Elissa; Or, The Doom of Zimbabwe. H. Rider Haggard

Elissa; Or, The Doom of Zimbabwe - H. Rider Haggard


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      “That depends, Metem,” replied the prince. “If my grandfather still reigns it may be so, but he is very old, and if my uncle wears his crown, then I am not sure. Truly you Phoenicians love money. Would you, then, sell me for gold also, Metem?”

      “I said not so, Prince, though even friendship has its price——”

      “Among your people, Metem?”

      “Among all people, Prince. You reproach us with loving money; well, we do, since money gives everything for which men strive—honour, and place, and comfort, and the friendship of kings.”

      “It cannot give you love, Metem.”

      The Phoenician laughed contemptuously. “Love! with gold I will buy as much of it as I need. Are there no slaves upon the market, and no free women who desire ornaments and ease and the purple of Tyre? You are young, Prince, to say that gold cannot buy us love.”

      “And you, Metem, who are growing old, do not understand what I mean by love, nor will I stay to explain it to you, for were my words as wise as Solomon’s, still you would not understand. At the least your money cannot bring you the blessing of Heaven, nor the welfare of your spirit in the eternal life that is to come.”

      “The welfare of my spirit, Prince? No, it cannot, since I do not believe that I have a spirit. When I die, I die, and there is an end. But the blessing of Heaven, ah! that can be bought, as I have proved once and again, if not with gold, then otherwise. Did I not in bygone years pass the first son of my manhood through the fire to Baal-Sidon? Nay, shrink not from me; it cost me dear, but my fortune was at stake, and better that the boy should die than that all of us should live on in penury and bonds. Know you not, Prince, that the gods must have the gifts of the best, gifts of blood and virtue, or they will curse us and torment us?”

      “I do not know it, Metem, for such gods are no gods, but devils, children of Beelzebub, who has no power over the righteous. Truly I would have none of your two gods, Phoenician; upon earth the god of gold, and in heaven the devil of slaughter.”

      “Speak no ill of him, Prince,” answered Metem solemnly, “for here you are not in the courts of Jehovah, but in his land, and he may chance to prove his power on you. For the rest, I had sooner follow after gold than the folly of a drunken spirit which you name Love, seeing that it works its votary less mischief. Say now, it was a woman and her love that drove you hither to this wild land, was it not, Prince? Well, be careful lest a woman and her love should keep you here.”

      “The sun sets,” said Aziel coldly; “let us go forward.”

      With a bow and a murmured salute, for his quick courtier instinct told him that he had spoken too freely, Metem took the bridle of the prince’s mule, holding the stirrup while he mounted. Then he turned to seek his own, but the animal had wandered, and a full half hour went by before it could be captured.

      By now the sun had set, and as there is little or no twilight in Southern Africa it became difficult for the two travellers to find their way down the rough hill path. Still they stumbled on, till presently the long dead grass brushing against their knees told them that they had lost the road, although they knew that they were riding in the right direction, for the watch-fires burning on the city walls were a guide to them. Soon, however, they lost sight of these fires, the boughs of a grove of thickly-leaved trees hiding them from view, and in trying to push their way through the wood Metem’s mule stumbled against a root and fell.

      “Now there is but one thing to be done,” said the Phoenician, as he dragged the animal from the ground, “and it is to stay here till the moon rises, which should be within an hour. It would have been wiser, Prince, if we had waited to discuss love and the gods till we were safe within the walls of the city, for the end of it is that we have fallen into the hands of king Darkness, and he is the father of many evil things.”

      “That is so, Metem,” answered the prince, “and I am to blame. Let us bide here in patience, since we must.”

      So, holding their mules by the bridles, they sat down upon the ground and waited in silence, for each of them was lost in his own thoughts.

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       Table of Contents

      At length, as the two men sat thus silently, for the place and its gloom oppressed them, a sound broke upon the quiet of the night, that beginning with a low wail such as might come from the lips of a mourner, ended in a chant or song. The voice, which seemed close at hand, was low, rich and passionate. At times it sank almost to a sob, and at times, taking a higher note, it thrilled upon the air in tones that would have been shrill were they not so sweet.

      “Who is it that sings?” said Aziel to Metem.

      “Be silent, I pray you,” whispered the other in his ear; “we have wandered into one of the sacred groves of Baaltis, which it is death for men to enter save at the appointed festivals, and a priestess of the grove chants her prayer to the goddess.”

      “We did not come of our own will, so doubtless we shall be forgiven,” answered Aziel indifferently; “but that song moves me. Tell me the words of it, which I can scarcely follow, for her accent is strange to me.”

      “Prince, they seem to be holy words to which I have little right to hearken. The priestess sings an ancient hallowed chant of life and death, and she prays that the goddess may touch her soul with the wing of fire and make her great and give her vision of things that have been and that shall be. More I dare not tell you now; indeed I can barely hear, and the song is hard to understand. Crouch down, for the moon rises, and pray that the mules may not stir. Presently she will go, and we can fly the holy place.”

      The Israelite obeyed and waited, searching the darkness with eager eyes.

      Now the edge of the great moon appeared upon the horizon, and by degrees her white rays of light revealed a strange scene to the watchers. About an open space of ground, some eighty paces in diameter, grew seven huge and ancient baobab trees, so ancient indeed that they must have been planted by the primæval hand of nature rather than by that of man. Aziel and his companion were hidden with their mules behind the trunk of one of these trees, and looking round it they perceived that the open space beyond the shadow of the branches was not empty. In the centre of this space stood an altar, and by it was placed the rude figure of a divinity carved in wood and painted. On the head of this figure rose a crescent symbolical of the moon, and round its neck hung a chain of wooden stars. It had four wings but no hands, and of these wings two were out-spread and two clasped a shapeless object to its breast, intended, apparently, to represent a child. By these symbols Aziel knew that before him was an effigy sacred to the goddess of the Phoenicians, who in different countries passed by the various names of Astarte, or Ashtoreth, or Baaltis, and who in their coarse worship was at once the personification of the moon and the emblem of fertility.

      Standing before this rude fetish, between it and the altar, whereon lay some flowers, and in such fashion that the moonlight struck full upon her, was a white-robed woman. She was young and very beautiful both in shape and feature, and though her black hair streaming almost to the knees took from her height, she still seemed tall. Her rounded arms were outstretched; her sweet and passionate face was upturned towards the sky, and even at that distance the watchers could see her deep eyes shining in the moonlight. The sacred song of the priestess was finished. Now she was praying aloud, slowly, and in a clear voice, so that Aziel could hear and understand her; praying from her very heart, not to the idol before her, however, but to the moon above.

      “O Queen of Heaven,” she said, “thou whose throne I see but whose face I cannot see, hear the prayer of thy priestess,


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