The Complete Short Stories of Charles Dickens: 190+ Titles in One Volume (Illustrated Edition). Чарльз Диккенс
arrived and a young lady—Miss Brook Dingwall, in full ball costume, with an immense gold chain round her neck, and her dress looped up with a single rose; an ivory fan in her hand, and a most interesting expression of despair in her face.
The Miss Crumptons inquired after the family, with the most excruciating anxiety, and Miss Brook Dingwall was formally introduced to her future companions. The Miss Crumptons conversed with the young ladies in the most mellifluous tones, in order that Miss Brook Dingwall might be properly impressed with their amiable treatment.
Another pull at the bell. Mr. Dadson the writing-master, and his wife. The wife in green silk, with shoes and cap-trimmings to correspond: the writing-master in a white waistcoat, black knee-shorts, and ditto silk stockings, displaying a leg large enough for two writing-masters. The young ladies whispered one another, and the writing-master and his wife flattered the Miss Crumptons, who were dressed in amber, with long sashes, like dolls.
Repeated pulls at the bell, and arrivals too numerous to particularise: papas and mammas, and aunts and uncles, the owners and guardians of the different pupils; the singing-master, Signor Lobskini, in a black wig; the piano-forte player and the violins; the harp, in a state of intoxication; and some twenty young men, who stood near the door, and talked to one another, occasionally bursting into a giggle. A general hum of conversation. Coffee handed round, and plentifully partaken of by fat mammas, who looked like the stout people who come on in pantomimes for the sole purpose of being knocked down.
The popular Mr. Hilton was the next arrival; and he having, at the request of the Miss Crumptons, undertaken the office of Master of the Ceremonies, the quadrilles commenced with considerable spirit. The young men by the door gradually advanced into the middle of the room, and in time became sufficiently at ease to consent to be introduced to partners. The writing-master danced every set, springing about with the most fearful agility, and his wife played a rubber in the back-parlour—a little room with five book-shelves, dignified by the name of the study. Setting her down to whist was a half-yearly piece of generalship on the part of the Miss Crumptons; it was necessary to hide her somewhere, on account of her being a fright.
The interesting Lavinia Brook Dingwall was the only girl present, who appeared to take no interest in the proceedings of the evening. In vain was she solicited to dance; in vain was the universal homage paid to her as the daughter of a member of parliament. She was equally unmoved by the splendid tenor of the inimitable Lobskini, and the brilliant execution of Miss Laetitia Parsons, whose performance of ‘The Recollections of Ireland’ was universally declared to be almost equal to that of Moscheles himself. Not even the announcement of the arrival of Mr. Theodosius Butler could induce her to leave the corner of the back drawing-room in which she was seated.
‘Now, Theodosius,’ said Miss Maria Crumpton, after that enlightened pamphleteer had nearly run the gauntlet of the whole company, ‘I must introduce you to our new pupil.’
Theodosius looked as if he cared for nothing earthly.
‘She’s the daughter of a member of parliament,’ said Maria.—Theodosius started.
‘And her name is—?’ he inquired.
‘Miss Brook Dingwall.’
‘Great Heaven!’ poetically exclaimed Theodosius, in a low tone.
Miss Crumpton commenced the introduction in due form. Miss Brook Dingwall languidly raised her head.
‘Edward!’ she exclaimed, with a half-shriek, on seeing the well-known nankeen legs.
Fortunately, as Miss Maria Crumpton possessed no remarkable share of penetration, and as it was one of the diplomatic arrangements that no attention was to be paid to Miss Lavinia’s incoherent exclamations, she was perfectly unconscious of the mutual agitation of the parties; and therefore, seeing that the offer of his hand for the next quadrille was accepted, she left him by the side of Miss Brook Dingwall.
‘Oh, Edward!’ exclaimed that most romantic of all romantic young ladies, as the light of science seated himself beside her, ‘Oh, Edward, is it you?’
Mr. Theodosius assured the dear creature, in the most impassioned manner, that he was not conscious of being anybody but himself.
‘Then why—why—this disguise? Oh! Edward M’Neville Walter, what have I not suffered on your account?’
‘Lavinia, hear me,’ replied the hero, in his most poetic strain. ‘Do not condemn me unheard. If anything that emanates from the soul of such a wretch as I, can occupy a place in your recollection—if any being, so vile, deserve your notice—you may remember that I once published a pamphlet (and paid for its publication) entitled “Considerations on the Policy of Removing the Duty on Bees’-wax.”’
‘I do—I do!’ sobbed Lavinia.
‘That,’ continued the lover, ‘was a subject to which your father was devoted heart and soul.’
‘He was—he was!’ reiterated the sentimentalist.
‘I knew it,’ continued Theodosius, tragically; ‘I knew it—I forwarded him a copy. He wished to know me. Could I disclose my real name? Never! No, I assumed that name which you have so often pronounced in tones of endearment. As M’Neville Walter, I devoted myself to the stirring cause; as M’Neville Walter I gained your heart; in the same character I was ejected from your house by your father’s domestics; and in no character at all have I since been enabled to see you. We now meet again, and I proudly own that I am—Theodosius Butler.’
The young lady appeared perfectly satisfied with this argumentative address, and bestowed a look of the most ardent affection on the immortal advocate of bees’-wax.
‘May I hope,’ said he, ‘that the promise your father’s violent behaviour interrupted, may be renewed?’
‘Let us join this set,’ replied Lavinia, coquettishly—for girls of nineteen can coquette.
‘No,’ ejaculated he of the nankeens. ‘I stir not from this spot, writhing under this torture of suspense. May I—may I—hope?’
‘You may.’
‘The promise is renewed?’
‘It is.’
‘I have your permission?’
‘You have.’
‘To the fullest extent?’
‘You know it,’ returned the blushing Lavinia. The contortions of the interesting Butler’s visage expressed his raptures.
We could dilate upon the occurrences that ensued. How Mr. Theodosius and Miss Lavinia danced, and talked, and sighed for the remainder of the evening—how the Miss Crumptons were delighted thereat. How the writing-master continued to frisk about with one-horse power, and how his wife, from some unaccountable freak, left the whist-table in the little back-parlour, and persisted in displaying her green head-dress in the most conspicuous part of the drawing-room. How the supper consisted of small triangular sandwiches in trays, and a tart here and there by way of variety; and how the visitors consumed warm water disguised with lemon, and dotted with nutmeg, under the denomination of negus. These, and other matters of as much interest, however, we pass over, for the purpose of describing a scene of even more importance.
A fortnight after the date of the ball, Cornelius Brook Dingwall, Esq., M.P., was seated at the same library-table, and in the same room, as we have before described. He was alone, and his face bore an expression of deep thought and solemn gravity—he was drawing up ‘A Bill for the better observance of Easter Monday.’
The footman tapped at the door—the legislator started from his reverie, and ‘Miss Crumpton’ was announced. Permission was given for Miss Crumpton to enter the sanctum; Maria came sliding in, and having taken her seat with a due portion of affectation, the footman retired, and the governess was left alone with the M.P. Oh! how she longed for the presence of a third party! Even the facetious young gentleman would have been a relief.
Miss Crumpton began the duet. She hoped