Ziska. Marie Corelli
fine eyes. There doesn't seem to be any lack of expression in them. And that reminds me, there is at fellow arrived here to-day who looks for all the world like an Egyptian, of the best form. He is a Frenchman, though; a Provencal—every one knows him—he is the famous painter, Armand Gervase."
"Indeed!"—and Sir Chetwynd roused himself at the name—"Armand
Gervase! THE Armand Gervase?"
"The only one original," laughed the other. "He's come here to make studies of Eastern women. A rare old time he'll have among them, I daresay! He's not famous for character. He ought to paint the Princess Ziska."
"Ah, by-the-bye, I wanted to ask you about that lady. Does anyone know who she is? My wife is very anxious to find out whether she is—well—er—quite the proper person, you know! When one has young girls, one cannot be too careful."
Ross Courtney, the man on the divan, got up slowly and stretched his long athletic limbs with a lazy enjoyment in the action. He was a sporting person with unhampered means and large estates in Scotland and Ireland; he lived a joyous, "don't-care" life of wandering about the world in search of adventures, and he had a scorn of civilized conventionalities—newspapers and their editors among them. And whenever Sir Chetwynd spoke of his "young girls" he was moved to irreverent smiling, as he knew the youngest of the twain was at least thirty. He also recognized and avoided the wily traps and pitfalls set for him by Lady Chetwynd Lyle in the hope that he would yield himself up a captive to the charms of Muriel or Dolly; and as he thought of these two fair ones now and involuntarily compared them in his mind with the other woman just spoken of, the smile that had begun to hover on his lips deepened unconsciously till his handsome face was quite illumined with its mirth.
"Upon my word, I don't think it matters who anybody is in Cairo!" he said with a fine carelessness. "The people whose families are all guaranteed respectable are more lax in their behavior than the people one knows nothing about. As for the Princess Ziska, her extraordinary beauty and intelligence would give her the entree anywhere—even if she hadn't money to back those qualities up."
"She's enormously wealthy, I hear," said young Lord Fulkeward, another of the languid smokers, caressing his scarcely perceptible moustache. "My mother thinks she is a divorcee."
Sir Chetwynd looked very serious, and shook his fat head solemnly.
"Well, there is nothing remarkable in being divorced, you know," laughed Ross Courtney. "Nowadays it seems the natural and fitting end of marriage."
Sir Chetwynd looked graver still. He refused to be drawn into this kind of flippant conversation. He, at any rate, was respectably married; he had no sympathy whatever with the larger majority of people whose marriages were a failure.
"There is no Prince Ziska then?" he inquired. "The name sounds to me of Russian origin, and I imagined—my wife also imagined—that the husband of the lady might very easily be in Russia while his wife's health might necessitate her wintering in Egypt. The Russian winter climate is inclement, I believe."
"That would be a very neat arrangement," yawned Lord Fulkeward. "But my mother thinks not. My mother thinks there is not a husband at all—that there never was a husband. In fact my mother has very strong convictions on the subject. But my mother intends to visit her all the same."
"She does? Lady Fulkeward has decided on that? Oh, well, in THAT case!"—and Sir Chetwynd expanded his lower-chest air-balloon. "Of course, Lady Chetwynd Lyle can no longer have any scruples on the subject. If Lady Fulkeward visits the Princess there can be no doubt as to her actual STATUS."
"Oh, I don't know!" murmured Lord Fulkeward, stroking his downy lip. "You see my mother's rather an exceptional person. When the governor was alive she hardly ever went out anywhere, you know, and all the people who came to our house in Yorkshire had to bring their pedigrees with them, so to speak. It was beastly dull! But now my mother has taken to 'studying character,' don'cher know; she likes all sorts of people about her, and the more mixed they are the more she is delighted with them. Fact, I assure you! Quite a change has come over my mother since the poor old governor died!"
