THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY. Федор Достоевский
them diligently with childish curiosity, but with prematurely harsh criticism. Another time I would notice that he suddenly seemed to pull himself up, seemed to recollect himself, as though he suddenly, painfully, and against his will were reminded of something disagreeable, awful, inevitable; instantly the condescending smile would vanish from his face, and his eyes would fasten on his nervously fluttered wife with a look of compassion which made me shudder, which, as I now realise, would have made me wretched if it had been turned upon me. At the same minute the joy vanished from Alexandra Mihalovna’s face. The music or the reading was interrupted. She turned white, but controlled herself and was silent. There followed unpleasant moments, moments of anguish which sometimes lasted a long time. At last the husband put an end to them. He would get up from his seat, as though with an effort suppressing his emotion and vexation, and pacing two or three times up and down the room in gloomy silence would press his wife’s hand, sigh deeply, and in undisguised perturbation would utter a few disconnected words in which the desire to comfort his wife was evident, and would go out of the room; while Alexandra Mihalovna would burst into tears, or would sink into a terrible prolonged melancholy. Often he blessed her and made the sign of the cross over her as though she were a child saying goodnight to him, and she received his blessing with reverence and gratitude. But I cannot forget certain evenings in the house (two or three only, during those eight years) when Alexandra Mihalovna seemed suddenly transformed. An anger, an indignation, was reflected in her usually gentle face, instead of her invariable self-abasement and reverence for her husband. Sometimes the storm would be gathering for a whole hour; the husband would become more silent, more austere and more surly than usual. At last the poor woman’s sore heart could bear no more. In a voice breaking with emotion she would begin talking, at first jerkily, disconnectedly, with hints and bitter pauses; then as though unable to endure her anguish she would suddenly break into tears and sobs, and then would follow an outburst of indignation, of reproaches, of complaints, of despair, as though she were passing through a nervous crisis. And then it was worth seeing with what patience the husband bore it, with what sympathy he bent down to comfort her, kissed her hands, and even at last began weeping with her; then she would seem to recollect herself, her conscience would seem to cry out and convict her of crime. Her husband’s tears would have a shattering effect on her and, wringing her hands in despair, with convulsive sobs she would fall at his feet and beg the forgiveness that was instantly vouchsafed her. But the agonies of her conscience, the tears and the entreaties for forgiveness went on a long time, and she would be still more timid, still more tremulous in his presence for whole months. I could comprehend nothing of these reproaches and upbraidings; I was sent out of the room on these occasions and always very awkwardly. But they could not keep their secret from me entirely.” I watched, I noticed, I divined, and from the very beginning a vague suspicion took shape in me that there was some mystery in all this, that these sudden outbreaks of an exasperated heart were not simply a nervous crisis; that there was some reason for the husband’s always being sullen, that there was some reason for his double-edged compassion for his poor sick wife, that there was some reason for her everlasting timidity and trepidation before him, and this meek, strange love which she did not even dare to display in her husband’s presence, that there was some reason for her isolation, her nunlike seclusion, that sudden flush and deathly pallor on her face in the presence of her husband.
But since such scenes with her husband were very rare, since life was very monotonous and I saw her from so close at hand, since indeed I was developing and growing very rapidly and much that was new was beginning to stir unconsciously in me, distracting me from my observations, I grew accustomed at last to the life, and to the habits and characters surrounding me. I could not, of course, help wondering at times as I looked at Alexandra Mihalovna, but my doubts so far reached no solution. I loved her warmly, respected her sadness, and so was afraid of troubling her over-sensitive heart by my curiosity. She understood me, and how many times she was ready to thank me for my devotion! Sometimes, noticing my anxiety, she would smile through her tears and make a joke herself at her frequent weeping, then suddenly she would begin telling me that she was very contented, very happy, that everyone was so kind to her, that everyone she had known had been so fond of her, that she was very much distressed that Pyotr Alexandrovitch was always so worried about her, about her peace of mind, while she was on the contrary so happy, so happy!… And then she would embrace me with such deep feeling, her face would be lighted up with such love, that my heart, if I may say so, ached with sympathy for her.
Her features were never effaced from my memory. They were regular, and their thinness and pallor only accentuated the severe charm of her beauty. Her thick black hair, combed smoothly down, framed her cheeks in sharp severe shadow; but that seemed to make more sweetly striking the contrast of her soft gaze, her large childishly clear blue eyes, which reflected at times so much simplicity, timidity, as it were defencelessness, as though fearful over every sensation, over every impulse of the heart — over the momentary gladness and over the frequent quiet sorrow. But at some happy unruffled moments there was so much that was serene and bright as day, so much goodness and tranquillity in the glance that penetrated to the heart The eyes, blue as the heavens, shone with such love and gazed so sweetly, and in them was reflected so deep a feeling of sympathy for everything that was noble, for everything that asked for love, that besought compassion — that the whole soul surrendered to her, was involuntarily drawn to her, and seemed to catch from her the same serenity, the same calm of spirit and peacemaking and love. So sometimes one gazes up at the blue sky and feels that one is ready to spend whole hours in secret contemplation, and that the soul is growing more free and calm, as though the vast vault of heaven were reflected in it as in a still sheet of water. When — and this happened often — exaltation sent the colour rushing to her face and her bosom heaved with emotion, then her eyes flashed like lightning and seemed to give forth sparks, as though her whole soul, which had chastely guarded the pure flame of beauty now inspiring her, had passed into them. At such moments she was as though inspired. And in this sudden rush of inspiration, in the transition from a mood of shrinking gentleness to lofty spiritual exaltation, to pure stern enthusiasm, there was at the same time so much that was naive, so much that was childishly impulsive, so much childlike faith, that I believe an artist would have given half his life to portray such a moment of lofty ecstasy and to put that inspired face upon canvas.
From my first days in that house I noticed that she was positively delighted to have me in her solitude. She had only one child then, and had only been twelve months a mother. But I was quite like a daughter to her, and she was incapable of making any distinction between me and her own children. With what warmth she set about my education! She was in such a hurry at first that Madame Leotard could not help smiling as she looked at her. Indeed we set about everything at once, so that we could not understand each other. For instance, she undertook to teach me many things at once, but so many that it ended in more excitement, more heat, and more loving impatience on her part than in real benefit to me. At first she was disappointed at finding herself so incapable, but after a good laugh we started again from the beginning, though Alexandra Mihalovna, in spite of her first failure, still boldly declared herself opposed to Madame Leotard’s system. They kept up a laughing argument, but my new instructress was absolutely opposed to every system, declaring that we should find the true method as we went along, that it was useless to stuff my head with dry information, and that success depended on understanding my instincts and on arousing my interest — and she was right, for she was triumphantly successful. To begin with, from the first the parts of pupil and teacher entirely disappeared. We studied like two friends, and sometimes it seemed as though I were teaching Alexandra Mihalovna, all unconscious of the subtlety of the method. So, too, arguments often sprung up between us, and I exerted myself to the utmost to prove that the thing was as I saw it, and imperceptibly Alexandra Mihalovna led me into the right way. But in the end when we reached the truth we were pursuing, I would guess how it was, would detect Alexandra Mihalovna’s strategy, and pondering over all her efforts with me, sometimes whole hours sacrificed for my benefit, I fell on her neck and embraced her after every lesson. My sensibility touched and perplexed her. She began inquiring with interest about my past, wishing to hear it from me; and every time I told her anything, she grew more tender and more earnest with me, more earnest because through my unhappy childhood I aroused in her not only compassion, but a feeling as it were of respect. After I had told her about myself we usually fell into long conversations in which she explained my past experiences to me, so that