The Heavenly Twins. Grand Sarah
isn't that like your sex?" he observed, smiling at his own superiority. "You pick things up with a parrot-like sharpness, but haven't intelligence enough to make any practical application of them. A woman closely resembles a parrot in her mental processes, and in the use she makes of fine phrases which she does not understand to produce an effect of cleverness—such as 'advanced mathematics!'"
Evadne bent her brow, and let him ruminate a little in infinite self-content, then asked abruptly: "Can men keep accounts who have never seen accounts kept?"
"No, of course not," he answered, seeing in this a new instance of feminine imbecility, and laughing.
"Ah," she observed, then added thoughtfully as she moved away: "I should like to see how accounts are kept."
She never had any more conversation with her father upon this subject, but from that time forward mathematics, which had before been only an incident in the way of lessons, became an interest in life, and a solid part of her education. But, although she found she could do arithmetic without any great difficulty, it never occurred to her either that her father could be wrong or that there might be in herself the making of an exceptional woman. The habit of love and respect kept her attention from any point which would have led to a judgment upon her father, and she was too unconscious of herself as a separate unit to make personal application of anything as yet. Her mind at this time, like the hold of a ship with a general cargo, was merely being stored with the raw materials which were to be distributed over her whole life, and turned by degrees to many purposes, useful, beautiful—not impossibly detestable.
But that remark of her father's about "all that women are fit for," which he kept well watered from time to time with other conventional expressions of a contemptuous kind, was undoubtedly the seed of much more than a knowledge of the higher mathematics. It was that which set her mind off on a long and patient inquiry into the condition and capacity of women, and made her, in the end of the nineteenth century, essentially herself. But she did not begin her inquiry of set purpose; she was not even conscious of the particular attention she paid to the subject. She had no foregone conclusion to arrive at, no wish to find evidence in favour of the woman which would prove the man wrong. Only, coming across so many sneers at the incapacity of women, she fell insensibly into the habit of asking why. The question to begin with was always: "Why are women such inferior beings?" But, by degrees, as her reading extended, it changed its form, and then she asked herself doubtfully: "Are women such inferior beings?" a position which carried her in front of her father at once by a hundred years, and led her rapidly on to the final conclusion that women had originally no congenital defect of inferiority, and that, although they have still much way to make up, it now rests with themselves to be inferior or not, as they choose.
She had an industrious habit of writing what she thought about the works she studied, and there is an interesting record still in existence of her course of reading between the ages of twelve and nineteen. It consists of one thick volume, on the title page of which she had written roundly, but without a flourish, "Commonplace Book," and the date. The first entries are made in a careful, unformed, childish hand, and with diffidence evidently; but they became rapidly decided both in caligraphy and tone as she advanced. The handwriting is small and cramped, but the latter probably with a view to economy of space, and it is always clear and neat. There are few erasures or mistakes of grammar or spelling, even from the first, and little tautology; but she makes no attempt at literary style or elegance of expression. Still, all that she says is impressive, and probably on that account. She chooses the words best calculated to express her meaning clearly and concisely, and undoubtedly her meaning is always either a settled conviction or an honest endeavour to arrive at one. It is the honesty, in fact, that is so impressive. She never thinks of trying to shine in the composition of words; there was no idea of budding authorship in her mind; she had no more consciousness of purpose in her writing than she had in her pinging, when she sang about the place. The one was as involuntary as the other, and the outcome of similar sensations. It pleased her to write, and it pleased her to sing, and she did both when the impulse came upon her. She must, however, have had considerable natural facility of expression. Writing seems always to have been her best mode of communication. She was shy from the first in conversation, but bold to a fault with her pen. Some of the criticisms she wrote in her "Commonplace Book" are quite exhaustive; most of them are temperate, although she does give way occasionally to bursts of fiery indignation at things which outrage her sense of justice; but the general characteristic is a marked originality, not only in her point of view, but also in the use she makes of quite unpromising materials. In fact, the most notable part of the record is the proof it contains that all the arguments upon which she formed her opinions were found in the enemy's works alone. She had drawn her own conclusions; but after having done so, as it happened, she had the satisfaction of finding confirmation strong in John Stuart Mill on "The Subjection of Women," which she came across by accident—an accident, by the way, for which Lady Adeline Hamilton-Wells was responsible. She brought the book to Fraylingay, and forgot it when she went home, and Evadne, happening to find it throwing about, took charge of it, read it with avidity, and found for herself a world of thought in which she could breathe freely.
"The Vicar of Wakefield" was one of her early favourites. She read it several times, and makes mention of it twice in her "Commonplace Book." Her first notice of it is a childish little synopsis, very quaint in its unconscious irony; but interesting, principally from the fact that she was struck even then by the point upon which she afterward became so strong.
"The vicar," she says, "was a good man, and very fond of his wife and family, and they were very fond of him, but his wife was queer, and could only read a little. And he never taught her to improve herself, although he had books and was learned. [Footnote: This is the point alluded to.] He had two daughters, who were spiteful and did not like other girls to be pretty. They had bad taste, too, and wanted to go to church overdressed, and thought it finer to ride a plough-horse than walk. It does not say that they ever read anything, either. If they had they would have known better. There is a very nasty man in the book called Squire Thornhill, and a nice one called Sir William Thornhill, who was his uncle. Sir William marries Sophia, and Squire Thornhill marries Olivia, although he does not intend to. Olivia was a horrid deceitful girl, and it served her right to get such a husband. They have a brother called Moses, who used to talk philosophy with his father at dinner, and once sold a cow for a gross of green spectacles. A gross is twelve dozen. Of course they were all annoyed, but the vicar himself was cheated by the same man when he went to sell the horse. He seemed to think a great deal of knowing Latin and Greek, but it was not much use to him then. It was funny that he should be conceited about what he knew himself, and not want his wife to know anything. He said to her once: 'I never dispute your abilities to make a goose pie, and I beg you'll leave argument to me'; which she might have thought rude, but perhaps she was not a lady, as ladies do not make goose pies. I forgot, though, they had lost all their money. They had great troubles, and the vicar was put in prison. He was very ill, but preached to the prisoners, and everybody loved him. I like 'The Vicar of Wakefield' very much, and if I cannot find another book as nice I shall read it again. 'Turn, Gentle Hermit' is silly. I suppose Punch took Edwin and Angelina out of it to laugh at them."
Quite three years must have elapsed before she again mentions "The Vicar of Wakefield," and in the meantime she had been reading a fair variety of books, but for the most part under schoolroom supervision, carefully selected for her. Some, however, she had chosen for herself—during the holidays when discipline was relaxed; but it was a fault which she had to confess, and she does so always, honestly. Lewes' "Life of Goethe" was one of these. She wrote a glowing description of it, at the end of which she says:
"I found the book on a sofa in the drawing room, and began it without thinking, and read and read until I had nearly finished it, quite forgetting to ask leave. But of course I went at once to tell father as soon as I thought of it. Mother was there too, and inclined to scold, but father frowned, and said: 'Let her alone. It will do her no harm; she won't understand it.' I asked if I might finish it, and he said, 'Oh, yes,' impatiently. I think he wanted to get rid of me, and I am sorry I interrupted him at an inconvenient time. Mother often does not agree with father, but she always gives in. Very often she is right, however, and he is wrong. Last week she did not want us to go out one day because she was