Ross Courtney looked amused. A change indeed had come over Lady Fulkeward—a change, sudden, mysterious and amazing to many of her former distinguished friends with "pedigrees." In her husband's lifetime her hair had been a soft silver-gray; her face pale, refined and serious; her form full and matronly; her step sober and discreet; but two years after the death of the kindly and noble old lord who had cherished her as the apple of his eye and up to the last moment of his breath had thought her the most beautiful woman in England, she appeared with golden tresses, a peach-bloom complexion, and a figure which had been so massaged, rubbed, pressed and artistically corseted as to appear positively sylph-like. She danced like a fairy, she who had once been called "old" Lady Fulkeward; she smoked cigarettes; she laughed like a child at every trivial thing—any joke, however stale, flat and unprofitable, was sufficient to stir her light pulses to merriment; and she flirted—oh, heavens!—HOW she flirted!—with a skill and a grace and a knowledge and an aplomb that nearly drove Muriel and Dolly Chetwynd Lyle frantic. They, poor things, were beaten out of the field altogether by her superior tact and art of "fence," and they hated her accordingly and called her in private a "horrid old woman," which perhaps, when her maid undressed her, she was. But she was having a distinctly "good time" in Cairo; she called her son, who was in delicate health, "my poor dear little boy!" and he, though twenty-eight on his last birthday, was reduced to such an abject condition of servitude by her assertiveness, impudent gayety and general freedom of manner, that he could not open his mouth without alluding to "my mother," and using "my mother" as a peg whereon to hang all his own opinions and emotions as well as the opinions and emotions of other people.
"Lady Fulkeward admires the Princess very much, I believe?" said another lounger who had not yet spoken.
"Oh, as to that!"—and Lord Fulkeward roused himself to some faint show of energy. "Who wouldn't admire her? By Jove! Only, I tell you what—there's something I weird about her eyes. Fact! I don't like her eyes."
"Shut up, Fulke! She has beautiful eyes!" burst out Courtney, hotly; then flushing suddenly he bit his lips and was silent.
"Who is this that has beautiful eyes?" suddenly demanded a slow, gruff voice, and a little thin gentleman, dressed in a kind of academic gown and cap, appeared on the scene.
"Hullo! here's our F.R.S.A.!" exclaimed Lord Fulkeward. "By Jove! Is that the style you have got yourself up in for tonight? It looks awfully smart, don'cher know!"
The personage thus complimented adjusted his spectacles and surveyed his acquaintances with a very well-satisfied air. In truth, Dr. Maxwell Dean had some reason for self-satisfaction, if the knowledge that he possessed one of the cleverest heads in Europe could give a man cause for pride. He was apparently the only individual in the Gezireh Palace Hotel who had come to Egypt for any serious purpose. A purpose he had, though what it was he declined to explain. Reticent, often brusque, and sometimes mysterious in his manner of speech, there was not the slightest doubt that he was at work on something, and that he also had a very trying habit of closely studying every object, small or great, that came under his observation. He studied the natives to such an extent that he knew every differing shade of color in their skins; he studied Sir Chetwynd Lyle and knew that he occasionally took bribes to "put things" into his paper; he studied Dolly and Muriel Chetwynd Lyle, and knew that they would never succeed in getting husbands; he studied Lady Fulkeward, and thought her very well got up for sixty; he studied Ross Courtney, and knew he would never do anything but kill animals all his life; and he studied the working of the Gezireh Palace Hotel, and saw a fortune rising out of it for the proprietors. But apart from these ordinary surface things, he studied other matters—"occult" peculiarities of temperament, "coincidences," strange occurrences generally. He could read the Egyptian hieroglyphs perfectly, and he understood the difference between "royal cartouche" scarabei and Birmingham-manufactured ones. He was never dull; he had plenty to do; and he took everything as it came in its turn. Even the costume ball for which he had now attired himself did not present itself to him as a "bore," but as a new vein of information, opening to him fresh glimpses of the genus homo as seen in a state of eccentricity.
"I think," he now said,