The Three Brontës. Sinclair May

The Three Brontës - Sinclair May


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and Charlotte was famous.

      But not Emily. Wuthering Heights appeared also, and nothing happened. It was bound in the same volume with Anne's humble tale. Its lightning should have scorched and consumed Agnes Grey, but nothing happened. Ellis and Acton Bell remained equals in obscurity, recognized only by their association with the tremendous Currer. When it came to publishing The Tenant of Wildfell Hall, and association became confusion, Charlotte and Anne went up to London to prove their separate identity. Emily stayed at Haworth, superbly indifferent to the proceedings. She was unseen, undreamed of, unrealized, and in all her life she made no sign.

      But, in a spirit of reckless adventure, Charlotte and Anne walked the seven miles to Keighley on a Friday evening in a thunderstorm, and took the night train up. On the Saturday morning they appeared in the office at Cornhill to the amazement of Mr. George Smith and Mr. Williams. With childlike innocence and secrecy they hid in the Chapter Coffee-house in Paternoster Row, and called themselves the Misses Brown. When entertainment was offered them, they expressed a wish to hear Dr. Croly preach. They did not hear him; they only heard The Barber of Seville at Covent Garden. They tried, with a delicious solemnity, to give the whole thing an air of business, but it was really a breathless, infantile escapade of three days. Three days out of four years.

      * * * * *

      And in those four years poor Branwell's destiny found him also. After many minor falls and penitences and relapses, he seemed at length to have settled down. He had been tutor for two and a half years with the Robinsons at Thorp Green, in the house where Anne was a governess. He was happy at first; an ominous happiness. Then Anne began to be aware of something.

      Mr. Birrell has said rather unkindly that he has no use for this young man. Nobody had any use for him. Not the editors to whom he used to write so hysterically. Not the Leeds and Manchester Railroad Company. And certainly not Mrs. Robinson, the lady for whom he conceived that insane and unlawful passion which has been made to loom so large in the lives of the Brontës. After all the agony and indignation that has gathered round this episode, it is clear enough now, down to the last sordid details. The feverish, degenerate, utterly irresponsible Branwell not only declared his passion, but persuaded himself, against the evidence of his senses, that it was returned. The lady (whom he must have frightened horribly) told her husband, who instantly dismissed Branwell.

      Branwell never got over it.

      He was destined to die young, and, no doubt, if there had been no Mrs. Robinson, some other passion would have killed him. Still, it may be said with very little exaggeration that he died of it. He had not hitherto shown any signs of tuberculosis. It may be questioned whether without this predisposing cause he would have developed it. He had had his chance to survive. He had never been packed, like his sisters, first one of five, then one of three, into a closet not big enough for one. But he drank harder after the Robinson affair than he had ever drunk before, and he added opium to drink. Drink and opium gave frightful intensity to the hallucination of which, in a sense, he died.

      It took him more than three years, from July, eighteen-forty-five, the date of his dismissal, to September, eighteen-forty-eight, the date of his death.

      The Incumbent of Haworth has been much blamed for his son's shortcomings. He has been charged with first spoiling the boy, and then neglecting him. In reality his only error (a most unusual one in an early Victorian father) was that he believed in his son's genius. When London and the Royal Academy proved beyond him he had him taught at Bradford. He gave him a studio there. He had already given him an education that at least enabled him to obtain tutorships, if not to keep them. The Parsonage must have been a terrible place for Branwell, but it was not in the Vicar's power to make it more attractive than the Bull Inn. Branwell was not a poet like his sisters, and moors meant nothing to him. To be sure, when he went into Wales and saw Penmaenmawr, he wrote a poem about it. But the poem is not really about Penmaenmawr. It is all about Branwell; Penmaenmawr is Branwell, a symbol of his colossal personality and of his fate. For Branwell was a monstrous egoist. He was not interested in his sisters or in his friends, or really in Mrs. Robinson. He was interested only in himself. What could a poor vicar do with a son like that? There was nothing solid in Branwell that you could take hold of and chastise. There was nothing you could appeal to. His affection for his family was three-fourths sentimentalism. Still, what the Vicar could do he did do. When Branwell was mad with drink and opium he never left him. There is no story more grim and at the same time more poignant and pathetic than that which Mrs. Gaskell tells of his devotion to his son in this time of the boy's ruin. Branwell slept in his father's room. He would doze all day, and rage all night, threatening his father's life. In the morning he would go to his sisters and say: "The poor old man and I have had a terrible night of it. He does his best, the poor old man, but it is all over with me." He died in his father's arms while Emily and little Anne looked on.

      They say that he struggled to his feet and died standing, to prove the strength of his will; but some biographer has robbed him of this poor splendour. It was enough for his sisters—and it should be enough for anybody—that his madness left him with the onset of his illness, and that he went from them penitent and tender, purified by the mystery and miracle of death.

      That was on Sunday, the twenty-fourth of September. From that day Emily sickened. She caught cold at Branwell's funeral. On September the thirtieth she was in church listening to his funeral sermon. After that, she never crossed the threshold of the Parsonage till in December her dead body was carried over it, to lie beside her brother under the church floor.

      In October, a week or two after Branwell's death, Charlotte wrote: "Emily has a cold and cough at present." "Emily's cold and cough are very obstinate. I fear she has pain in her chest, and I sometimes catch a shortness in her breathing when she has moved at all quickly." In November: "I told you Emily was ill, in my last letter. She has not rallied yet. She is very ill. … I think Emily seems the nearest thing to my heart in all the world." And in December: "Emily suffers no more from pain or weakness now … there is no Emily in time, or on earth now. … We are very calm at present. Why should we be otherwise? The anguish of seeing her suffer is over; the spectacle of the pains of death is gone by: the funeral day is past. We feel she is at peace. No need to tremble for the hard frost and the keen wind. Emily does not feel them. She died in a time of promise. … But it is God's will, and the place where she has gone is better than that which she has left."

      It could have been hardly daylight on the moors the morning when Charlotte went out to find that last solitary sprig of heather which she laid on Emily's pillow for Emily to see when she awoke. Emily's eyes were so drowsed with death that she could not see it. And yet it could not have been many hours later when a fire was lit in her bedroom, and she rose and dressed herself. Madame Duclaux[A] tells how she sat before the fire, combing her long, dark hair, and how the comb dropped from her weak fingers, and fell under the grate. And how she sat there in her mortal apathy; and how, when the servant came to her, she said dreamily: "Martha, my comb's down there; I was too weak to stoop and pick it up."

      [Footnote A: "Emily Brontë": Eminent Women Series.]

      She dragged herself down to the sitting-room, and died there, about two o'clock. She must have had some horror of dying in that room of death overhead; for, at noon, when the last pains seized her, she refused to be taken back to it. Unterrified, indomitable, driven by her immortal passion for life, she fought terribly. Death took her as she tried to rise from the sofa and break from her sisters' arms that would have laid her there. Profoundly, piteously alienated, she must have felt that Anne and Charlotte were in league with death; that they fought with her and bound her down; and that in her escape from them she conquered.

      Another month and Anne sickened. As Emily died of Branwell's death, so Emily's death hastened Anne's. Charlotte wrote in the middle of January: "I can scarcely say that Anne is worse, nor can I say she is better. … The days pass in a slow, dull march: the nights are the test; the sudden wakings from restless sleep, the revived knowledge that one lies in her grave, and another, not at my side, but in a separate and sick bed." And again in March: "Anne's decline is gradual and fluctuating, but its nature is not doubtful." And yet again in April: "If there were no hope beyond this world … Emily's fate, and that which threatens Anne, would be heartbreaking. I cannot forget Emily's death-day;


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