The Complete Works of Samuel Taylor Coleridge: Poems, Plays, Essays, Lectures, Autobiography & Personal Letters (Illustrated). Samuel Taylor Coleridge

The Complete Works of Samuel Taylor Coleridge: Poems, Plays, Essays, Lectures, Autobiography & Personal Letters (Illustrated) - Samuel Taylor Coleridge


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is one part of Coleridge’s character not to be passed by, although so overlaid by his genius as rarely to be noticed, namely, his love of humour and of wit, of which be possessed so large a share. As punsters, his dear friend Lamb and himself were inimitable. Lamb’s puns had oftener more effect, from the impediment in his speech their force seemed to be increased by the pause of stuttering, and to shoot forth like an arrow from a strong bow — but being never poisoned nor envenomed, they left no pain behind. Coleridge was more humorous than witty in making puns — and in repartee, he was, according to modern phraseology, “smart and clever.” Staying a few days with two friends at a farmhouse, they agreed to visit a race-course in the neighbourhood. The farmer brought from his stud a horse low in stature, and still lower in flesh — a bridle corresponding in respectability of appearance, with a saddle equally suitable — stirrups once bright, but now deeply discoloured by rust. All this was the contrivance of the farmer, and prudently intended for his safety. He had heard previously of Coleridge’s want of skill in riding, and had therefore provided him with a beast not likely to throw him. On this Rosinante the poet mounted, in his accustomed dress, namely, a black coat, black breeches, with black silk stockings and shoes. His friends being trusted with more active steeds, soon outstripped him. Jogging on leisurely he was met by a long-nosed knowing-looking man, attired in a ‘sporting’ dress, and an excellent equestrian. Seeing this whimsical horseman in shoes, he writhed, as Coleridge observed, his lithe proboscis, and thus accosted him:

      Pray, sir, did you meet a tailor along the road?”

      “A tailor?” answered Coleridge; “yes!”

      “Do you see, sir! he rode just such a horse as you ride! and for all the world was just like you!”

      “Oh! oh!” answered Coleridge, “I did meet a person answering such a description, who told me he had dropped his goose, that if I rode a little farther I should find it; and I guess by the arch-fellow’s looks, he must have meant you.”

      “Caught a tartar!” replied the man, and suddenly spurring his horse, left him to pursue his road. At length Coleridge reached the race-course, when threading his way through the crowd, he arrived at the spot of attraction to which all were hastening. Here he confronted a barouche and four, filled with smart ladies and attendant gentlemen. In it was also seated a baronet of sporting celebrity, steward of the course, and member of the House of Commons, well known as having been bought and sold in several parliaments. The baronet eyed the figure of Coleridge as he slowly passed the door of the barouche, and thus accosted him:

      “A pretty piece of blood, sir, you have there?”

      “Yes!” answered Coleridge.

      “Rare paces, I have no doubt, sir!”

      “Yes,” said Coleridge he brought me here a matter of four miles an hour.”

      He was at no loss to perceive the honourable member’s drift, who wished to shew off before the ladies: so he quietly waited the opportunity of a suitable reply.

      “What a forehand he has!” continued Nimrod, “how finely he carries his tail! Bridle and saddle well suited! and appropriately appointed!”

      “Yes,” said Coleridge.

      “Will you sell him?” asked the sporting baronet.

      “Yes!” was the answer, “if I can have my price.”

      “Name your price, then, putting the rider into the bargain!”

      This was too pointed to be passed over by a simple answer, and Coleridge was ready.

      “My price for the ‘horse, sir’, if I sell him, is ‘one hundred’ guineas, — as to the ‘rider’, never having been in parliament, and never intending to go, ‘his’ price is not yet fixed.”

      The baronet sat down more suddenly than he had risen — the ladies began to titter — while Coleridge quietly left him to his chagrin, and them to the enjoyment of their mirth.

      We are now arrived at that period of Coleridge’s life, in which it may be said, he received his first great warning of approaching danger. But it will be necessary to review his previous state of health. From childhood he discovered strong symptoms of a feeble stomach. As observed in the account of his school experience, when compelled to turn over the shoes in the shoe closet, exhausted by the fatigue, and overpowered by the scent, he suffered so much, that in after years the very remembrance almost made him shudder. Then his frequent bathing in the New River was an imprudence so injurious in its consequences, as to place him for nearly twelve months in the sick ward in the hospital of the school, with rheumatism connected with jaundice. These, to a youthful constitution, were matters of so serious a nature, as to explain to those acquainted with disease the origin and cause of his subsequent bodily sufferings. His sensitiveness was consequent on these, and so was his frequent incapability of continuous sedentary employment — an employment requiring far stronger health in an individual whose intellectual powers were ever at work. When overwhelmed at College, by that irresistible alarm and despondency which caused him to leave it, and to enlist as a soldier in the army, he continued in such a state of bodily ailment as to be deprived of the power of stooping, so that ‘Cumberback’, — a thing unheard of before, — was compelled to depute another to perform this part of his duty. On his voyage to Malta, he had complained of suffering from shortness of breath; and on returning to his residence at the Lakes, his difficulty of breathing and his rheumatism increased to a great degree. About the year 1809, ascending Skiddaw with his younger son, he was suddenly seized in the chest, and so overpowered as to attract the notice of the child. After the relation of these circumstances to some medical friend, he was advised by him not to bathe in the sea. The love, however, which he had from a boy, for going into the water, he retained till a late period of life. Strongly impressed with this feeling, he seems to have written the poem, entitled “On Revisiting the Sea Shore:”

      ”Dissuading spake the mild physician,

       Those briny waves for thee are death,

       But my soul fulfilled her mission,

       And lo! I breathe untroubled breath.”

      In the year 1810, he left the Lakes, in company with Mr. Basil Montagu, whose affectionate regard for Mr. Coleridge, though manifested upon every occasion, was more particularly shown in seasons of difficulty and affliction. By Coleridge, Mr. Montagu’s friendship was deeply felt, — and his gentle manners and unremitted kindness had the most soothing effect upon the sensitive and grateful mind of Coleridge. He remained for some time at Mr. Montagu’s house. He afterwards resided at Hammersmith, with an amiable and common friend of his and Mr. Southey’s, — Mr. Morgan, with whom they had formed an intimacy in Bristol. Whilst here he delivered a course of lectures at the London Philosophical Society. The prospectus was as follows:

      “Mr. Coleridge will commence, on Monday, November 18, 1811, a Course of Lectures on Shakspeare and Milton, in illustration of the principles of poetry, and their application, as grounds of criticism, to the most popular works of later English Poets, those of the living included. After an introductory lecture on False Criticism (especially in poetry), and on its causes; two thirds of the remaining course will be assigned,

      1st, to a philosophical analysis, and explanation of all the principal ‘characters’ of our great dramatist, as Othello, Falstaff, Richard the Third, Iago, Hamlet, &c.; and

      2nd, to a critical ‘comparison’ of Shakspeare, in respect of diction, imagery, management of the passions, judgment in the construction of his dramas, in short, of all that belongs to him as a poet, and as a dramatic poet, with his contemporaries or immediate successors, Jonson, Beaumont and Fletcher, Ford, Massinger, &c. in the endeavour to determine what of Shakspeare’s merits and defects are common to him, with other writers of the same age, and what remain peculiar to his own genius.

      The course will extend to fifteen lectures, which will be given on

       Monday and Thursday evenings successively.”

      Mr. Coleridge afterwards delivered another course of lectures at the Royal Institution.


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