HENRY DAVID THOREAU: The Man Himself (Biographies, Memoirs, Autobiographical Books & Personal Letters). Генри Дэвид Торо

HENRY DAVID THOREAU: The Man Himself (Biographies, Memoirs, Autobiographical Books & Personal Letters) - Генри Дэвид Торо


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that the dead lie everywhere under stones,—

      "Strata jacent passim suo quseque sub" lapide

      corpora, we might say, if the measure allowed. When the stone is a slight one, it does not oppress the spirits of the traveller to meditate by it; but these did seem a little heathenish to us; and so are all large monuments over men's bodies, from the pyramids down. A monument should at least be "star-y-pointing," to indicate whither the spirit is gone, and not prostrate, like the body it has deserted. There have been some nations who could do nothing but construct tombs, and these are the only traces which they have left. They are the heathen. But why these stones, so upright and emphatic, like exclamation-points? What was there so remarkable that lived? Why should the monument be so much more enduring than the fame which it is designed to perpetuate,—a stone to a bone? "Here lies,"—"Here lies";—why do they not sometimes write, There rises? Is it a monument to the body only that is intended? "Having reached the term of his natural life";—would it not be truer to say, Having reached the term of his unnatural life? The rarest quality in an epitaph is truth. If any character is given, it should be as severely true as the decision of the three judges below, and not the partial testimony of friends. Friends and contemporaries should supply only the name and date, and leave it to posterity to write the epitaph.

      Here lies an honest man,

       Rear-Admiral Van.

      Faith, then ye have

       Two in one grave,

       For in his favor,

       Here too lies the Engraver.

      Fame itself is but an epitaph; as late, as false, as true. But they only are the true epitaphs which Old Mortality retouches.

      A man might well pray that he may not taboo or curse any portion of nature by being buried in it. For the most part, the best man's spirit makes a fearful sprite to haunt his grave, and it is therefore much to the credit of Little John, the famous follower of Robin Hood, and reflecting favorably on his character, that his grave was "long celebrous for the yielding of excellent whetstones." I confess that I have but little love for such collections as they have at the Catacombs, Pere la Chaise, Mount Auburn, and even this Dunstable graveyard. At any rate, nothing but great antiquity can make graveyards interesting to me. I have no friends there. It may be that I am not competent to write the poetry of the grave. The farmer who has skimmed his farm might perchance leave his body to Nature to be ploughed in, and in some measure restore its fertility. We should not retard but forward her economies.

      Soon the village of Nashua was out of sight, and the woods were gained again, and we rowed slowly on before sunset, looking for a solitary place in which to spend the night. A few evening clouds began to be reflected in the water and the surface was dimpled only here and there by a muskrat crossing the stream. We camped at length near Penichook Brook, on the confines of what is now Nashville, by a deep ravine, under the skirts of a pine wood, where the dead pine-leaves were our carpet, and their tawny boughs stretched overhead. But fire and smoke soon tamed the scene; the rocks consented to be our walls, and the pines our roof. A woodside was already the fittest locality for us.

      The wilderness is near as well as dear to every man. Even the oldest villages are indebted to the border of wild wood which surrounds them, more than to the gardens of men. There is something indescribably inspiriting and beautiful in the aspect of the forest skirting and occasionally jutting into the midst of new towns, which, like the sand-heaps of fresh fox-burrows, have sprung up in their midst. The very uprightness of the pines and maples asserts the ancient rectitude and vigor of nature. Our lives need the relief of such a background, where the pine flourishes and the jay still screams.

      We had found a safe harbor for our boat, and as the sun was setting carried up our furniture, and soon arranged our house upon the bank, and while the kettle steamed at the tent door, we chatted of distant friends and of the sights which we were to behold, and wondered which way the towns lay from us. Our cocoa was soon boiled, and supper set upon our chest, and we lengthened out this meal, like old voyageurs, with our talk. Meanwhile we spread the map on the ground, and read in the Gazetteer when the first settlers came here and got a township granted. Then, when supper was done and we had written the journal of our voyage, we wrapped our buffaloes about us and lay down with our heads pillowed on our arms listening awhile to the distant baying of a dog, or the murmurs of the river, or to the wind, which had not gone to rest:—

      The western wind came lumbering in,

       Bearing a faint Pacific din,

       Our evening mail, swift at the call

       Of its Postmaster General;

       Laden with news from Californ',

       Whate'er transpired hath since morn,

       How wags the world by brier and brake

       From hence to Athabasca Lake;—

      or half awake and half asleep, dreaming of a star which glimmered through our cotton roof. Perhaps at midnight one was awakened by a cricket shrilly singing on his shoulder, or by a hunting spider in his eye, and was lulled asleep again by some streamlet purling its way along at the bottom of a wooded and rocky ravine in our neighborhood. It was pleasant to lie with our heads so low in the grass, and hear what a tinkling ever-busy laboratory it was. A thousand little artisans beat on their anvils all night long.

      Far in the night as we were falling asleep on the bank of the Merrimack, we heard some tyro beating a drum incessantly, in preparation for a country muster, as we learned, and we thought of the line,—

       "When the drum beat at dead of night."

      We could have assured him that his beat would be answered, and the forces be mustered. Fear not, thou drummer of the night, we too will be there. And still he drummed on in the silence and the dark. This stray sound from a far-off sphere came to our ears from time to time, far, sweet, and significant, and we listened with such an unprejudiced sense as if for the first time we heard at all. No doubt he was an insignificant drummer enough, but his music afforded us a prime and leisure hour, and we felt that we were in season wholly. These simple sounds related us to the stars. Ay, there was a logic in them so convincing that the combined sense of mankind could never make me doubt their conclusions. I stop my habitual thinking, as if the plough had suddenly run deeper in its furrow through the crust of the world. How can I go on, who have just stepped over such a bottomless skylight in the bog of my life. Suddenly old Time winked at me,—Ah, you know me, you rogue,—and news had come that IT was well. That ancient universe is in such capital health, I think undoubtedly it will never die. Heal yourselves, doctors; by God, I live.

      Then idle Time ran gadding by

       And left me with Eternity alone;

       I hear beyond the range of sound,

       I see beyond the verge of sight,—

      I see, smell, taste, hear, feel, that everlasting Something to which we are allied, at once our maker, our abode, our destiny, our very Selves; the one historic truth, the most remarkable fact which can become the distinct and uninvited subject of our thought, the actual glory of the universe; the only fact which a human being cannot avoid recognizing, or in some way forget or dispense with.

      It doth expand my privacies

       To all, and leave me single in the crowd.

      I have seen how the foundations of the world are laid, and I have not the least doubt that it will stand a good while.

      Now chiefly is my natal hour,

       And only now my prime of life.

       I will not doubt the love untold,

       Which not my worth nor want hath bought,

       Which wooed me young and wooes me old,

       And to this evening hath me brought.

      What are ears? what is Time? that this particular series of sounds called a strain of music, an invisible and fairy troop which never brushed the dew from any mead, can be wafted down through the centuries from Homer to me, and he have been conversant


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