Wolf Hall. Hilary Mantel
he said, surprising himself. ‘I think I want his daughter.’
‘Young?’
‘A widow. Young enough.’
When he got back to London he knew he could turn the business around. Still, he needed to think of the day-to-day. ‘I've seen your stock,’ he said to Wykys. ‘I've seen your accounts. Now show me your clerks.’
That was the key, of course, the key that would unlock profit. People are always the key, and if you can look them in the face you can be pretty sure if they're honest and up to the job. He tossed out the dubious chief clerk – saying, you go, or we go to law – and replaced him with a stammering junior, a boy he'd been told was stupid. Timid, was all he was; he looked over his work each night, mildly and wordlessly indicating each error and omission, and in four weeks the boy was both competent and keen, and had taken to following him about like a puppy. Four weeks invested, and a few days down at the docks, checking who was on the take: by the year end, Wykys was back in profit.
Wykys stumped away after he showed him the figures. ‘Lizzie?’ he yelled. ‘Lizzie? Come downstairs.’
She came down.
‘You want a new husband. Will he do?’
She stood and looked him up and down. ‘Well, Father. You didn't pick him for his looks.’ To him, her eyebrows raised, she said, ‘Do you want a wife?’
‘Should I leave you to talk it over?’ old Wykys said. He seemed baffled: seemed to think they should sit down and write a contract there and then.
Almost, they did. Lizzie wanted children; he wanted a wife with city contacts and some money behind her. They were married in weeks. Gregory arrived within the year. Bawling, strong, one hour old, plucked from the cradle: he kissed the infant's fluffy skull and said, I shall be as tender to you as my father was not to me. For what's the point of breeding children, if each generation does not improve on what went before?
So this morning – waking early, brooding on what Liz said last night – he wonders, why should my wife worry about women who have no sons? Possibly it's something women do: spend time imagining what it's like to be each other.
One can learn from that, he thinks.
It's eight o'clock. Lizzie is down. Her hair is pushed under a linen cap and her sleeves turned back. ‘Oh, Liz,’ he says, laughing at her. ‘You look like a baker's wife.’
‘You mind your manners,’ she says. ‘Pot-boy.’
Rafe comes in: ‘First back to my lord cardinal?’ Where else, he says. He gathers his papers for the day. Pats his wife, kisses his dog. Goes out. The morning is drizzly but brightening, and before they reach York Place it is clear the cardinal has been as good as his word. A wash of sunlight lies over the river, pale as the flesh of a lemon.
They are taking apart the cardinal's house. Room by room, the king's men are stripping York Place of its owner. They are bundling up parchments and scrolls, missals and memoranda and the volumes of his personal accounts; they are taking even the ink and the quills. They are prising from the walls the boards on which the cardinal's coat of arms is painted.
They arrived on a Sunday, two vengeful grandees: the Duke of Norfolk a bright-eyed hawk, the Duke of Suffolk just as keen. They told the cardinal he was dismissed as Lord Chancellor, and demanded he hand over the Great Seal of England. He, Cromwell, touched the cardinal's arm. A hurried conference. The cardinal turned back to them, gracious: it appears a written request from the king is necessary; have you one? Oh: careless of you. It requires a lot of face to keep so calm; but then the cardinal has face.
‘You want us to ride back to Windsor?’ Charles Brandon is incredulous. ‘For a piece of paper? When the situation's plain?’
That's like Suffolk; to think the letter of the law is some kind of luxury. He whispers to the cardinal again, and the cardinal says, ‘No, I think we'd better tell them, Thomas … not prolong the matter beyond its natural life … My lords, my lawyer here says I can't give you the Seal, written request or not. He says that properly speaking I should only hand it to the Master of the Rolls. So you'd better bring him with you.’
He says, lightly, ‘Be glad we told you, my lords. Otherwise it would have been three trips, wouldn't it?’
Norfolk grins. He likes a scrap. ‘Am obliged, master,’ he says.
When they go Wolsey turns and hugs him, his face gleeful. Though it is the last of their victories and they know it, it is important to show ingenuity; twenty-four hours is worth buying, when the king is so changeable. Besides, they enjoyed it. ‘Master of the Rolls,’ Wolsey says. ‘Did you know that, or did you make it up?’
Monday morning the dukes are back. Their instructions are to turn out the occupants this very day, because the king wants to send in his own builders and furnishers and get the palace ready to hand over to the Lady Anne, who needs a London house of her own.
He's prepared to stand and argue the point: have I missed something? This palace belongs to the archdiocese of York. When was Lady Anne made an archbishop?
But the tide of men flooding in by the water stairs is sweeping them away. The two dukes have made themselves scarce, and there's nobody to argue with. What a terrible sight, someone says: Master Cromwell baulked of a fight. And now the cardinal's ready to go, but where? Over his customary scarlet, he is wearing a travelling cloak that belongs to someone else; they are confiscating his wardrobe piece by piece, so he has to grab what he can. It is autumn, and though he is a big man he feels the cold.
They are overturning chests and tipping out their contents. They scatter across the floor, letters from Popes, letters from the scholars of Europe: from Utrecht, from Paris, from Santiago de Compostela; from Erfurt, from Strassburg, from Rome. They are packing his gospels and taking them for the king's libraries. The texts are heavy to hold in the arms, and awkward as if they breathed; their pages are made of slunk vellum from stillborn calves, reveined by the illuminator in tints of lapis and leaf-green.
They take down the tapestries and leave the bare blank walls. They are rolled up, the woollen monarchs, Solomon and Sheba; as they are brought into coiled proximity, their eyes are filled by each other, and their tiny lungs breathe in the fibre of bellies and thighs. Down come the cardinal's hunting scenes, the scenes of secular pleasure: the sportive peasants splashing in ponds, the stags at bay, the hounds in cry, the spaniels held on leashes of silk and the mastiffs with their collars of spikes: the huntsmen with their studded belts and knives, the ladies on horseback with jaunty caps, the rush-fringed pond, the mild sheep at pasture, and the bluish feathered treetops, running away into a long plumed distance, to a scene of chalky bluffs and a white sailing sky.
The cardinal looks at the scavengers as they go about their work. ‘Have we refreshments for our visitors?’
In the two great rooms that adjoin the gallery they have set up trestle tables. Each trestle is twenty feet long and they are bringing up more. In the Gilt Chamber they have laid out the cardinal's gold plate, his jewels and precious stones, and they are deciphering his inventories and calling out the weight of the plate. In the Council Chamber they are stacking his silver and parcel-gilt. Because everything is listed, down to the last dented pan from the kitchens, they have put baskets under the tables so they can throw in any item unlikely to catch the eye of the king. Sir William Gascoigne, the cardinal's treasurer, is moving constantly between the rooms, preoccupied, talking, directing the attention of the commissioners to any corner, any press and chest that he thinks they may have overlooked.
Behind him trots George Cavendish, the cardinal's gentleman usher; his face is raw and open with dismay. They bring out the cardinal's vestments, his copes.