Bleak House. Чарльз Диккенс

      Jo sweeps his crossing all day long, unconscious of the link, if any link there be. He sums up his mental condition when asked a question by replying that he "don't know nothink." He knows that it's hard to keep the mud off the crossing in dirty weather, and harder still to live by doing it. Nobody taught him even that much; he found it out.

      Jo lives—that is to say, Jo has not yet died—in a ruinous place known to the like of him by the name of Tom-all-Alone's. It is a black, dilapidated street, avoided by all decent people, where the crazy houses were seized upon, when their decay was far advanced, by some bold vagrants who after establishing their own possession took to letting them out in lodgings. Now, these tumbling tenements contain, by night, a swarm of misery. As on the ruined human wretch vermin parasites appear, so these ruined shelters have bred a crowd of foul existence that crawls in and out of gaps in walls and boards; and coils itself to sleep, in maggot numbers, where the rain drips in; and comes and goes, fetching and carrying fever and sowing more evil in its every footprint than Lord Coodle, and Sir Thomas Doodle, and the Duke of Foodle, and all the fine gentlemen in office, down to Zoodle, shall set right in five hundred years—though born expressly to do it.

      Twice lately there has been a crash and a cloud of dust, like the springing of a mine, in Tom-all-Alone's; and each time a house has fallen. These accidents have made a paragraph in the newspapers and have filled a bed or two in the nearest hospital. The gaps remain, and there are not unpopular lodgings among the rubbish. As several more houses are nearly ready to go, the next crash in Tom-all-Alone's may be expected to be a good one.

      This desirable property is in Chancery, of course. It would be an insult to the discernment of any man with half an eye to tell him so. Whether "Tom" is the popular representative of the original plaintiff or defendant in Jarndyce and Jarndyce, or whether Tom lived here when the suit had laid the street waste, all alone, until other settlers came to join him, or whether the traditional title is a comprehensive name for a retreat cut off from honest company and put out of the pale of hope, perhaps nobody knows. Certainly Jo don't know.

      "For I don't," says Jo, "I don't know nothink."

      It must be a strange state to be like Jo! To shuffle through the streets, unfamiliar with the shapes, and in utter darkness as to the meaning, of those mysterious symbols, so abundant over the shops, and at the corners of streets, and on the doors, and in the windows! To see people read, and to see people write, and to see the postmen deliver letters, and not to have the least idea of all that language—to be, to every scrap of it, stone blind and dumb! It must be very puzzling to see the good company going to the churches on Sundays, with their books in their hands, and to think (for perhaps Jo DOES think at odd times) what does it all mean, and if it means anything to anybody, how comes it that it means nothing to me? To be hustled, and jostled, and moved on; and really to feel that it would appear to be perfectly true that I have no business here, or there, or anywhere; and yet to be perplexed by the consideration that I AM here somehow, too, and everybody overlooked me until I became the creature that I am! It must be a strange state, not merely to be told that I am scarcely human (as in the case of my offering myself for a witness), but to feel it of my own knowledge all my life! To see the horses, dogs, and cattle go by me and to know that in ignorance I belong to them and not to the superior beings in my shape, whose delicacy I offend! Jo's ideas of a criminal trial, or a judge, or a bishop, or a government, or that inestimable jewel to him (if he only knew it) the Constitution, should be strange! His whole material and immaterial life is wonderfully strange; his death, the strangest thing of all.

      Jo comes out of Tom-all-Alone's, meeting the tardy morning which is always late in getting down there, and munches his dirty bit of bread as he comes along. His way lying through many streets, and the houses not yet being open, he sits down to breakfast on the door-step of the Society for the Propagation of the Gospel in Foreign Parts and gives it a brush when he has finished as an acknowledgment of the accommodation. He admires the size of the edifice and wonders what it's all about. He has no idea, poor wretch, of the spiritual destitution of a coral reef in the Pacific or what it costs to look up the precious souls among the coco-nuts and bread-fruit.

      He goes to his crossing and begins to lay it out for the day. The town awakes; the great tee-totum is set up for its daily spin and whirl; all that unaccountable reading and writing, which has been suspended for a few hours, recommences. Jo and the other lower animals get on in the unintelligible mess as they can. It is market-day. The blinded oxen, over-goaded, over-driven, never guided, run into wrong places and are beaten out, and plunge red-eyed and foaming at stone walls, and often sorely hurt the innocent, and often sorely hurt themselves. Very like Jo and his order; very, very like!

      A band of music comes and plays. Jo listens to it. So does a dog—a drover's dog, waiting for his master outside a butcher's shop, and evidently thinking about those sheep he has had upon his mind for some hours and is happily rid of. He seems perplexed respecting three or four, can't remember where he left them, looks up and down the street as half expecting to see them astray, suddenly pricks up his ears and remembers all about it. A thoroughly vagabond dog, accustomed to low company and public-houses; a terrific dog to sheep, ready at a whistle to scamper over their backs and tear out mouthfuls of their wool; but an educated, improved, developed dog who has been taught his duties and knows how to discharge them. He and Jo listen to the music, probably with much the same amount of animal satisfaction; likewise as to awakened association, aspiration, or regret, melancholy or joyful reference to things beyond the senses, they are probably upon a par. But, otherwise, how far above the human listener is the brute!

      Turn that dog's descendants wild, like Jo, and in a very few years they will so degenerate that they will lose even their bark—but not their bite.

      The day changes as it wears itself away and becomes dark and drizzly. Jo fights it out at his crossing among the mud and wheels, the horses, whips, and umbrellas, and gets but a scanty sum to pay for the unsavoury shelter of Tom-all-Alone's. Twilight comes on; gas begins to start up in the shops; the lamplighter, with his ladder, runs along the margin of the pavement. A wretched evening is beginning to close in.

      In his chambers Mr. Tulkinghorn sits meditating an application to the nearest magistrate to-morrow morning for a warrant. Gridley, a disappointed suitor, has been here to-day and has been alarming. We are not to be put in bodily fear, and that ill-conditioned fellow shall be held to bail again. From the ceiling, foreshortened Allegory, in the person of one impossible Roman upside down, points with the arm of Samson (out of joint, and an odd one) obtrusively toward the window. Why should Mr. Tulkinghorn, for such no reason, look out of window? Is the hand not always pointing there? So he does not look out of window.

      And if he did, what would it be to see a woman going by? There are women enough in the world, Mr. Tulkinghorn thinks—too many; they are at the bottom of all that goes wrong in it, though, for the matter of that, they create business for lawyers. What would it be to see a woman going by, even though she were going secretly? They are all secret. Mr. Tulkinghorn knows that very well.

      But they are not all like the woman who now leaves him and his house behind, between whose plain dress and her refined manner there is something exceedingly inconsistent. She should be an upper servant by her attire, yet in her air and step, though both are hurried and assumed—as far as she can assume in the muddy streets, which she treads with an unaccustomed foot—she is a lady. Her face is veiled, and still she sufficiently betrays herself to make more than one of those who pass her look round sharply.

      She never turns her head. Lady or servant, she has a purpose in her and can follow it. She never turns her head until she comes to the crossing where Jo plies with his broom. He crosses with her and begs. Still, she does not turn her head until she has landed on the other side. Then she slightly beckons to him and says, "Come here!"

      Jo follows her a pace or