Poems, with The Ballad of Reading Gaol. Оскар Уайльд

Poems, with The Ballad of Reading Gaol - Оскар Уайльд


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One silver voice to sing his threnody,

       But ah! too soon of it we were bereft

       When on that riven night and stormy sea

       Panthea claimed her singer as her own,

       And slew the mouth that praised her; since which time we walk alone,

      Save for that fiery heart, that morning star

       Of re-arisen England, whose clear eye

       Saw from our tottering throne and waste of war

       The grand Greek limbs of young Democracy

       Rise mightily like Hesperus and bring

       The great Republic! him at least thy love hath taught to sing,

      And he hath been with thee at Thessaly,

       And seen white Atalanta fleet of foot

       In passionless and fierce virginity

       Hunting the tuskèd boar, his honied lute

       Hath pierced the cavern of the hollow hill,

       And Venus laughs to know one knee will bow before her still.

      And he hath kissed the lips of Proserpine,

       And sung the Galilæan’s requiem,

       That wounded forehead dashed with blood and wine

       He hath discrowned, the Ancient Gods in him

       Have found their last, most ardent worshipper,

       And the new Sign grows grey and dim before its conqueror.

      Spirit of Beauty! tarry with us still,

       It is not quenched the torch of poesy,

       The star that shook above the Eastern hill

       Holds unassailed its argent armoury

       From all the gathering gloom and fretful fight—

       O tarry with us still! for through the long and common night,

      Morris, our sweet and simple Chaucer’s child,

       Dear heritor of Spenser’s tuneful reed,

       With soft and sylvan pipe has oft beguiled

       The weary soul of man in troublous need,

       And from the far and flowerless fields of ice

       Has brought fair flowers to make an earthly paradise.

      We know them all, Gudrun the strong men’s bride,

       Aslaug and Olafson we know them all,

       How giant Grettir fought and Sigurd died,

       And what enchantment held the king in thrall

       When lonely Brynhild wrestled with the powers

       That war against all passion, ah! how oft through summer hours,

      Long listless summer hours when the noon

       Being enamoured of a damask rose

       Forgets to journey westward, till the moon

       The pale usurper of its tribute grows

       From a thin sickle to a silver shield

       And chides its loitering car—how oft, in some cool grassy field

      Far from the cricket-ground and noisy eight,

       At Bagley, where the rustling bluebells come

       Almost before the blackbird finds a mate

       And overstay the swallow, and the hum

       Of many murmuring bees flits through the leaves,

       Have I lain poring on the dreamy tales his fancy weaves,

      And through their unreal woes and mimic pain

       Wept for myself, and so was purified,

       And in their simple mirth grew glad again;

       For as I sailed upon that pictured tide

       The strength and splendour of the storm was mine

       Without the storm’s red ruin, for the singer is divine;

      The little laugh of water falling down

       Is not so musical, the clammy gold

       Close hoarded in the tiny waxen town

       Has less of sweetness in it, and the old

       Half-withered reeds that waved in Arcady

       Touched by his lips break forth again to fresher harmony.

      Spirit of Beauty, tarry yet awhile!

       Although the cheating merchants of the mart

       With iron roads profane our lovely isle,

       And break on whirling wheels the limbs of Art,

       Ay! though the crowded factories beget

       The blindworm Ignorance that slays the soul, O tarry yet!

      For One at least there is—He bears his name

       From Dante and the seraph Gabriel—

       Whose double laurels burn with deathless flame

       To light thine altar; He too loves thee well,

       Who saw old Merlin lured in Vivien’s snare,

       And the white feet of angels coming down the golden stair,

      Loves thee so well, that all the World for him

       A gorgeous-coloured vestiture must wear,

       And Sorrow take a purple diadem,

       Or else be no more Sorrow, and Despair

       Gild its own thorns, and Pain, like Adon, be

       Even in anguish beautiful;—such is the empery

      Which Painters hold, and such the heritage

       This gentle solemn Spirit doth possess,

       Being a better mirror of his age

       In all his pity, love, and weariness,

       Than those who can but copy common things,

       And leave the Soul unpainted with its mighty questionings.

      But they are few, and all romance has flown,

       And men can prophesy about the sun,

       And lecture on his arrows—how, alone,

       Through a waste void the soulless atoms run,

       How from each tree its weeping nymph has fled,

       And that no more ’mid English reeds a Naiad shows her head.

      Methinks these new Actæons boast too soon

       That they have spied on beauty; what if we

       Have analysed the rainbow, robbed the moon

       Of her most ancient, chastest mystery,

       Shall I, the last Endymion, lose all hope

       Because rude eyes peer at my mistress through a telescope!

      What profit if this scientific age

       Burst through our gates with all its retinue

       Of modern miracles! Can it assuage

       One lover’s breaking heart? what can it do

       To make one life more beautiful, one day

       More godlike in its period? but now the Age of Clay

      Returns in horrid cycle, and the earth

       Hath borne again a noisy progeny

       Of ignorant Titans, whose ungodly birth

       Hurls them against the august hierarchy

       Which sat upon Olympus; to the Dust

       They have appealed, and to that barren arbiter they must


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