The Greatest Short Stories of H. G. Wells: 70+ Titles in One Edition. Герберт Уэллс
is so intricate, such a web of subtle strands binds us this way and that. I cannot tell what is right. You must consider—”
“A man would break such strands.”
“There is no manliness,” said Aubrey Vair, with a sudden glow of moral exaltation, “in doing wrong. My love—”
“We could at least die together, dearest,” she said.
“Good Lord!” said Aubrey Vair. “I mean—consider my wife.”
“You have not considered her hitherto.”
“There is a flavour—of cowardice, of desertion, about suicide,” said Aubrey Vair. “Frankly, I have the English prejudice, and do not like any kind of running away.”
Miss Smith smiled very faintly. “I see clearly now what I did not see. My love and yours are very different things.”
“Possibly it is a sexual difference,” said Aubrey Vair; and then, feeling the remark inadequate, he relapsed into silence.
They sat for some time without a word. The two lights in Reigate below multiplied to a score of bright points, and above, one star had become visible. She began laughing, an almost noiseless, hysterical laugh that jarred unaccountably upon Aubrey Vair.
Presently she stood up. “They will wonder where I am,” she said. “I think I must be going.”
He followed her to the road. “Then this is the end?” he said, with a curious mixture of relief and poignant regret.
“Yes, this is the end,” she answered, and turned away.
There straightway dropped into the soul of Aubrey Vair a sense of infinite loss. It was an altogether new sensation. She was perhaps twenty yards away, when he groaned aloud with the weight of it, and suddenly began running after her with his arms extended.
“Annie,” he cried—, “Annie! I have been talking rot. Annie, now I know I love you! I cannot spare you. This must not be. I did not understand.”
The weight was horrible.
“Oh, stop, Annie!” he cried, with a breaking voice, and there were tears on his face.
She turned upon him suddenly, and his arms fell by his side. His expression changed at the sight of her pale face.
“You do not understand,” she said. “I have said good-bye.”
She looked at him; he was evidently greatly distressed, a little out of breath, and he had just stopped blubbering. His contemptible quality reached the pathetic. She came up close to him, and taking his damp Byronic visage between her hands, she kissed him again and again. “Good-bye, little man that I loved,” she said; “and good-bye to this folly of love.”
Then, with something that may have been a laugh or a sob—, she herself, when she came to write it all in her novel, did not know which—, she turned and hurried away again, and went out of the path that Aubrey Vair must pursue, at the cross-roads.
Aubrey Vair stood, where she had kissed him, with a mind as inactive as his body, until her white dress had disappeared. Then he gave an involuntary sigh, a large exhaustive expiration, and so awoke himself, and began walking, pensively dragging his feet through the dead leaves, home. Emotions are terrible things.
“Do you like the potatoes, dear?” asked Mrs. Aubrey Vair at dinner. “I cooked them myself.”
Aubrey Vair descended slowly from cloudy, impalpable meditations to the level of fried potatoes. “These potatoes—” he remarked, after a pause during which he was struggling with recollection. “Yes. These potatoes have exactly the tints of the dead leaves of the hazel.”
“What a fanciful poet it is!” said Mrs. Aubrey Vair. “Taste them. They are very nice potatoes indeed.”
THE TRIUMPHS OF A TAXIDERMIST
First published in Pall Mall Budget, March 3, 1894
Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk. We sat in his den together; his library it was, his sitting and his eating-room—separated by a bead curtain, so far as the sense of sight went, from the noisome den where he plied his trade.
He sat on a deck chair, and when he was not tapping refractory bits of coal with them, he kept his feet—on which he wore, after the manner of sandals, the holy relics of a pair of carpet slippers—out of the way upon the mantel-piece, among the glass eyes. And his trousers, by-the-by —though they have nothing to do with his triumphs—were a most horrible yellow plaid, such as they made when our fathers wore side-whiskers and there were crinolines in the land. Further, his hair was black, his face rosy, and his eye a fiery brown; and his coat was chiefly of grease upon a basis of velveteen. And his pipe had a bowl of china showing the Graces, and his spectacles were always askew, the left eye glaring nakedly at you, small and penetrating; the right, seen through a glass darkly, magnified and mild. Thus his discourse ran: “There never was a man who could stuff like me, Bellows, never. I have stuffed elephants and I have stuffed moths, and the things have looked all the livelier and better for it. And I have stuffed human beings—chiefly amateur ornithologists. But I stuffed a nigger once.
“No, there is no law against it. I made him with all his fingers out and used him as a hat-rack, but that fool Homersby got up a quarrel with him late one night and spoilt him. That was before your time. It is hard to get skins, or I would have another.
“Unpleasant? I don’t see it. Seems to me taxidermy is a promising third course to burial or cremation. You could keep all your dear ones by you. Bric-a-brac of that sort stuck about the house would be as good as most company, and much less expensive. You might have them fitted up with clockwork to do things.
“Of course they would have to be varnished, but they need not shine more than lots of people do naturally. Old Manningtree’s bald head… Anyhow, you could talk to them without interruption. Even aunts. There is a great future before taxidermy, depend upon it. There is fossils again…”
He suddenly became silent.
“No, I don’t think I ought to tell you that.” He sucked at his pipe thoughtfully. “Thanks, yes. Not too much water.
“Of course, what I tell you now will go no further. You know I have made some dodos and a great auk? No! Evidently you are an amateur at taxidermy. My dear fellow, half the great auks in the world are about as genuine as the handkerchief of Saint Veronica, as the Holy Coat of Treves. We make ‘em of grebes’ feathers and the like. And the great auk’s eggs too!”
“Good heavens!”
“Yes, we make them out of fine porcelain. I tell you it is worth while. They fetch—one fetched L300 only the other day. That one was really genuine, I believe, but of course one is never certain. It is very fine work, and afterwards you have to get them dusty, for no one who owns one of these precious eggs has ever the temerity to clean the thing. That’s the beauty of the business. Even if they suspect an egg they do not like to examine it too closely. It’s such brittle capital at the best.
“You did not know that taxidermy rose to heights like that. My boy, it has risen higher. I have rivalled the hands of Nature herself. One of the genuine great auks”—his voice fell to a whisper—one of the genuine great auks was made by me.”
“No. You must study ornithology, and find out which it is yourself. And what is more, I have been approached by a syndicate of dealers to stock one of the unexplored skerries to the north of Iceland with specimens. I may—some day. But I have another little thing in hand just now. Ever heard of the dinornis?
“It is one of those