The Cock and Anchor. Joseph Sheridan Le Fanu
transient glimpse which he had had of the person and features of O'Connor, the little man thought, and by no means incorrectly, that he recognized the form of one whom he had often seen before.
"That's Mr. O'Connor, as sure as my name's Larry Toole," muttered the little man, half out of breath with his exertions—"an' it's himself'll be proud to get me. I wondher what he's afther now. I'll soon see, at any rate."
Thus communing within himself, Larry alternately walked and trotted to keep the chase in view. He might very easily have come up with the object of his pursuit, for on reaching St. Patrick's Cathedral, O'Connor paused, and for some minutes contemplated the old building. Larry, however, did not care to commence his intended negotiation in the street; he purposed giving him rope enough, having, in truth, no peculiar object in following him at that precise moment, beyond the gratification of an idle curiosity; he therefore hung back until O'Connor was again in motion, when he once more renewed his pursuit.
O'Connor had soon passed the smoky precincts of the town, and was now walking at a slackened pace among the green fields and the trees, all clothed in the rich melancholy hues of early autumn. The evening sun was already throwing its mellow tint on all the landscape, and the lengthening shadows told how far the day was spent. In the transition from the bustle of a town to the lonely quiet of the country at eventide, and especially at that season of the year when decay begins to sadden the beauties of nature, there is something at once soothing and unutterably melancholy. Leaving behind the glare, and dust, and hubbub of the town, who has not felt in his inmost heart the still appeal of nature? The saddened beauty of sear autumn, enhanced by the rich and subdued light of gorgeous sunset—the filmy mist—the stretching shadows—the serene quiet, broken only by rural sounds, more soothing even than silence—all these, contrasted with the sounds and sights of the close, restless city, speak tenderly and solemnly to the heart of man of the beauty of creation, of the goodness of God, and, along with these, of the mournful condition of all nature—change, decay, and death. Such thoughts and feelings, stealing in succession upon the heart, touch, one by one, the springs of all our sublimest sympathies, and fill the mind with the beautiful sense of brotherhood, under God, with all nature. Under the not unpleasing influence of such suggestions, O'Connor slackened his pace to a slow irregular walk, which sorely tried the patience of honest Larry Toole.
"After all," exclaimed that worthy, "it's nothin' more nor less than an evening walk he's takin', God bless the mark! What business have I followin' him? unless—see—sure enough he's takin' the short cut to the manor. By gorra, this is worth mindin'—I must not folly him, however—I don't want to meet the family—so here I'll plant myself until sich times as he's comin' back again."
So saying, Larry Toole clambered to the top of the grassy embankment which fenced the road, and seating himself between a pair of aged hawthorn-trees, he watched young O'Connor as he followed the wanderings of a wild bridle-road until he was at length fairly hidden from view by the intervening trees and brushwood.
CHAPTER IV.
A SCARLET HOOD AMONG THE OLD TREES—THE MANOR OF MORLEY COURT—AND A PEEP INTO AN ANTIQUE CHAMBER.
The path which O'Connor followed was one of those quiet and pleasant by-roads which, in defiance of what are called improvements, are still to be discovered throughout Ireland here and there, in some unsuspected region, winding their green and sequestered ways through many a varied scene of rural beauty; and, unless when explored by some chance fisherman or tourist, unknown to all except the poor peasant to whose simple conveniences they minister.
Low and uneven embankments, overgrown by a thousand kinds of weeds and wild flowers and brushwood, marked the boundaries of this rustic pathway, but in so friendly a sort, and with so little jealousy or exclusion, that they seemed designed rather to lend a soft and sheltered resting-place to the tired traveller than to check the wayward excursions of the idle rambler into the merry fields and woodlands through which it wound. On either side the tall, hoary trees, like time-worn pillars, reared their grey, moss-grown trunks and arching branches, now but thinly clothed with the discoloured foliage of autumn, and casting their long shadows in the evening sun far over the sloping and unequal sward. The scene, the hour, and the loneliness of the place, would of themselves have been enough to induce a pensive train of thought; but, beyond the silence and seclusion, and the falling of the leaves in their eternal farewell, and all the other touching signs of nature's beautiful decay, there were deep in O'Connor's breast recollections and passions with which the scene before him was more nearly associated, than with the ordinary suggestions of fantastic melancholy.
At some distance from this road, and half hidden among the trees, there stood an old and extensive building, chiefly of deep red brick, presenting many and varied fronts and quaint gables, antique-fashioned casements, and whole groups of fantastic chimneys, sending up their thin curl of smoke into the still air, and glinting tall and red in the declining sun; while the dusky hue of the old bricks was every here and there concealed under rich mantles of dark, luxuriant ivy, which, in some parts of the structure, had not only mounted to the summits of the wall, but clambered, in rich profusion, over the steep roof, and even to the very chimney tops. This antique building—rambling, massive, and picturesque in no ordinary degree—might well have attracted the observation of the passer-by, as it presented in succession, through the irregular vistas of the rich old timber, now one front, now another, alternately hidden and revealed as the point of observation was removed. But the eyes of O'Connor sought this ancient mansion, and dwelt upon its ever-varying aspects, as he pursued his way, with an interest more deep and absorbing than that of mere curiosity or admiration; and as he slowly followed the grass-grown road, a thousand emotions and remembrances came crowding upon his mind, impetuous, passionate, and wild, but all tinged with a melancholy which even the strong and sanguine heart of early manhood could not overcome. As the path proceeded, it became more closely sheltered by the wild bushes and trees, and its windings grew more wayward and frequent, when on a sudden, from behind a screen of old thorns which lay a little in advance, a noble dog, of the true old Irish wolf breed, came bounding towards him, with every token of joy and welcome.
"Rover, Rover—down, boy, down," said the stranger, as the huge animal, in his boisterous greeting, leaped upon him again and again, flinging his massive paws upon his shoulders, and thrusting his cold nose into his bosom—"down, Rover, down."
The first transport of welcome past, the noble dog waited to receive from his old friend some marks of recognition in return, and then, swinging his long tail from side to side, away he sprang, as if to carry the joyful tidings to the companion of his evening ramble.
O'Connor knew that some of those whom he should not have chosen to meet just then or there were probably within a stone's throw of the spot where he now stood, and for a moment he was strongly tempted to turn, and, if so it might be, unobserved to retrace his steps. The close screen of wild trees which overshadowed the road would have rendered this design easy of achievement; but while he was upon the point of turning to depart, a few notes of some wild and simple Irish melody, carelessly lilted by a voice of silvery sweetness, floated to his ear. Every cadence and vibration of that voice was to him enchantment—he could not choose but pause. The sweet sounds were interrupted by a rustling among the withered leaves which strewed the ground. Again the fine old dog made his appearance, dashing joyously along the path towards him, and following in his wake, with slow and gentle steps, came a light and graceful female form. On her shoulders rested a short mantle of scarlet cloth; the hood was thrown partially backward, so as to leave the rich dark ringlets to float freely in the light breeze of evening; the faintest flush imaginable tinged the clear paleness of her cheek, giving to her exquisitely beautiful features a lustre, whose richness did not, however, subdue their habitual and tender melancholy. The moment the full dark eyes of the girl encountered O'Connor, the song died away upon her lips—the colour fled from her cheeks, and as instantaneously the sudden paleness was succeeded by a blush of such