Uncle Tom's Cabin & The Key to Uncle Tom's Cabin. Гарриет Бичер-Стоу

Uncle Tom's Cabin & The Key to Uncle Tom's Cabin - Гарриет Бичер-Стоу


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had not fallen into them.

      Tom regarded his gay, airy, handsome young master with an odd mixture of fealty, reverence, and fatherly solicitude. That he never read the Bible; never went to church; that he jested and made free with any and every thing that came in the way of his wit; that he spent his Sunday evenings at the opera or theatre; that he went to wine parties, and clubs, and suppers, oftener than was at all expedient,—were all things that Tom could see as plainly as anybody, and on which he based a conviction that "Mas'r wasn't a Christian;"—a conviction, however, which he would have been very slow to express to any one else, but on which he founded many prayers, in his own simple fashion, when he was by himself in his little dormitory. Not that Tom had not his own way of speaking his mind occasionally, with something of the tact often observable in his class; as, for example, the very day after the Sabbath we have described, St. Clare was invited out to a convivial party of choice spirits, and was helped home, between one and two o'clock at night, in a condition when the physical had decidedly attained the upper hand of the intellectual. Tom and Adolph assisted to get him composed for the night, the latter in high spirits, evidently regarding the matter as a good joke, and laughing heartily at the rusticity of Tom's horror, who really was simple enough to lie awake most of the rest of the night, praying for his young master.

      "Well, Tom, what are you waiting for?" said St. Clare, the next day, as he sat in his library, in dressing-gown and slippers. St. Clare had just been entrusting Tom with some money, and various commissions. "Isn't all right there, Tom?" he added, as Tom still stood waiting.

      "I'm 'fraid not, Mas'r," said Tom, with a grave face.

      St. Clare laid down his paper, and set down his coffee-cup, and looked at Tom.

      "Why Tom, what's the case? You look as solemn as a coffin."

      "I feel very bad, Mas'r. I allays have thought that Mas'r would be good to everybody."

      "Well, Tom, haven't I been? Come, now, what do you want? There's something you haven't got, I suppose, and this is the preface."

      "Mas'r allays been good to me. I haven't nothing to complain of on that head. But there is one that Mas'r isn't good to."

      "Why, Tom, what's got into you? Speak out; what do you mean?"

      "Last night, between one and two, I thought so. I studied upon the matter then. Mas'r isn't good to himself."

      Tom said this with his back to his master, and his hand on the door-knob. St. Clare felt his face flush crimson, but he laughed.

      "O, that's all, is it?" he said, gayly.

      "All!" said Tom, turning suddenly round and falling on his knees. "O, my dear young Mas'r; I'm 'fraid it will be loss of all—all—body and soul. The good Book says, 'it biteth like a serpent and stingeth like an adder!' my dear Mas'r!"

      Tom's voice choked, and the tears ran down his cheeks.

      "You poor, silly fool!" said St. Clare, with tears in his own eyes. "Get up, Tom. I'm not worth crying over."

      But Tom wouldn't rise, and looked imploring.

      "Well, I won't go to any more of their cursed nonsense, Tom," said St. Clare; "on my honor, I won't. I don't know why I haven't stopped long ago. I've always despised it, and myself for it,—so now, Tom, wipe up your eyes, and go about your errands. Come, come," he added, "no blessings. I'm not so wonderfully good, now," he said, as he gently pushed Tom to the door. "There, I'll pledge my honor to you, Tom, you don't see me so again," he said; and Tom went off, wiping his eyes, with great satisfaction.

      "I'll keep my faith with him, too," said St. Clare, as he closed the door.

      And St. Clare did so,—for gross sensualism, in any form, was not the peculiar temptation of his nature.

      But, all this time, who shall detail the tribulations manifold of our friend Miss Ophelia, who had begun the labors of a Southern housekeeper?

      There is all the difference in the world in the servants of Southern establishments, according to the character and capacity of the mistresses who have brought them up.

      South as well as north, there are women who have an extraordinary talent for command, and tact in educating. Such are enabled, with apparent ease, and without severity, to subject to their will, and bring into harmonious and systematic order, the various members of their small estate,—to regulate their peculiarities, and so balance and compensate the deficiencies of one by the excess of another, as to produce a harmonious and orderly system.

      Such a housekeeper was Mrs. Shelby, whom we have already described; and such our readers may remember to have met with. If they are not common at the South, it is because they are not common in the world. They are to be found there as often as anywhere; and, when existing, find in that peculiar state of society a brilliant opportunity to exhibit their domestic talent.

      Such a housekeeper Marie St. Clare was not, nor her mother before her. Indolent and childish, unsystematic and improvident, it was not to be expected that servants trained under her care should not be so likewise; and she had very justly described to Miss Ophelia the state of confusion she would find in the family, though she had not ascribed it to the proper cause.

      The first morning of her regency, Miss Ophelia was up at four o'clock; and having attended to all the adjustments of her own chamber, as she had done ever since she came there, to the great amazement of the chambermaid, she prepared for a vigorous onslaught on the cupboards and closets of the establishment of which she had the keys.

      The store-room, the linen-presses, the china-closet, the kitchen and cellar, that day, all went under an awful review. Hidden things of darkness were brought to light to an extent that alarmed all the principalities and powers of kitchen and chamber, and caused many wonderings and murmurings about "dese yer northern ladies" from the domestic cabinet.

      Old Dinah, the head cook, and principal of all rule and authority in the kitchen department, was filled with wrath at what she considered an invasion of privilege. No feudal baron in Magna Charta times could have more thoroughly resented some incursion of the crown.

      Dinah was a character in her own way, and it would be injustice to her memory not to give the reader a little idea of her. She was a native and essential cook, as much as Aunt Chloe,—cooking being an indigenous talent of the African race; but Chloe was a trained and methodical one, who moved in an orderly domestic harness, while Dinah was a self-taught genius, and, like geniuses in general, was positive, opinionated and erratic, to the last degree.

      Like a certain class of modern philosophers, Dinah perfectly scorned logic and reason in every shape, and always took refuge in intuitive certainty; and here she was perfectly impregnable. No possible amount of talent, or authority, or explanation, could ever make her believe that any other way was better than her own, or that the course she had pursued in the smallest matter could be in the least modified. This had been a conceded point with her old mistress, Marie's mother; and "Miss Marie," as Dinah always called her young mistress, even after her marriage, found it easier to submit than contend; and so Dinah had ruled supreme. This was the easier, in that she was perfect mistress of that diplomatic art which unites the utmost subservience of manner with the utmost inflexibility as to measure.

      Dinah was mistress of the whole art and mystery of excuse-making, in all its branches. Indeed, it was an axiom with her that the cook can do no wrong; and a cook in a Southern kitchen finds abundance of heads and shoulders on which to lay off every sin and frailty, so as to maintain her own immaculateness entire. If any part of the dinner was a failure, there were fifty indisputably good reasons for it; and it was the fault undeniably of fifty other people, whom Dinah berated with unsparing zeal.

      But it was very seldom that there was any failure in Dinah's last results. Though her mode of doing everything was peculiarly meandering and circuitous, and without any sort of calculation as to time and place,—though her kitchen generally looked as if it had been arranged by a hurricane blowing through it, and she had about as many places for each cooking utensil as there were days in the year,—yet, if one would have patience to wait her own good time, up would come her dinner in perfect order, and in a style of preparation with which an epicure


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