Penny Plain. O. Douglas
would you do with a fortune if you got it?" Peter Reid asked.
"Need you ask?" laughed Pamela. "Miss Jean would at once make it over to
David and Jock and Mhor."
"Oh, well," said Jean, "of course they would come first, but, oh, I would do such a lot of things! I'd find out where money was most needed and drop it on the people anonymously so that they wouldn't be bothered about thanking anyone. I would creep about like a beneficent Puck and take worried frowns away, and straighten out things for tired people, and, above all, I'd make children smile. There's no fun or satisfaction got from giving big sums to hospitals and things—that's all right for when you're dead. I want to make happiness while I'm alive. I don't think a million pounds would be too much for all I want to do."
"Aw, Jean," said Mhor, "if you had a million pounds would you buy me a bicycle?"
"A bicycle," said Jean, "and a motor and an aeroplane and a Shetland pony and a Newfoundland pup. I'll make a story for you in bed to-night all about what you would have if I were rich."
"And Jock, too?"
Being assured that Jock would not be overlooked Mhor grabbed Peter round the neck and proceeded to babble to him about bicycles and aeroplanes, motors and Newfoundland pups.
Jean looked apologetically at her guests.
"When you're poor you've got to dream," she said. "Oh, must you go, Mr. Reid? But you'll come back to-morrow, won't you? We would honestly like you to come and stay with us."
"Thank you," said Peter Reid, "but I am going back to London in a day or two. I am obliged to you for your hospitality, especially for singing me 'Strathairlie.' I never thought to hear it again. I wonder if I might trouble you to write me out the words."
"But take the book," said Jean, running to get it and pressing it into his hands. "Perhaps you'll find other songs in it you used to know and like. Take it to keep."
Pamela dropped her embroidery-frame and watched the scene.
Mhor and Peter stood looking on. Jock lifted his head from his books to listen. It was no new thing for the boys to see Jean give away her most treasured possessions: she was a born "Madam Liberality."
"But," Peter Reid objected, "it is rather a rare book. You value it yourself."
"Of course I do," said Jean, "and that is why I am giving it to you. I know you will appreciate it."
Peter Reid took the book as if it was something fragile and very precious. Pamela was puzzled by the expression on his face. He did not seem so much touched by the gift as amused—sardonically amused.
"Thank you," he said. And again, "Thank you!"
"Jock will go down with you to the hotel," Jean said, explaining, when the visitor demurred, that the road was steep and not very well lighted.
"I'll go too," said Mhor, "me and Peter."
"Well, come straight back. Good-bye, Mr. Reid. I'm so glad you came to see The Rigs, but I wish you could have stayed. … "
"Is he an old friend?" Pamela asked, when the cavalcade had departed.
"I never saw him before to-day. He once lived in this house and he came back to see it, and he looks ill and I think he is poor, so I asked him to come and stay with us for a week."
"My dear child, do you invite every stranger to stay with you if you think he is poor?"
"Of course not. But he looked so lonely and lost somehow, and he doesn't seem to have anyone belonging to him, and I was sorry for him."
"And so you gave him that song-book you value so much?"
"Yes," said Jean, looking rather ashamed. "But," she brightened, "he seemed pleased, don't you think? It's a pretty song, 'Strathairlie,' but it's not a pukka old one—it's early Victorian."
"Miss Jean, it's a marvel to me that you have anything left belonging to you."
"Don't call me Miss Jean!"
"Jean, then; but you must call me Pamela."
"Oh, but wouldn't that be rather familiar? You see, you are so—so—"
"Stricken in years," Pamela supplied.
"No—but—well, you are rather impressive, you know. It would be like calling Miss Bathgate 'Bella' to her face. However—Pamela—"
CHAPTER VI
"For 'tis a chronicle of day by day."
The Tempest.
About this time Jean wrote a letter to David at Oxford. It is wonderful how much news there is when people write every other day; if they wait for a month there is nothing that seems worth telling.
Jean wrote:
" … You have been away now for four days, and we still miss you badly. Nobody sits in your place at the table, and it gives us such a horrid bereaved feeling when we look at it. Mhor was waiting at the gate for the post yesterday and brought your letter in in triumph. He was particularly interested in hearing about your scout, and has added his name to the list he prays for. You will be glad to hear that he has got over his prejudice against going to heaven. It seems it was because someone told him that dogs couldn't go there, and he wouldn't desert Micawber—Peter, in other words. Jock has put it right by telling him that the translators of the Bible probably made a slip, and Mhor now prays earnestly every night: 'Let everyone in The Rigs go to heaven,' hoping thus to smuggle in his dear companion.
"It is an extraordinary thing, but almost the very minute you left
Priorsford things began to happen.
"I told you in the note I wrote the day you left that Bella Bathgate's lodger had arrived and that I had seen her, but I didn't realise then what a difference her coming would make to us. I never knew such a friendly person; she comes in at any sort of time—after breakfast, a few minutes before luncheon, for tea, between nine and ten at night. Did I tell you her name is Pamela Reston, and her brother, who seems to be ranging about India somewhere, is Lord Bidborough ('A lord-no-less,' as Mrs. M'Cosh would say). She calls him Biddy, and seems devoted to him.
"Although she is horribly rich and an 'honourable,' and all that sort of thing, she isn't in the least grand. She never impresses one with her opulence as, for instance, Mrs. Duff-Whalley does. Her clothes are beautiful, but so much a part of her personality that you never think of them. Her pearls don't hit you in the face as most other people's do. Because she is so unconscious of them, I suppose. I think she is lovely. Jock says she is like a greyhound, and I know what he means—it is the long, swift, graceful way she has of moving. She says she is forty. I always thought forty was quite old, but now it seems to me the very prettiest age. Age doesn't really matter at all to people who have got faces and figures and manners like Pamela Reston. They will always make whatever age they are seem the perfect age.
"I do wonder what brings her to Priorsford! I rather think that having been all her life so very 'twopence coloured' she wants the 'penny plain' for a change. Perhaps that is why she likes The Rigs and us. There is no mistake about our 'penny-plainness'—it jumps to the eye!
"I am just afraid she won't stay very long. There are so many pretty little houses in Priorsford, and so many kind and forthcoming landladies, it was bad luck that she should choose Hillview and Bella Bathgate. Bella is almost like a stage-caricature of a Scotswoman, so dour she is and uncompromising and she positively glories in the drab ugliness of her rooms. Ugliness means to Bella respectability; any attempt at adornment is 'daft-like.'
"Pamela (she has asked me to call her that) trembles before her, and that makes Bella worse. She wants someone to stand up to her, to laugh at her grimness; she simply thinks when Pamela is charming