B. M. BOWER: Historical Novels, Westerns & Old West Sagas (Illustrated Edition). B. M. Bower
the phone and asked if a part of that robbery stuff could be retaken that day. The cashier thrilled instantly at the thought of it. Certainly, they could retake as much as they pleased. Lucks voice—or a voice very like Luck’s—thanked him and said that they would not need to retake the interior stuff. What he wanted was to get the approach to the bank the entrance and going back to the cashier. That part of the negative was under-timed, said the voice. And would the cashier make a display of gold behind the wicket, so that the camera could register it through the window? The cashier thought that he could. “Just stack it up good and high,” directed the voice. “The more the better. And clear the bank—have the clerks out, and every thing as near as possible to what it was the other day. And you take up the same position. The scene ends where Ramon comes back and grabs you.”
“And listen! You did so well the other day that I’m going to leave this to you, to see that they get it the same. I can’t be there myself—I’ve got to catch some atmosphere stuff down here in Old Town. I’m just sending my assistant camera man and the two heavies and my scenic artist for this retake. It won’t be much—but be sure you have the bank cleared, old man—because it would ruin the following scenes to have extra people registered in this; see? You did such dandy work in that struggle that I want it to stand. Boy, your work’s sure going to stand out on the screen!”
Can you blame the cashier for drinking in every word of that, and for emptying the vault of gold and stacking it up in beautiful, high piles where the sun shone on it through the window—and where it would be within easy reach, by the way!—so that the camera could “register” it?
At ten minutes past twelve he had gotten rid of patrons and clerks, and he had the gold out and his green eyeshade adjusted as becomingly as a green eyeshade may be adjusted. He looked out and saw that the street was practically empty, because of the hour and the heat that was almost intolerable where the sun shone full. He saw a big red machine drive up to the corner and stop, and he saw a man climb out with camera already screwed, to the tripod. He saw the bandits throw away their cigarettes and follow the camera man, and then he hurried back and took up his station beside the stacks of gold, and waited in a twitter of excitement for this unhoped-for encore of last Wednesday’s glorious performance. Through the window he watched the camera being set up, and he watched also, from under his eyeshade, the approach of the two bandits.
From there on a gap occurs in the cashier’s memory of that day.
Ramon and Luis went into the bank, and in a few minutes they came out again burdened with bags of specie and pulled the door shut with the spring lock set and the blinds down that proclaimed the bank was closed. They climbed into the red automobile, the camera and its operator followed, and the machine went away down the street to the post-office, turned and went purring into the Mexican quarter which spreads itself out toward the lower bridge that spans the Rio Grande. This much a dozen persons could tell you. Beyond that no man seemed to know what became of the outfit.
In the bank, the cashier lay back across a desk with a gag in his mouth and his hands and feet tied, and with a welt on the side of his head that swelled and bled sluggishly for a while and then stopped and became an angry purple. Where the gold had been stacked high in the sunshine the marble glistened whitely, with not so much as a five-dollar piece to give it a touch of color. The window blinds were drawn down—the bank was closed. And people passed the windows and never guessed that within there lay a sickly young man who had craved adventure and found it, and would presently awake to taste its bitter flavor.
Away off across the mesa, sweltering among the rocks in Bear Canon, Luck Lindsay panted and sweated and cussed the heat and painstakingly directed his scenes, and never dreamed that a likeness of his voice had beguiled the cashier of the Bernalillo County Bank into consenting to be robbed and beaten into oblivion of his betrayal.
And—although some heartless teller of tales might keep you in the dark about this—the red automobile, having dodged hurriedly into a high-boarded enclosure behind a Mexican saloon, emerged presently and went boldly off across the bridge and up through Atrisco to the sand hills which is the beginning of the desert off that way. But another automobile, bigger and more powerful and black, slipped out of this same enclosure upon another street, and turned eastward instead of west. This machine made for the mesa by a somewhat roundabout course, and emerged, by way of a rough trail up a certain draw in the edge of the tableland, to the main road where it turns the corner of the cemetery. From there the driver drove as fast as he dared until he reached the hill that borders Tijeras Arroyo. There being no sign of pursuit to this point, he crossed the Arroyo at a more leisurely pace. Then he went speeding away into the edge of the mountains until they reached one of those deep, deserted dry washes that cut the foothills here and there near Coyote Springs. There his passengers left him and disappeared up the dry wash.
Before the wound on the cashier’s head had stopped bleeding, the black automobile was returning innocently to town and no man guessed what business had called it out upon the mesa.
Chapter VIII. The Song of the Omaha
“Me, I theenk yoh not lov’ me so moch as a pin,” Ramon complained in soft reproach, down in the dry wash where Applehead had looked in vain for baling wire. “Sometimes I show yoh what is like the Spanish lov’. Like stars, like fire—sometimes I seeng the jota for you that tell how moch I lov’ yoh. ‘Te quiero, Baturra, te quiero,’” he began humming softly while he looked at her with eyes that shone soft in the starlight. “Sometimes me, I learn yoh dat song—and moch more I learn yoh—”
Annie-Many-Ponies stood before him, straight and slim and with that air of aloofness which so fired Ramon’s desire for her. She lifted a hand to check him, and Ramon stopped instantly and waited. So far had her power over him grown.
“All time you tell me you heap love,” she said in her crooning soft voice. “Why you not talk of priest to make us marry? You say words for love—you say no word for wife. Why you no say—”
“Esposa!” Ramon’s teeth gleamed white as a wolf’s in the dusk. “When the padre marry us I maybe teach you many ways to say wife!” He laughed under his breath. “How I calls yoh wife when I not gets one kees, me? Now I calls yoh la sweetheart—good enough when I no gets so moch as touches hand weeth yoh.”
“I go way with you, you gets priest for make us marry?” Annie-Many-Ponies edged closer so that she might read what was in his face.
“Why yoh no trus’ Ramon? Sure, I gets padre! W’at yoh theenk for speak lies, me? Sure, I gets padre, foolish one! Me, I not like for yoh no trus’ Ramon. Looks like not moch yoh lov’ Ramon.”
“I good girl,” Annie-Many-Ponies stated simply. “I love my husband when priest says that’s right thing to do. You no gets priest, I no go with you. I think mens not much cares for marry all time. Womens not care, they go to hell. That’s what priest tells. Girls got to care. That’s truth.” Simple as two-plus-two was the rule of life as Annie-Many-Ponies laid it down in words before him. No fine distinctions between virtue and superwomanhood there, if you please! No slurring of wrong so that it may look like an exalted right. “Womens got to care,” said Annie-Many-Ponies with a calm certainty that would brook no argument.
“Sure theeng,” Ramon agreed easily. “Yoh theenk I lov’ yoh so moch if yoh not good?”
“You gets priest?” Annie-Many-Ponies persisted.
“Sure, I gets padre. You theenk Ramon lies for soch theeng?”
“You swear, then, all same white mans in picture makes oath.” There was a new quality of inflexibility under the soft music of her voice. “You lift up hand and says, ‘Help me by God I makes you for-sure my wife!’” She had pondered long upon this oath, and she spoke it now with an easy certainty that it was absolutely binding, and that no man would dare break it. “You makes that swear now,” she urged gently.
“Foolish one! Yoh theenk I mus’ swear I do what my hearts she’s want? I tell yoh