The Old Wives' Tale. Bennett Arnold
time that Mrs. Baines had acknowledged, in presence of Constance, the marked and growing change which had characterized Mrs. Povey’s condition during recent months. Such frankness on the part of her mother, coming after the decision about leaving school, proved indeed that Constance had ceased to be a mere girl.
“Good morning, doctor.”
The doctor, who carried a little bag and wore riding-breeches (he was the last doctor in Bursley to abandon the saddle for the dog-cart), saluted and straightened his high, black stock.
“Morning! Morning, missy! Well, it’s a boy.”
“What? Yonder?” asked Mrs. Baines, indicating the confectioner’s.
Dr. Harrop nodded. “I wanted to inform him,” said he, jerking his shoulder in the direction of the swaggering coward.
“What did I tell you, Constance?” said Mrs. Baines, turning to her daughter.
Constance’s confusion was equal to her pleasure. The alert doctor had halted at the foot of the two steps, and with one hand in the pocket of his “full-fall” breeches, he gazed up, smiling out of little eyes, at the ample matron and the slender virgin.
“Yes,” he said. “Been up most of th’ night. Difficult! Difficult!”
“It’s all RIGHT, I hope?”
“Oh yes. Fine child! Fine child! But he put his mother to some trouble, for all that. Nothing fresh?” This time he lifted his eyes to indicate Mr. Baines’s bedroom.
“No,” said Mrs. Baines, with a different expression.
“Keeps cheerful?”
“Yes.”
“Good! A very good morning to you.”
He strode off towards his house, which was lower down the street.
“I hope she’ll turn over a new leaf now,” observed Mrs. Baines to Constance as she closed the door. Constance knew that her mother was referring to the confectioner’s wife; she gathered that the hope was slight in the extreme.
“What did you want to speak to me about, mother?” she asked, as a way out of her delicious confusion.
“Shut that door,” Mrs. Baines replied, pointing to the door which led to the passage; and while Constance obeyed, Mrs. Baines herself shut the staircase-door. She then said, in a low, guarded voice—
“What’s all this about Sophia wanting to be a school-teacher?”
“Wanting to be a school-teacher?” Constance repeated, in tones of amazement.
“Yes. Hasn’t she said anything to you?”
“Not a word!”
“Well, I never! She wants to keep on with Miss Chetwynd and be a teacher.” Mrs. Baines had half a mind to add that Sophia had mentioned London. But she restrained herself. There are some things which one cannot bring one’s self to say. She added, “Instead of going into the shop!”
“I never heard of such a thing!” Constance murmured brokenly, in the excess of her astonishment. She was rolling up Mr. Povey’s tape-measure.
“Neither did I!” said Mrs. Baines.
“And shall you let her, mother?”
“Neither your father nor I would ever dream of it!” Mrs. Baines replied, with calm and yet terrible decision. “I only mentioned it to you because I thought Sophia would have told you something.”
“No, mother!”
As Constance put Mr. Povey’s tape-measure neatly away in its drawer under the cutting-out counter, she thought how serious life was—what with babies and Sophias. She was very proud of her mother’s confidence in her; this simple pride filled her ardent breast with a most agreeable commotion. And she wanted to help everybody, to show in some way how much she sympathized with and loved everybody. Even the madness of Sophia did not weaken her longing to comfort Sophia.
III
That afternoon there was a search for Sophia, whom no one had seen since dinner. She was discovered by her mother, sitting alone and unoccupied in the drawing-room. The circumstance was in itself sufficiently peculiar, for on weekdays the drawing-room was never used, even by the girls during their holidays, except for the purpose of playing the piano. However, Mrs. Baines offered no comment on Sophia’s geographical situation, nor on her idleness.
“My dear,” she said, standing at the door, with a self-conscious effort to behave as though nothing had happened, “will you come and sit with your father a bit?”
“Yes, mother,” answered Sophia, with a sort of cold alacrity.
“Sophia is coming, father,” said Mrs. Baines at the open door of the bedroom, which was at right-angles with, and close to, the drawing-room door. Then she surged swishing along the corridor and went into the showroom, whither she had been called.
Sophia passed to the bedroom, the eternal prison of John Baines. Although, on account of his nervous restlessness, Mr. Baines was never left alone, it was not a part of the usual duty of the girls to sit with him. The person who undertook the main portion of the vigils was a certain Aunt Maria—whom the girls knew to be not a real aunt, not a powerful, effective aunt like Aunt Harriet of Axe—but a poor second cousin of John Baines; one of those necessitous, pitiful relatives who so often make life difficult for a great family in a small town. The existence of Aunt Maria, after being rather a “trial” to the Baineses, had for twelve years past developed into something absolutely “providential” for them. (It is to be remembered that in those days Providence was still busying himself with everybody’s affairs, and foreseeing the future in the most extraordinary manner. Thus, having foreseen that John Baines would have a “stroke” and need a faithful, tireless nurse, he had begun fifty years in advance by creating Aunt Maria, and had kept her carefully in misfortune’s way, so that at the proper moment she would be ready to cope with the stroke. Such at least is the only theory which will explain the use by the Baineses, and indeed by all thinking Bursley, of the word “providential” in connection with Aunt Maria.) She was a shrivelled little woman, capable of sitting twelve hours a day in a bedroom and thriving on the regime. At nights she went home to her little cottage in Brougham Street; she had her Thursday afternoons and generally her Sundays, and during the school vacations she was supposed to come only when she felt inclined, or when the cleaning of her cottage permitted her to come. Hence, in holiday seasons, Mr. Baines weighed more heavily on his household than at other times, and his nurses relieved each other according to the contingencies of the moment rather than by a set programme of hours.
The tragedy in ten thousand acts of which that bedroom was the scene, almost entirely escaped Sophia’s perception, as it did Constance’s. Sophia went into the bedroom as though it were a mere bedroom, with its majestic mahogany furniture, its crimson rep curtains (edged with gold), and its white, heavily tasselled counterpane. She was aged four when John Baines had suddenly been seized with giddiness on the steps of his shop, and had fallen, and, without losing consciousness, had been transformed from John Baines into a curious and pathetic survival of John Baines. She had no notion of the thrill which ran through the town on that night when it was known that John Baines had had a stroke, and that his left arm and left leg and his right eyelid were paralyzed, and that the active member of the Local Board, the orator, the religious worker, the very life of the town’s life, was permanently done for. She had never heard of the crisis through which her mother, assisted by Aunt Harriet, had passed, and out of which she had triumphantly emerged. She was not yet old enough even to suspect it. She possessed only the vaguest memory of her father before he had finished with the world. She knew him simply as an organism on a bed, whose left side was wasted, whose eyes were often inflamed, whose mouth was crooked,