Bleak House. Чарльз Диккенс
delivered and accompanied by action illustrative of the various exercises referred to, Phil Squod shoulders his way round three sides of the gallery, and abruptly tacking off at his commander, makes a butt at him with his head, intended to express devotion to his service. He then begins to clear away the breakfast.
Mr. George, after laughing cheerfully and clapping him on the shoulder, assists in these arrangements and helps to get the gallery into business order. That done, he takes a turn at the dumb-bells, and afterwards weighing himself and opining that he is getting "too fleshy," engages with great gravity in solitary broadsword practice. Meanwhile Phil has fallen to work at his usual table, where he screws and unscrews, and cleans, and files, and whistles into small apertures, and blackens himself more and more, and seems to do and undo everything that can be done and undone about a gun.
Master and man are at length disturbed by footsteps in the passage, where they make an unusual sound, denoting the arrival of unusual company. These steps, advancing nearer and nearer to the gallery, bring into it a group at first sight scarcely reconcilable with any day in the year but the fifth of November.
It consists of a limp and ugly figure carried in a chair by two bearers and attended by a lean female with a face like a pinched mask, who might be expected immediately to recite the popular verses commemorative of the time when they did contrive to blow Old England up alive but for her keeping her lips tightly and defiantly closed as the chair is put down. At which point the figure in it gasping, "O Lord! Oh, dear me! I am shaken!" adds, "How de do, my dear friend, how de do?" Mr. George then descries, in the procession, the venerable Mr. Smallweed out for an airing, attended by his granddaughter Judy as body-guard.
"Mr. George, my dear friend," says Grandfather Smallweed, removing his right arm from the neck of one of his bearers, whom he has nearly throttled coming along, "how de do? You're surprised to see me, my dear friend."
"I should hardly have been more surprised to have seen your friend in the city," returns Mr. George.
"I am very seldom out," pants Mr. Smallweed. "I haven't been out for many months. It's inconvenient—and it comes expensive. But I longed so much to see you, my dear Mr. George. How de do, sir?"
"I am well enough," says Mr. George. "I hope you are the same."
"You can't be too well, my dear friend." Mr. Smallweed takes him by both hands. "I have brought my granddaughter Judy. I couldn't keep her away. She longed so much to see you."
"Hum! She bears it calmly!" mutters Mr. George.
"So we got a hackney-cab, and put a chair in it, and just round the corner they lifted me out of the cab and into the chair, and carried me here that I might see my dear friend in his own establishment! This," says Grandfather Smallweed, alluding to the bearer, who has been in danger of strangulation and who withdraws adjusting his windpipe, "is the driver of the cab. He has nothing extra. It is by agreement included in his fare. This person," the other bearer, "we engaged in the street outside for a pint of beer. Which is twopence. Judy, give the person twopence. I was not sure you had a workman of your own here, my dear friend, or we needn't have employed this person."
Grandfather Smallweed refers to Phil with a glance of considerable terror and a half-subdued "O Lord! Oh, dear me!" Nor in his apprehension, on the surface of things, without some reason, for Phil, who has never beheld the apparition in the black-velvet cap before, has stopped short with a gun in his hand with much of the air of a dead shot intent on picking Mr. Smallweed off as an ugly old bird of the crow species.
"Judy, my child," says Grandfather Smallweed, "give the person his twopence. It's a great deal for what he has done."
The person, who is one of those extraordinary specimens of human fungus that spring up spontaneously in the western streets of London, ready dressed in an old red jacket, with a "mission" for holding horses and calling coaches, received his twopence with anything but transport, tosses the money into the air, catches it over-handed, and retires.
"My dear Mr. George," says Grandfather Smallweed, "would you be so kind as help to carry me to the fire? I am accustomed to a fire, and I am an old man, and I soon chill. Oh, dear me!"
His closing exclamation is jerked out of the venerable gentleman by the suddenness with which Mr. Squod, like a genie, catches him up, chair and all, and deposits him on the hearth-stone.
"O Lord!" says Mr. Smallweed, panting. "Oh, dear me! Oh, my stars! My dear friend, your workman is very strong—and very prompt. O Lord, he is very prompt! Judy, draw me back a little. I'm being scorched in the legs," which indeed is testified to the noses of all present by the smell of his worsted stockings.
The gentle Judy, having backed her grandfather a little way from the fire, and having shaken him up as usual, and having released his overshadowed eye from its black-velvet extinguisher, Mr. Smallweed again says, "Oh, dear me! O Lord!" and looking about and meeting Mr. George's glance, again stretches out both hands.
"My dear friend! So happy in this meeting! And this is your establishment? It's a delightful place. It's a picture! You never find that anything goes off here accidentally, do you, my dear friend?" adds Grandfather Smallweed, very ill at ease.
"No, no. No fear of that."
"And your workman. He—Oh, dear me!—he never lets anything off without meaning it, does he, my dear friend?"
"He has never hurt anybody but himself," says Mr. George, smiling.
"But he might, you know. He seems to have hurt himself a good deal, and he might hurt somebody else," the old gentleman returns. "He mightn't mean it—or he even might. Mr. George, will you order him to leave his infernal fire-arms alone and go away?"
Obedient to a nod from the trooper, Phil retires, empty-handed, to the other end of the gallery. Mr. Smallweed, reassured, falls to rubbing his legs.
"And you're doing well, Mr. George?" he says to the trooper, squarely standing faced about towards him with his broadsword in his hand. "You are prospering, please the Powers?"
Mr. George answers with a cool nod, adding, "Go on. You have not come to say that, I know."
"You are so sprightly, Mr. George," returns the venerable grandfather. "You are such good company."
"Ha ha! Go on!" says Mr. George.
"My dear friend! But that sword looks awful gleaming and sharp. It might cut somebody, by accident. It makes me shiver, Mr. George. Curse him!" says the excellent old gentleman apart to Judy as the trooper takes a step or two away to lay it aside. "He owes me money, and might think of paying off old scores in this murdering place. I wish your brimstone grandmother was here, and he'd shave her head off."
Mr. George, returning, folds his arms, and looking down at the old man, sliding every moment lower and lower in his chair, says quietly, "Now for it!"
"Ho!" cries Mr. Smallweed, rubbing his hands with an artful chuckle. "Yes. Now for it. Now for what, my dear friend?"
"For a pipe," says Mr. George, who with great composure sets his chair in the chimney-corner, takes his pipe from the grate, fills it and lights it, and falls to smoking peacefully.
This tends to the discomfiture of Mr. Smallweed, who finds it so difficult to resume his object, whatever it may be, that he becomes exasperated and secretly claws the air with an impotent vindictiveness expressive of an intense desire to tear and rend the visage of Mr. George. As the excellent old gentleman's nails are long and leaden, and his hands lean and veinous, and his eyes green and watery; and, over and above this, as he continues, while he claws, to slide down in his chair and to collapse into a shapeless bundle, he becomes such a ghastly spectacle, even in the accustomed eyes of Judy, that that young virgin pounces at him with something more than the ardour of affection and so shakes him up and pats and pokes him in divers parts of his body, but particularly in that part which the science of self-defence would call his wind, that in his grievous distress he utters enforced sounds like a paviour's rammer.
When Judy has by these means set him up again in his chair, with a white face and a frosty nose (but still clawing), she stretches out her weazen forefinger and gives