THE GENIUS. Theodore Dreiser
he had not been drawn to them or they to him. Emotionally he was lonely and this for him was always a very susceptible mood. He could not make up his mind that the end had come with Angela.
It so happened that Marietta, after watching her sister's love affair some time, reached the conclusion that she ought to try to help her. Angela was obviously concealing a weariness of heart which was telling on her peace of mind and her sweetness of disposition. She was unhappy and it grieved her sister greatly. The latter loved her in a whole-hearted way, in spite of the fact that their affections might possibly have clashed over Eugene, and she thought once of writing in a sweet way and telling him how things were. She thought he was good and kind, that he loved Angela, that perhaps he was delaying as her sister said until he should have sufficient means to marry well, and that if the right word were said now he would cease chasing a phantom fortune long enough to realize that it were better to take Angela while they were still young, than to wait until they were so old that the romance of marriage would for them be over. She revolved this in her mind a long time, picturing to herself how sweet Angela really was, and finally nerved herself to pen the following letter, which she sent.
Dear Eugene:
You will be surprised to get a letter from me and I want you to promise me that you will never say anything about it to anyone—above all never to Angela. Eugene, I have been watching her for a long time now and I know she is not happy. She is so desperately in love with you. I notice when a letter does not come promptly she is downcast and I can't help seeing that she is longing to have you here with her. Eugene, why don't you marry Angela? She is lovely and attractive now and she is as good as she is beautiful. She doesn't want to wait for a fine house and luxuries—no girl wants to do that, Eugene, when she loves as I know Angela does you. She would rather have you now when you are both young and can enjoy life than any fine house or nice things you might give her later. Now, I haven't talked to her at all, Eugene—never one word—and I know it would hurt her terribly if she thought I had written to you. She would never forgive me. But I can't help it. I can't bear to see her grieving and longing, and I know that when you know you will come and get her. Don't ever indicate in any way, please, that I wrote to you. Don't write to me unless you want to very much. I would rather you didn't. And tear up this letter. But do come for her soon, Eugene, please do. She wants you. And she will make you a perfectly wonderful wife for she is a wonderful girl. We all love her so—papa and mamma and all. I hope you will forgive me. I can't help it.
"With love I am yours,
"Marietta."
When Eugene received this letter he was surprised and astonished, but also distressed for himself and Angela and Marietta and the whole situation. The tragedy of this situation appealed to him perhaps as much from the dramatic as from the personal point of view. Little Angela, with her yellow hair and classic face. What a shame that they could not be together as she wished; as really, in a way, he wished. She was beautiful—no doubt of that. And there was a charm about her which was as alluring as that of any girl barring the intellectually exceptional. Her emotions in a way were deeper than those of Miriam Finch and Christina Channing. She could not reason about them—that was all. She just felt them. He saw all the phases of her anguish—the probable attitude of her parents, her own feelings at being looked at by them, the way her friends wondered. It was a shame, no doubt of that—a cruel situation. Perhaps he had better go back. He could be happy with her. They could live in a studio and no doubt things would work out all right. Had he better be cruel and not go? He hated to think of it.
Anyhow he did not answer Marietta's letter, and he did tear it up into a thousand bits, as she requested. "If Angela knew no doubt she would feel wretched," he thought.
In the meanwhile Angela was thinking, and her brooding led her to the conclusion that it might be advisable, if ever her lover came back, to yield herself in order that he might feel compelled to take her. She was no reasoner about life in any big sense. Her judgment of affairs was more confused at this time than at a later period. She had no clear conception of how foolish any trickery of this sort would be. She loved Eugene, felt that she must have him, felt that she would be willing to die rather than lose him and the thought of trickery came only as a last resource. If he refused her she was determined on one thing—the lake. She would quit this dreary world where love was crossed with despair in its finest moments; she would forget it all. If only there were rest and silence on the other side that would be enough.
The year moved on toward spring and because of some note of this, reiterated in pathetic phrases, he came to feel that he must go back. Marietta's letter preyed on his mind. The intensity of Angela's attitude made him feel that something desperate would happen. He could not, in cold blood, sit down and write her that he would not see her any more. The impressions of Blackwood were too fresh in his mind—the summer incense and green beauty of the world in which she lived. He wrote in April that he would come again in June, and Angela was beside herself with joy.
One of the things which helped Eugene to this conclusion was the fact that Christina Channing was not coming back from Europe that year. She had written a few times during the winter, but very guardedly. A casual reader could not have drawn from what she said that there had ever been anything between them. He had written much more ardently, of course, but she had chosen to ignore his eager references, making him feel by degrees that he was not to know much of her in the future. They were going to be good friends, but not necessarily lovers nor eventually husband and wife. It irritated him to think she could be so calm about a thing which to him seemed so important. It hurt his pride to think she could so deliberately throw him over. Finally he began to be incensed, and then Angela's fidelity appeared in a much finer light. There was a girl who would not treat him so. She really loved him. She was faithful and true. So his promised trip began to look much more attractive, and by June he was in a fever to see her.
CHAPTER XXVI
The beautiful June weather arrived and with it Eugene took his departure once more for Blackwood. He was in a peculiar mood, for while he was anxious to see Angela again it was with the thought that perhaps he was making a mistake. A notion of fatality was beginning to run through his mind. Perhaps he was destined to take her! and yet, could anything be more ridiculous? He could decide. He had deliberately decided to go back there—or had he? He admitted to himself that his passion was drawing him—in fact he could not see that there was anything much in love outside of passion. Desire! Wasn't that all that pulled two people together? There was some little charm of personality above that, but desire was the keynote. And if the physical attraction were strong enough, wasn't that sufficient to hold two people together? Did you really need so much more? It was logic based on youth, enthusiasm and inexperience, but it was enough to hold him for the time being—to soothe him. To Angela he was not drawn by any of the things which drew him to Miriam Finch and Norma Whitmore, nor was there the wonderful art of Christina Channing. Still he was going.
His interest in Norma Whitmore had increased greatly as the winter passed. In this woman he had found an intellect as broadening and refining as any he had encountered. Her taste for the exceptional in literature and art was as great as that of anyone he had ever known and it was just as individual. She ran to impressive realistic fiction in literature and to the kind of fresh-from-the-soil art which Eugene represented. Her sense of just how big and fresh was the thing he was trying to do was very encouraging, and she was carrying the word about town to all her friends that he was doing it. She had even gone so far as to speak to two different art dealers asking them why they had not looked into what seemed to her his perfectly wonderful drawings.
"Why, they're astonishing in their newness," she told Eberhard Zang, one of the important picture dealers on Fifth Avenue. She knew him from having gone there to borrow pictures for reproduction.
"Witla! Witla!" he commented in his conservative German way, rubbing his chin, "I doand remember seeing anything by him."
"Of course you don't," replied Norma persistently. "He's new, I tell you. He hasn't been here so very long. You get Truth for some week in last month—I forget