The Iliads of Homer. Homer
guard be serv'd,
That the most precious work of all men's minds
In the most precious place might be preserv'd.
The Fount of Wit was Homer, Learning's Sire,
And gave antiquity her living fire."
Volumes of like praise I could heap on this,
Of men more ancient and more learn'd than these,
But since true virtue enough lovely is
With her own beauties, all the suffrages
Of others I omit, and would more fain
That Homer for himself should be belov'd,
Who ev'ry sort of love-worth did contain.
Which how I have in my conversion prov'd
I must confess I hardly dare refer
To reading judgments, since, so gen'rally,
Custom hath made ev'n th' ablest agents err [1]
In these translations; all so much apply
Their pains and cunnings word for word to render
Their patient authors, when they may as well
Make fish with fowl, camels with whales, engender,
Or their tongues' speech in other mouths compell.
For, ev'n as diff'rent a production
Ask Greek and English, since as they in sounds
And letters shun one form and unison;
So have their sense and elegancy bounds
In their distinguish'd natures, and require
Only a judgment to make both consent
In sense and elocution; and aspire,
As well to reach the spirit that was spent
In his example, as with art to pierce
His grammar, and etymology of words.
But as great clerks can write no English verse, [2]
Because, alas, great clerks! English affords,
Say they, no height nor copy; a rude tongue,
Since 'tis their native; but in Greek or Latin
Their writs are rare, for thence true Poesy sprung;
Though them (truth knows) they have but skill to chat in,
Compar'd with that they might say in their own;
Since thither th' other's full soul cannot make
The ample transmigration to be shown
In nature-loving Poesy; so the brake
That those translators stick in, that affect
Their word-for-word traductions (where they lose
The free grace of their natural dialect,
And shame their authors with a forcéd gloss)
I laugh to see; and yet as much abhor [3]
More license from the words than may express
Their full compression, and make clear the author;
From whose truth, if you think my feet digress,
Because I use needful periphrases,
Read Valla, Hessus, that in Latin prose,
And verse, convert him; read the Messines
That into Tuscan turns him; and the gloss
Grave Salel makes in French, as he translates;
Which, for th' aforesaid reasons, all must do;
And see that my conversion much abates
The license they take, and more shows him too,
Whose right not all those great learn'd men have done,
In some main parts, that were his commentors.
But, as the illustration of the sun
Should be attempted by the erring stars,
They fail'd to search his deep and treasurous heart;
The cause was, since they wanted the fit key
Of Nature, in their downright strength of Art. [4]
With Poesy to open Poesy:
Which, in my poem of the mysteries
Reveal'd in Homer, I will clearly prove;
Till whose near birth, suspend your calumnies,
And far-wide imputations of self-love.
'Tis further from me than the worst that reads,
Professing me the worst of all that write;
Yet what, in following one that bravely leads,
The worst may show, let this proof hold the light.
But grant it clear; yet hath detraction got
My blind side in the form my verse puts on;
Much like a dung-hill mastiff, that dares not
Assault the man he barks at, but the stone
He throws at him takes in his eager jaws,
And spoils his teeth because they cannot spoil.
The long verse hath by proof receiv'd applause
Beyond each other number; and the foil,
That squint-ey'd Envy takes, is censur'd plain;
For this long poem asks this length of verse,
Which I myself ingenuously maintain
Too long our shorter authors to rehearse.
And, for our tongue that still is so impair'd [5]
By travelling linguists, I can prove it clear,
That no tongue hath the Muse's utt'rance heir'd
For verse, and that sweet music to the ear
Strook out of rhyme, so naturally as this;
Our monosyllables so kindly fall,
And meet oppos'd in rhyme as they did kiss;
French and Italian most immetrical,
Their many syllables in harsh collision
Fall as they break their necks; their bastard rhymes
Saluting as they justled in transition,
And set our teeth on edge; nor tunes, nor times
Kept in their falls; and, methinks, their long words
Shew in short verse as in a narrow place
Two opposites should meet with two-hand swords
Unwieldily, without or use or grace.
Thus having rid the rubs, and strow'd these flow'rs
In our thrice-sacred Homer's English way,
What rests to make him yet more worthy yours?
To cite more praise of him were mere delay
To your glad searches for what those men found
That gave his praise, past all, so high a place;
Whose virtues were so many, and so crown'd
By all consents divine, that, not to grace
Or add increase to them, the world doth need
Another Homer, but ev'n to rehearse
And number them, they did so much exceed.
Men thought him not a man; but that his verse
Some mere celestial nature did adorn;
And all may well conclude it could not be,
That for the place where any