taken to express that Durdles may always be found in a state of vagabondage somewhere.
‘What I dwell upon most,’ says Jasper, pursuing his subject of romantic interest, ‘is the remarkable accuracy with which you would seem to find out where people are buried.—What is the matter? That bundle is in your way; let me hold it.’
Durdles has stopped and backed a little (Deputy, attentive to all his movements, immediately skirmishing into the road), and was looking about for some ledge or corner to place his bundle on, when thus relieved of it.
‘Just you give me my hammer out of that,’ says Durdles, ‘and I’ll show you.’
Clink, clink. And his hammer is handed him.
‘Now, lookee here. You pitch your note, don’t you, Mr. Jasper?’
‘Yes.’
‘So I sound for mine. I take my hammer, and I tap.’ (Here he strikes the pavement, and the attentive Deputy skirmishes at a rather wider range, as supposing that his head may be in requisition.) ‘I tap, tap, tap. Solid! I go on tapping. Solid still! Tap again. Holloa! Hollow! Tap again, persevering. Solid in hollow! Tap, tap, tap, to try it better. Solid in hollow; and inside solid, hollow again! There you are! Old ’un crumbled away in stone coffin, in vault!’
‘Astonishing!’
‘I have even done this,’ says Durdles, drawing out his two-foot rule (Deputy meanwhile skirmishing nearer, as suspecting that Treasure may be about to be discovered, which may somehow lead to his own enrichment, and the delicious treat of the discoverers being hanged by the neck, on his evidence, until they are dead). ‘Say that hammer of mine’s a wall—my work. Two; four; and two is six,’ measuring on the pavement. ‘Six foot inside that wall is Mrs. Sapsea.’
‘Not really Mrs. Sapsea?’
‘Say Mrs. Sapsea. Her wall’s thicker, but say Mrs. Sapsea. Durdles taps, that wall represented by that hammer, and says, after good sounding: “Something betwixt us!” Sure enough, some rubbish has been left in that same six-foot space by Durdles’s men!’
Jasper opines that such accuracy ‘is a gift.’
‘I wouldn’t have it at a gift,’ returns Durdles, by no means receiving the observation in good part. ‘I worked it out for myself. Durdles comes by his knowledge through grubbing deep for it, and having it up by the roots when it don’t want to come.—Holloa you Deputy!’
‘Widdy!’ is Deputy’s shrill response, standing off again.
‘Catch that ha’penny. And don’t let me see any more of you to-night, after we come to the Travellers’ Twopenny.’
‘Warning!’ returns Deputy, having caught the halfpenny, and appearing by this mystic word to express his assent to the arrangement.
They have but to cross what was once the vineyard, belonging to what was once the Monastery, to come into the narrow back lane wherein stands the crazy wooden house of two low stories currently known as the Travellers’ Twopenny:—a house all warped and distorted, like the morals of the travellers, with scant remains of a lattice-work porch over the door, and also of a rustic fence before its stamped-out garden; by reason of the travellers being so bound to the premises by a tender sentiment (or so fond of having a fire by the roadside in the course of the day), that they can never be persuaded or threatened into departure, without violently possessing themselves of some wooden forget-me-not, and bearing it off.
The semblance of an inn is attempted to be given to this wretched place by fragments of conventional red curtaining in the windows, which rags are made muddily transparent in the night-season by feeble lights of rush or cotton dip burning dully in the close air of the inside. As Durdles and Jasper come near, they are addressed by an inscribed paper lantern over the door, setting forth the purport of the house. They are also addressed by some half-dozen other hideous small boys—whether twopenny lodgers or followers or hangers-on of such, who knows!—who, as if attracted by some carrion-scent of Deputy in the air, start into the moonlight, as vultures might gather in the desert, and instantly fall to stoning him and one another.
‘Stop, you young brutes,’ cries Jasper angrily, ‘and let us go by!’
This remonstrance being received with yells and flying stones, according to a custom of late years comfortably established among the police regulations of our English communities, where Christians are stoned on all sides, as if the days of Saint Stephen were revived, Durdles remarks of the young savages, with some point, that ‘they haven’t got an object,’ and leads the way down the lane.
At the corner of the lane, Jasper, hotly enraged, checks his companion and looks back. All is silent. Next moment, a stone coming rattling at his hat, and a distant yell of ‘Wake-Cock! Warning!’ followed by a crow, as from some infernally-hatched Chanticleer, apprising him under whose victorious fire he stands, he turns the corner into safety, and takes Durdles home: Durdles stumbling among the litter of his stony yard as if he were going to turn head foremost into one of the unfinished tombs.
John Jasper returns by another way to his gatehouse, and entering softly with his key, finds his fire still burning. He takes from a locked press a peculiar-looking pipe, which he fills—but not with tobacco—and, having adjusted the contents of the bowl, very carefully, with a little instrument, ascends an inner staircase of only a few steps, leading to two rooms. One of these is his own sleeping chamber: the other is his nephew’s. There is a light in each.
His nephew lies asleep, calm and untroubled. John Jasper stands looking down upon him, his unlighted pipe in his hand, for some time, with a fixed and deep attention. Then, hushing his footsteps, he passes to his own room, lights his pipe, and delivers himself to the Spectres it invokes at midnight.
CHAPTER VI—PHILANTHROPY IN MINOR CANON CORNER
The Reverend Septimus Crisparkle (Septimus, because six little brother Crisparkles before him went out, one by one, as they were born, like six weak little rushlights, as they were lighted), having broken the thin morning ice near Cloisterham