The Essential Writings of Theodore Dreiser. Theodore Dreiser
nonplussed at the possibility of the errand being different from what she had thought.
He only looked at her in the most kindly and mollifying way.
“Well, where are you taking me, then?” she asked, her voice showing the quality of fright.
“I’ll tell you, Carrie, if you’ll be quiet. I want you to come along with me to another city,”
“Oh,” said Carrie, her voice rising into a weak cry. “Let me off. I don’t want to go with you.”
She was quite appalled at the man’s audacity. This was something which had never for a moment entered her head. Her one thought now was to get off and away. If only the flying train could be stopped, the terrible trick would be amended.
She arose and tried to push out into the aisle — anywhere. She knew she had to do something. Hurstwood laid a gentle hand on her.
“Sit still, Carrie,” he said. “Sit still. It won’t do you any good to get up here. Listen to me and I’ll tell you what I’ll do. Wait a moment.”
She was pushing at his knees, but he only pulled her back. No one saw this little altercation, for very few persons were in the car, and they were attempting to doze.
“I won’t,” said Carrie, who was, nevertheless, complying against her will. “Let me go,” she said. “How dare you?” and large tears began to gather in her eyes.
Hurstwood was now fully aroused to the immediate difficulty, and ceased to think of his own situation. He must do something with this girl, or she would cause him trouble. He tried the art of persuasion with all his powers aroused.
“Look here now, Carrie,” he said, “you mustn’t act this way. I didn’t mean to hurt your feelings. I don’t want to do anything to make you feel bad.”
“Oh,” sobbed Carrie, “oh, oh — oo — o!”
“There, there,” he said, “you mustn’t cry. Won’t you listen to me? Listen to me a minute, and I’ll tell you why I came to do this thing. I couldn’t help it. I assure you I couldn’t. Won’t you listen?”
Her sobs disturbed him so that he was quite sure she did not hear a word he said.
“Won’t you listen?” he asked.
“No, I won’t,” said Carrie, flashing up. “I want you to take me out of this, or I’ll tell the conductor. I won’t go with you. It’s a shame,” and again sobs of fright cut off her desire for expression.
Hurstwood listened with some astonishment. He felt that she had just cause for feeling as she did, and yet he wished that he could straighten this thing out quickly. Shortly the conductor would come through for the tickets. He wanted no noise, no trouble of any kind. Before everything he must make her quiet.
“You couldn’t get out until the train stops again,” said Hurstwood. “It won’t be very long until we reach another station. You can get out then if you want to. I won’t stop you. All I want you to do is to listen a moment. You’ll let me tell you, won’t you?”
Carrie seemed not to listen. She only turned her head toward the window, where outside all was black. The train was speeding with steady grace across the fields and through patches of wood. The long whistles came with sad, musical effect as the lonely woodland crossings were approached.
Now the conductor entered the car and took up the one or two fares that had been added at Chicago. He approached Hurstwood, who handed out the tickets. Poised as she was to act, Carrie made no move. She did not look about.
When the conductor had gone again Hurstwood felt relieved.
“You’re angry at me because I deceived you,” he said. “I didn’t mean to, Carrie. As I live I didn’t. I couldn’t help it. I couldn’t stay away from you after the first time I saw you.”
He was ignoring the last deception as something that might go by the board. He wanted to convince her that his wife could no longer be a factor in their relationship. The money he had stolen he tried to shut out of his mind.
“Don’t talk to me,” said Carrie, “I hate you. I want you to go away from me. I am going to get out at the very next station.”
She was in a tremble of excitement and opposition as she spoke.
“All right,” he said, “but you’ll hear me out, won’t you? After all you have said about loving me, you might hear me. I don’t want to do you any harm. I’ll give you the money to go back with when you go. I merely want to tell you, Carrie. You can’t stop me from loving you, whatever you may think.”
He looked at her tenderly, but received no reply. “You think I have deceived you badly, but I haven’t. I didn’t do it willingly. I’m through with my wife. She hasn’t any claims on me. I’ll never see her any more. That’s why I’m here to-night. That’s why I came and got you.”
“You said Charlie was hurt,” said Carrie, savagely. “You deceived me. You’ve been deceiving me all the time, and now you want to force me to run away with you.”
She was so excited that she got up and tried to get by him again. He let her, and she took another seat. Then he followed.
“Don’t run away from me, Carrie,” he said gently. “Let me explain. If you will only hear me out you will see where I stand. I tell you my wife is nothing to me. She hasn’t been anything for years or I wouldn’t have ever come near you. I’m going to get a divorce just as soon as I can. I’ll never see her again. I’m done with all that. You’re the only person I want. If I can have you I won’t ever think of another woman again.”
Carrie heard all this in a very ruffled state. It sounded sincere enough, however, despite all he had done. There was a tenseness in Hurstwood’s voice and manner which could but have some effect. She did not want anything to do with him. He was married, he had deceived her once, and now again, and she thought him terrible. Still there is something in such daring and power which is fascinating to a woman, especially if she can be made to feel that it is all prompted by love of her.
The progress of the train was having a great deal to do with the solution of this difficult situation. The speeding wheels and disappearing country put Chicago farther and farther behind. Carrie could feel that she was being borne a long distance off — that the engine was making an almost through run to some distant city. She felt at times as if she could cry out and make such a row that some one would come to her aid; at other times it seemed an almost useless thing — so far was she from any aid, no matter what she did. All the while Hurstwood was endeavouring to formulate his plea in such a way that it would strike home and bring her into sympathy with him.
“I was simply put where I didn’t know what else to do.”
Carrie deigned no suggestion of hearing this.
“When I say you wouldn’t come unless I could marry you, I decided to put everything else behind me and get you to come away with me. I’m going off now to another city. I want to go to Montreal for a while, and then anywhere you want to. We’ll go and live in New York, if you say.”
“I’ll not have anything to do with you,” said Carrie. “I want to get off this train. Where are we going?”
“To Detroit,” said Hurstwood.
“Oh!” said Carrie, in a burst of anguish. So distant and definite a point seemed to increase the difficulty.
“Won’t you come along with me?” he said, as if there was great danger that she would not. “You won’t need to do anything but travel with me. I’ll not trouble you in any way. You can see Montreal and New York, and then if you don’t want to stay you can go back. It will be better than trying to go back to-night.”
The first gleam of fairness shone in this proposition for Carrie. It seemed a plausible thing to do, much as she feared his opposition if she tried to carry it out. Montreal and New York! Even now she