The Mysteries of London (Vol. 1-4). George W. M. Reynolds
sheer fatigue. But dreams of hunger and of cold filled up her slumbers;—and yet those dreams were light beside the waking pangs which realised the visions!
The young maiden slept for three hours, and then arose, unrefreshed, and paler than she was on the preceding day. It was dark: the moon had gone down; and some time would yet elapse ere the dawn. Ellen washed herself in water upon which the ice floated; and the cold piercing breeze of the morning whistled through the window upon her fair and delicate form.
As soon as she was dressed, she lighted her candle and crept gently into her father's room. The old man slept soundly. Ellen flung his clothes over her arm, took his boots up in her hand, and stole noiselessly back to her own chamber. She then brushed those garments, and cleaned those boots, all bespattered with thick mud as they were; and this task—so hard for her delicate and diminutive hands—she performed with the most heart-felt satisfaction.
As soon as this occupation was finished, she sate down once more to work.
Thus that poor girl knew no rest!
CHAPTER LVI.
THE ROAD TO RUIN.
ABOUT two months after the period when we first introduced Ellen Monroe to our readers, the old woman of whom we have before spoken, and who dwelt in the same court as that poor maiden and her father, was sitting at work in her chamber.
The old woman was ill-favoured in countenance, and vile in heart. Hers was one of those hardened dispositions which know no pity, no charity, no love, no friendship, no yearning after any thing proper to human fellowship.
She was poor and wretched;—and yet she, in all her misery, had a large easy chair left to sit upon, warm blankets to cover her at night, a Dutch clock to tell her the hour, a cupboard in which to keep her food, a mat whereon to set her feet, and a few turves burning in the grate to keep her warm. The walls of her room were covered with cheap prints, coloured with glaring hues, and representing the exploits of celebrated highwaymen and courtezans; scenes upon the stage in which favourite actresses figured, and execrable imitations of Hogarth's "Rake's Progress." The coverlid of her bed was of patchwork, pieces of silk, satin, cotton, and other stuffs, all of different patterns, sizes, and shapes, being sewn together—strange and expressive remnants of a vicious and faded luxury! Upon the chimney-piece were two or three scent-bottles, which for years had contained no perfume; and in the cupboard was a champagne-bottle, in which the hag now kept her gin. The pillow of her couch was stuffed neither with wool nor feathers—but with well-worn silk stockings, tattered lace collars, faded ribands, a piece of a muff and a boa, the velvet off a bonnet, and old kid gloves. And—more singular than all the other features of her room—the old hag had a huge Bible, with silver clasps, upon a shelf!
This horrible woman was darning old stockings, and stooping over her work, when a low knock at the door of her chamber fell upon her ear. That knock was not imperative and commanding, but gentle and timid; and therefore the old woman did not hurry herself to say, "Come in!" Even after the door had opened and the visitor had entered the room, the old hag proceeded with her work for a few moments.
At length raising her head, she beheld Ellen Monroe.
She was not surprised: but as she gazed upon that fair thin face whose roundness had yielded to the hand of starvation, and that blue eye whose fire was subdued by long and painful vigils, she said, "And so you have come at last? I have been expecting you every day!"
"Expecting me! and why?" exclaimed Ellen, surprised at these words, which appeared to contain a sense of dark and mysterious import that was ominous to the young girl.
"Yes—I have expected you," repeated the old woman. "Did I not tell you that when you had no money, no work, and no bread, and owed arrears of rent, you would come to me?"
"Alas! and you predicted truly," said Ellen, with a bitter sigh. "All the miseries which you have detailed have fallen upon me;—and more! for my father lies ill upon the one mattress that remains to us!"
"Poor creature!" exclaimed the old woman, endeavouring to assume a soothing tone; then, pointing to a foot-stool near her, she added, "Come and sit near me that we may talk together upon your sad condition."
Ellen really believed that she had excited a feeling of generous and disinterested sympathy in the heart of that hag; and she therefore seated herself confidently upon the stool, saying at the same time, "You told me that you could serve me: if you have still the power, in the name of heaven delay not, for—for—we are starving!"
The old woman glanced round to assure herself that the door of her cupboard was closed; for in that cupboard were bread and meat, and cheese. Then, turning her eyes upwards, the hag exclaimed, "God bless us all, dear child! I am dying of misery myself, and have not a morsel to give you to eat!"
But when she had uttered these words, she cast her eyes upon the young girl who was now seated familiarly as it were, by her side, and scanned her from head to foot, and from foot to head. In spite of the wretched and scanty garments which Ellen wore, the admirable symmetry of her shape was easily descried; and the old woman thought within herself how happy she should be to dress that sweet form in gay and gorgeous garments, for her own unhallowed purposes.
"You do not answer me," said Ellen. "Do not keep me in suspense—but tell me whether it is in your power to procure me work?"
The old hag's countenance wore a singular expression when these last words fell upon her ears. Then she began to talk to the poor starving girl in a manner which the latter could not comprehend, and which we dare not describe. Ellen listened for some time, as if she were hearing a strange language which she was endeavouring to make out; and then she cast a sudden look of doubt and alarm upon the old hag. The wretch grew somewhat more explicit; and the poor girl burst into an agony of tears, exclaiming, as she covered her blushing cheeks with her snow-white hands—"No: never—never!"
Still she did not fly from that den and from the presence of that accursed old hag, because she was so very, very wretched, and had no hope elsewhere.
There was a long pause; and the old hag and the young girl sate close to each other, silent and musing. The harridan cast upon her pale and starving companion a look of mingled anger and surprise; but the poor creature saw it not—for she was intent only on her own despair.
Suddenly a thought struck the hag.
"I can do nothing for you, miss, since you will not follow my advice," she said, after a while: "and yet I am acquainted with a statuary who would pay you well for casts of your countenance for his Madonnas, his actresses, his Esmeraldas, his queens, his princesses, and his angels."
These words sounded upon the ears of the unhappy girl like a dream; and parting, with her wasted fingers, the ringlets that clustered round her brow, she lifted up her large moist eyes in astonishment towards the face of the aged hag.
But the old woman was serious in her offer.
"I repeat—will you sell your countenance to a statuary?" she said. "It is a good one; and you will obtain a handsome price for it."
Ellen was literally stupefied by this strange proposal; but when she had power to collect her ideas into one focus, she saw her father pining upon a bed of sickness, and surrounded by all the horrors of want and privation;—and she herself—the unhappy girl—had not tasted food for nearly thirty hours. Then, on the other side, was her innate modesty;—but this was nothing in the balance compared to the poignancy of her own and her parent's sufferings.
So she agreed to accompany the old hag to the house of the statuary in Leather Lane, Holborn. But first she hurried home to see if her father required any thing—a vain act of filial tenderness, for if he did she had nothing to give. The old man slept soundly—worn out with suffering, want, and sorrowful meditation; and the landlady of the house promised to attend to him while Ellen was absent.
The