The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard

The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition) - Frank L. Packard


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have stood with beckoning finger for so long now at the other's elbow! Jimmie Dale turned slowly away and walked across the room. Mechanically he slid the painting out along its grooves; mechanically he stooped and found the knot in the wainscoting. Perhaps it was as well, perhaps infinitely better this way, better that the end should come here than behind the steel bars and the gray stone walls where once it had so nearly come. They would not have pardoned the Minister twice.

      The little door in the wall had swung open, the nickel dial of the safe glittered in the light—and suddenly Jimmie Dale's shoulders straightened, and for an instant his dark eyes studied the closed steel door. Then he leaned forward, his ear pressed against the face of the safe for the tumblers' fall, and the slim, sensitive fingers, the nerves throbbing at the tips, those magical masters of bolts and locks, were at work.

      The minutes passed. There was no sound, save at times the faint, musical whir of the dial; then, abruptly, a deep breathed exclamation:

      “All thumbs to-night!”

      Again the minutes passed; again the dial moved, now with its musical whir, now slowly, with infinite care; and then a sound, so low as to be scarcely audible—the soft thud, muffled within the steel walls, of metal meeting metal, the bolts sliding in their sockets.

      The door of the safe stood open.

      Jimmie Dale swung around and stared about the room. He was provided with no little cloth sack such as Gentleman Laroque had had; true he had, instead, those little chamois bags, and his pockets might hold them all, but—With a quick stride he crossed the room to the desk, and picked up a black leather portfolio. It was quite large enough, and, used for carrying documents, its flap was fitted with a clasp. He opened it, dumped the papers it contained out on the desk, and returned to the wall safe.

      Jimmie Dale was working with lightning speed now. The little chamois bags were tucked into the bottom of the portfolio; the small plush and leather jewellers' cases were opened in quick succession, their contents following the chamois bags, the cases themselves being tossed helter-skelter upon the floor.

      The safe was empty.

      Jimmie Dale closed the portfolio, and cast a sharp, critical glance around the room. He nodded grimly to himself. There was ample evidence now that there had been a robbery, quite ample—everybody knew that there had been something in the now empty safe—and it would not therefore be, as Gentleman Laroque expected, so blind a trail now that led to the source of the diamonds with which Isaac Shiftel was to be endowed! Also, for good measure in this respect, some of the ornaments, that were certainly the property of Mrs. Lane, and which Gentleman Laroque had been wise enough to leave alone, would not lack for a speedy identification! And, again, there was the yawning door of the wall safe, and the painting that still protruded so eloquently from its frame!

      His eyes softened in their expression as they held now for an instant again on the form that lay upon the floor. Then he shook his head in quick decision. He needed time now before an alarm was sounded that might by any chance reach the ears of Gentleman Laroque, or, more particularly, one Isaac Shiftel!

      Jimmie Dale consulted his watch. It was five minutes of three. The electric-light switch clicked under his fingers. The room was in darkness.

      Then silence through the house.

      And presently a figure crouched again in the shadows of the basement porch, and crossed the yard, and swung itself silently over the fence into the lane—and from here, slipping the black silk mask from his face, Jimmie Dale emerged on the street.

      But now Jimmie Dale seemed to be no longer in haste. It was a long way from Jathan Lane's mansion to Mr. Isaac Shiftel's unsavory abode, which was now Jimmie Dale's destination, and the subway would be the quicker, but, instead, Jimmie Dale hailed a belated taxi as it passed him. He was interested in reaching Isaac Shiftel's only after Gentleman Laroque had been there and gone. He gave the chauffeur an address on the Bowery that would bring him within a block of the tenement that Isaac Shiftel had chosen as his lair, and stepped into the taxi.

      III.

       One Isaac Shiftel

       Table of Contents

      The taxi rolled and swayed its way along. Jimmie Dale sat staring at the portfolio that bumped with the motion of the car upon his knees. In some thirty-odd minutes, at half-past three to be exact, the police would be paying a visit to Laroque's quarters, and even if the man were not back there by then, the police were patient and would wait! They would get Laroque—but not the evidence. They might even let the man go again—temporarily. It would not matter. Laroque's freedom, if obtained at all, would be of very short duration. The evidence lacking at Gentleman Laroque's would be found within the hour and in abundant measure, together with Mr. Isaac Shiftel himself, at—Isaac Shiftel's!

      But that was not all; nor, indeed, that which most vitally interested him. Despite the Tocsin's efforts to keep him out of those shadows, as she had termed it, that seemed to have closed down upon her blacker and more ominous even than before, the night's work had already brought him greater returns than he had ever dared to hope for or expect. He knew three of the pawns who moved at the criminal will of the unknown leader whom she had styled the Phantom. One of the three was dead, but there remained two; and of the two, one was Laroque, and the other was a miserable little rat-like creature, who, under persuasion, was not likely to prove over-secretive. And Shiftel's tongue, once made to wag, held promise of almost anything, even the “Open Sesame” to what was now his, Jimmie Dale's, ultimate goal—the Phantom.

      Jimmie Dale's eyes travelled to the window, held there for a few minutes noting the taxi's progress, and then fixed introspectively again on the portfolio.

      Shiftel! He knew Shiftel as only the initiated knew him, as only those knew him whose ears were attune to the whispered confidences of the underworld's exchanges in the dens and dives hidden away from the light of day, where he, Jimmie Dale, once as Larry the Bat, and now in the present day as Smarlinghue, the broken-down artist and hop-fighter, was welcomed as one of the élite of that inglorious realm. He had even seen Shiftel on one or two occasions—an unkempt, bearded, spectacled foreigner of uncertain age, a cringing little beast, hideously cunning, a master in his own peculiar line of deviltry. Shiftel ostensibly, for the benefit of the police should they ever prove inquisitive, made his living in his two-room, dirty, bachelor apartment, by working on garments which he brought from various sweat shops. If he were rarely at home and too lazy to work much, that was his misfortune, his loss, and his sole personal affair! But the underworld held him in quite other regard—as a “fence,” a “shover of stolen goods,” who was safe, and in cleverness without an equal. There were few crooks in the Bad Lands but were hungry for Isaac Shiftel's services, but Shiftel was not approachable to all; it was understood, and perforce had regretfully come to be accepted as a fact, that he dealt only with a small and select clientele of his own choosing, whose personnel was more guessed at than known; and that to break into the charmed circle was a feat attempted by many but accomplished by few. And as far back as Jimmie Dale could remember, as far back as he could remember even Gentleman Laroque, Shiftel had lived in the same miserable rooms in the same miserable tenement.

      The taxi rattled on. At intervals Jimmie Dale kept glancing out of the window. And then, as the taxi turned at last into the Bowery, he smiled suddenly, laid his handkerchief on the portfolio, and reached into one of the pockets of the leather girdle under his vest. Shiftel! He took out a thin metal case, like a cigarette case, and from the case, with a pair of tiny tweezers that mocked at finger-prints, he lifted out a diamond-shaped gray paper seal that was adhesive on one side, and dropped it on the handkerchief. He returned the metal case to its hiding place, folded the handkerchief carefully, and replaced it in his pocket.

      A moment later the taxi stopped. Jimmie Dale alighted, paid and dismissed the chauffeur, and as he swung around the corner, walking east from the Bowery, he looked at his watch. It was twenty minutes past three. It became now simply a question whether Laroque was still with Shiftel, or had gone home.

      The


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