British Mysteries Omnibus - The Emma Orczy Edition (65+ Titles in One Edition). Emma Orczy
he still wore the heavy perruque, the dark mustache, broad-brimmed hat, and black shade which were so characteristic of the mysterious personage.
He had heard the church clock at Acol village strike half an hour after eleven and knew that the smith would already be waiting for him.
The acrid smell of seaweed struck forcibly now upon his nostrils. The grass beneath his feet had become more sparse and more coarse. The moisture which clung to his face had a taste of salt in it. Obviously he was quite close to the edge of the cliffs.
The next moment and without any warning a black outline appeared in the moon-illumined density. It was Adam Lambert pacing up and down with the impatience of an imprisoned beast of prey.
A second or two later the febrile hand of the smith had gripped Sir Marmaduke's shoulder.
"You have brought those proofs?" he queried hoarsely.
His face was wet with the mist, and he had apparently oft wiped it with his hand or sleeve, for great streaks of dirt marked his cheeks and forehead, giving him a curious satanic expression, whilst his short lank hair obviously roughed up by impatient fingers, bristled above his square-built head like the coat of a shaggy dog.
In absolute contrast to him, Sir Marmaduke looked wonderfully calm and tidy. In answer to the other man's eager look of inquiry, he made pretense of fumbling in his pockets, as he said quietly:
"Yes! all of them!"
As if idly musing, he continued to walk along the path, whilst the smith first stooped to pick up a small lantern which he had obviously brought with him in order to examine the papers by its light, and then strode in the wake of Sir Marmaduke.
The breeze was getting a bother hold on the mist, and was tossing it about from sea to cliff and upwards with more persistence and more vigor.
The pale, cold moon glistened visibly on the moist atmosphere, and far below and far beyond weird streaks of shimmering silver edged the surface of the sea. The breeze itself had scarcely stirred the water; or, — the soft sound of tiny billows lapping the outstanding boulders was wafted upwards as the tide drew in.
The two men had reached the edge of the cliff. With a slight laugh, indicative of nervousness, Sir Marmaduke had quickly stepped back a pace or two.
"I have brought the proofs," he said, as if wishing to conciliate a dangerous enemy, "we need not stand so near the edge, need we?"
But Adam Lambert shrugged his shoulders in token of contempt at the other's cowardice.
"I'll not harm thee," he said, "an thou hast not lied to me. . . ."
He deposited his lantern by the side of a heap of white chalk, which had, no doubt, been collected at some time or other by idle or childish hands, and stood close to the edge of the cliff. Sir Marmaduke now took his stand beside it, one foot placed higher than the other. Close to him Adam in a frenzy of restlessness had thrown himself down on the heap; below them a drop of ninety feet to the seaweed covered beach.
"Let me see the papers," quoth Adam impatiently.
"Gently, gently, kind sir," said de Chavasse lightly. "Did you think that you could dictate your own terms quite so easily?"
"What dost thou mean?" queried the other.
"I mean that I am about to place in your hands the proof that you are heir to a title and fifteen thousand pounds a year, but at the same time I wish to assure myself that you will be pleasant over certain matters which concern me."
"Have I not said that I would hold my tongue."
"Of a truth you did say so my friend, and therefore, I am convinced that you will not refuse to give me a written promise to that effect."
"I cannot write," said Adam moodily.
"Oh! just your signature!" said de Chavasse pleasantly. "You can write your name?"
"Not well."
"The initials A. and L. They would satisfy me,"
"Why dost thou want written promises," objected the smith, looking up with sullen wrath at Sir Marmaduke. "Is not the word of an honest man sufficient for thee?"
"Quite sufficient," rejoined de Chavasse blandly, "those initials are a mere matter of form. You cannot object if your intentions are honest."
"I do not object. Hast brought ink or paper?"
"Yes, and the form to which you only need to affix your initials."
Sir Marmaduke now drew a packet of papers from the inner lining of his doublet.
"These are the proofs of your parentage," he said lightly.
Then he took out another single sheet of paper from his pocket, unfolded it and handed it to Lambert. "Can you read it?" he asked.
He stooped and picked up the lantern, whilst handing the paper to Adam. The smith took the document from him, and Sir Marmaduke held the lantern so that he might read.
Adam Lambert was no scholar. The reading of printed matter was oft a difficulty to him, written characters were a vast deal more trouble, but suspicion lurked in the smith's mind, and though his very sinews ached with the desire to handle the proofs, he would not put his initials to any writing which he did not fully comprehend.
It was all done in a moment. Adam was absorbed in deciphering the contents of the paper. De Chavasse held the lantern up with one hand, but at such an angle that Lambert was obliged to step back in order to get its full light.
Then with the other hand, the right, Sir Marmaduke drew a double-edged Italian knife from his girdle, and with a rapid and vigorous gesture, drove it straight between the smith's shoulder blades.
Adam uttered a groan:
"My God . . . I am . . ."
Then he staggered and fell.
Fell backwards down the edge of the cliff into the mist-enveloped abyss below.
Sir Marmaduke had fallen on one knee and his trembling fingers clutched at the thick short grass, sharp as the blade of a knife, to stop himself from swooning — from falling backwards in the wake of Adam the smith.
A gust of wind wafted the mist upwards, covering him with its humid embrace. But he remained quite still, crouching on his stomach now, his hands clutching the grass for support, whilst great drops of perspiration mingled with the moisture of the mist on his face.
Anon he raised his head a little and turned to look at the edge of the cliff. On hands and knees, like a gigantic reptile, he crawled, then lay flat on the ground, on the extreme edge, his eyes peering down into those depths wherein floating vapors lolled and stirred, with subtle movements like spirits in unrest.
As far as the murderer's eye could reach and could penetrate the density of the fog, white crag succeeded white crag, with innumerable projections which should have helped to toss a falling and inert mass as easily as if it had been an air bubble.
Sir Marmaduke tried to penetrate the secrets which the gray and shifting veil still hid from his view. Beside him lay the Italian knife, its steely surface shimmering in the vaporous light, there where a dull and ruddy stain had not dimmed its brilliant polish. The murderer gazed at his tool and shuddered feebly. But he picked up the knife and mechanically wiped it in the grass, before he restored it to his belt.
Then he gazed downwards again, straining his eyes to pierce the mist, his ears to hear a sound.
But nothing came upwards from that mighty abyss save the now more distinct lapping of the billows round the boulders, for the tide was rapidly setting in.
Down the white sides of the cliff the projections seemed ready to afford a foothold bearing somewhat toward the right, the descent was not so abrupt as it was immediately in front. The chalk of a truth looked slimy and green, and might cause the unwary to trip, but there was that to see down below and that to do, which would make any danger of a fall well worth the risking.
Sir