East Angels. Constance Fenimore Woolson
he was a man, the general remembrance at least was always there, the remembrance of happy hours and motherly caresses. He therefore welcomed the idea of his aunt's coming to Gracias. Though what Mrs. Peter Rutherford would be able to find in that sleepy little hamlet in the way of entertainment, he did not pretend to have discovered.
Five days later the party arrived, his aunt, her niece Mrs. Harold, her maid Celestine.
As he greeted Mrs. Rutherford, Winthrop remarked to himself, as he had remarked many times before, that his aunt was a fine-looking woman. Mrs. Rutherford was sixty years of age, tall, erect, with a well-cut profile, and beautiful gray hair, which lay in soft waves, like a silvery cloud, above her fine dark eyes. The state of her health had evidently not interfered with the arrangement of this aureola, neither had it relaxed in any degree the grave perfection of her attire; her bonnet was a model of elegance and simplicity, her boot, as she stepped from the carriage, was seen to be another model of elegance and good sense. Mrs. Rutherford loved elegance. But Mrs. Rutherford loved indolence as well, and indolence never constructed or kept in order an appearance such as hers; the person (of very different aspect) who followed her, laden with baskets, cushions, and shawls, was the real architect of this fine structure, from the soft waves of hair to the well-shaped boot; this person was Celestine, the maid.
Celestine's real name was Minerva Poindexter. Her mistress, not liking the classic appellation, had changed it to Celestine, the Poindexter being dropped entirely. Mrs. Rutherford was accustomed to say that this was her one deliberate affectation—she affected to believe that Celestine was French; the maid, a tall, lean, yellow-skinned woman, reticent and unsmiling, might have been French or Scotch, Portuguese or Brazilian, as far as appearance went, tall, lean women of unmarried aspect being a product scattered in regular, if limited, quantities over the face of the entire civilized globe. As she seldom opened her lips, her nationality could not be determined by an inquiring public from her speech. There were those, however, who maintained that Celestine knew all languages, that there was a dark omniscience about her. In reality she was a Vermont woman, who had begun life as a country dress-maker—a country dress-maker with great natural talent but no opportunities. The opportunities had come later, they came when she was discovered by Mrs. Peter Rutherford. This tall Vermont genius had now filled for many years a position which was very congenial to her, though it would have been considered by most persons a position full of difficulties. For Mrs. Rutherford required in her personal attendant talents which are generally supposed to be conflicting: esteeming her health very delicate, she wished to be minutely watched and guarded by an experienced nurse, a nurse who should take to heart conscientiously the responsibilities of her charge; yet at the same time she cherished that deep interest in the constantly changing arcana of feminine attire for which it is supposed that only a skilful but probably immoral Parisian can suffice.
But the keen New England eyes of Minerva Poindexter had an instant appreciation of such characteristics of arriving fashions as could be gracefully adopted by her handsome mistress, whose best points she thoroughly understood, and even in a certain way admired, though as regarded herself, and indeed all the rest of womankind, she approved rigidly of that strict neutrality of surface, that ignoring of all merely corporeal points, which is so striking a characteristic of the monastic heavenly paintings of Fra Angelico. At the same moment, however, that her New England eyes were exercising their natural talent, her New England conscience, equally keen, made her a nurse of unmatched qualities, albeit she was perhaps something of a martinet. But with regard to her health Mrs. Rutherford rather liked to be domineered over. She liked to be followed about by shawls (her shawls were always beautiful, never having that niggardly, poverty-stricken aspect which such feminine draperies, when reserved for use in the house, are apt to assume); she liked to be vigilantly watched with regard to draughts; she liked to have her pulse felt, to have cushions, handsomely covered in rich colors, placed behind her well-dressed back. Especially did she like to be presented, at fixed hours, with little tea-spoonfuls of homœopathic medicine, which did not taste badly, but which, nevertheless, it always required some urging to induce her to take; the urging—in fact, the whole system, regularly persevered in—could give variety to the dullest day.
After greeting his aunt, Winthrop turned to speak to Celestine. By way of reply Celestine gave a short nod, and looked in another direction. In reality she was delighted with his notice, but this was her way of showing it. The two boys, Evert Winthrop and Lansing Harold, Mrs. Rutherford's nephews, had been her pets from childhood; but even in the old days her manner towards them had always been so curt and taciturn that they used to consider it a great triumph when they had succeeded in drawing out Minerva's laugh—for they always called her Minerva behind Mrs. Rutherford's back. It may be that this had had something to do with her liking for them; for, in her heart, Miss Poindexter considered her baptismal name both a euphonious and dignified one, and much to be preferred to the French frivolity of the title to which she was obliged to answer.
"But where is Margaret?" said Mrs. Rutherford, turning.
A third person, who had been looking at the new scene about her—the orange-trees, the palmettoes, the blue water of the Espiritu beyond the low sea-wall, and the fringe of tropical forest on Patricio opposite—now stepped from the carriage.
"I was beginning to think that there had been some change of plan, Mrs. Harold, and that you had not come," said Winthrop, going back to the carriage to assist her.
Margaret Harold smiled. Her smile was a very pleasant one; she and Winthrop greeted each other with what seemed like a long-established, though quiet and well-governed, coldness.
CHAPTER IV.
Later in the evening Mrs. Rutherford was sitting with her nephew on the piazza of her new residence, the little house he had engaged for her use during her stay in Gracias; they were looking at the moonlight on the lagoon.
The little residence had but one story, and that story was a second one. It had been built above an old passageway of stone, which had led from the Franciscan monastery down to the monks' landing-place on the shore; the passageway made a turn at a right angle not far from the water, and this angle had been taken possession of by the later architect, who had rested his square superstructure solidly on the old walls at the south and west, and had then built a light open arch below to support the two remaining sides, thus securing an elevated position, and a beautiful view of the sea beyond Patricio, at comparatively small expense for his high foundation. An outside stairway of stone, which made a picturesque turn on the way, led up to the door of this abode, and, taken altogether, it was an odd and pleasant little eyrie on a pleasant shore.
Evert Winthrop, however, when he secured it for his aunt, had not been thinking so much of its pleasantness as its freedom from damp, Mrs. Rutherford having long been of the opinion that most of the evils of life, mental, moral, and physical, and even in a great measure the disasters of nations, could be directly traced to the condition of cellars.
"You will observe, Aunt Katrina, that there is no cellar," he remarked as she took possession.
The eyrie had but one fault, and that was a fault only if people were disposed to be sentimental: the old walls beneath, built by the monks long before, had the air of performing their present duty with extreme unwillingness. Coming up from the water, they passed under the modern house reluctantly, supporting it under protest, as it were; their cold disapprovals seemed to come through the floors.
Mrs. Rutherford declared that it made her feel "sacrilegious." But the sentiments of Minerva Poindexter were of an entirely different nature. "I admire to have 'em there," said this rigid Protestant; "I admire to know they're under my feet, so that I can tromple 'em down!" For though she had been over the entire civilized world, though she could adapt Paris fashions, and was called Celestine, Miss Poindexter had never in her heart abated one inch of her original Puritan principles, and as she now came and went over the old monks' passage, her very soles rejoiced in the opportunity to express their utter detestation of the monastic system, she ground them deeply into the mattings on purpose.
The