In Search of Lost Time [volumes 1 to 7]. Marcel Proust
![In Search of Lost Time [volumes 1 to 7] - Marcel Proust](limg_read648794.jpg "In Search of Lost Time [volumes 1 to 7] - Marcel Proust")
similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart. They are, these women, a product of our temperament, an image inversely projected, a negative of our sensibility. So that a novelist might, in relating the life of his hero, describe his successive love-affairs in almost exactly similar terms, and thereby give the impression not that he was repeating himself but that he was creating, since an artificial novelty is never so effective as a repetition that manages to suggest a fresh truth. He ought, moreover, to indicate in the character of the lover a variability which becomes apparent as the story moves into fresh regions, into different latitudes of life. And perhaps he would be stating yet another truth if while investing all the other persons of his story with distinct characters he refrained from giving any to the beloved. We understand the characters of people who do not interest us; how can we ever grasp that of a person who is an intimate part of our existence, whom after a little we no longer distinguish in any way from ourselves, whose motives provide us with an inexhaustible supply of anxious hypotheses which we perpetually reconstruct. Springing from somewhere beyond our understanding, our curiosity as to the woman whom we love overleaps the bounds of that woman’s character, which we might if we chose but probably will not choose to stop and examine. The object of our uneasy investigation is something more essential than those details of character comparable to the tiny particles of epidermis whose varied combinations form the florid originality of human flesh. Our intuitive radiography pierces them, and the images which it photographs for us, so far from being those of any single face, present rather the joyless universality of a skeleton.
Andrée, being herself extremely rich while the other was penniless and an orphan, with real generosity lavished on Albertine the full benefit of her wealth. As for her feelings towards Gisèle, they were not quite what I had been led to suppose. News soon reached us of the young student, and when Albertine handed round the letter she had received, a letter intended by Gisèle to give an account of her journey and to report her safe arrival to the little band, pleading laziness as an excuse for not having written yet to the rest, I was surprised to hear Andrée (for I imagined an irreparable breach between them) say: “I shall write to her to-morrow, because if I wait for her to write I may have to wait for years, she’s such a slacker.” And, turning to myself, she added: “You saw nothing much in her, evidently; but she’s a jolly nice girl, and besides I’m really very fond of her.” From which I concluded that Andrée’s quarrels were apt not to last very long.
Except on these rainy days, as we had always arranged to go on our bicycles along the cliffs, or on an excursion inland, an hour or so before it was time to start I would go upstairs to make myself smart and would complain if Françoise had not laid out all the things that I wanted. Now even in Paris she would proudly, angrily straighten a back which the years had begun to bend, at the first word of reproach, she so humble, she so modest and charming when her self-esteem was flattered. As this was the mainspring of her life: her satisfaction, her good humour were in direct ratio to the difficulty of the tasks imposed on her. Those which she had to perform at Balbec were so easy that she shewed almost all the time a discontent which was suddenly multiplied an hundredfold, with the addition of an ironic air of offended dignity when I complained, on my way down to join my friends, that my hat had not been brushed or my ties sorted. She who was capable of taking such endless pains, without in consequence assuming that she had done anything at all, on my simply remarking that a coat was not in its proper place, not only did she boast of the care with which she had “put it past sooner than let it go gathering the dust,” but, paying a formal tribute to her own labours, lamented that it was little enough of a holiday that she was getting at Balbec, and that we would not find another person in the whole world who would consent to put up with such treatment. “I can’t think how anyone can leave things lying about the way you do; you just try and get anyone else to find what you want in such a mix-up. The devil himself would give it up as a bad job.” Or else she would adopt a regal mien, scorching me with her fiery glance, and preserve a silence that was broken as soon as she had fastened the door behind her and was outside in the passage, which would then reverberate with utterances which I guessed to be insulting, though they remained as indistinct as those of characters in a play whose opening lines are spoken in the wings, before they appear on the stage. And even if nothing was missing and Françoise was in a good temper, still she made herself quite intolerable when I was getting ready to go out with my friends. For, drawing upon a store of stale witticisms at their expense which, in my need to be talking about the girls, I had made in her hearing, she put on an air of being about to reveal to me things of which I should have known more than she had there been any truth in her statements, which there never was, Françoise having misunderstood what she had heard. She had, like most people, her own ways; a person is never like a straight highway, but surprises us with the strange, unavoidable windings of his course through life, by which, though some people may not notice them, we find it a perpetual annoyance to be stopped and hindered. Whenever I arrived at the stage of “Where is my hat?” or uttered the name of Andrée or Albertine, I was forced by Françoise to stray into endless and absurd side-tracks which greatly delayed my progress. So too when I asked her to cut me the sandwiches of cheese or salad, or sent her out for the cakes which I was to eat while we rested on the cliffs, sharing them with the girls, and which the girls “might very well have taken turns to provide, if they had not been so close,” declared Françoise, to whose aid there came at such moments a whole heritage of atavistic peasant rapacity and coarseness, and for whom one would have said that the soul of her late enemy Eulalie had been broken into fragments and reincarnate, more attractively than it had ever been in Saint-Eloi’s, in the charming bodies of my friends of the little band. I listened to these accusations with a dull fury at finding myself brought to a standstill at one of those places beyond which the well-trodden country path that was Françoise’s character became impassable, though fortunately never for very long. Then, my hat or coat found and the sandwiches ready, I sailed out to find Albertine, Andrée, Rosemonde, and any others there might be, and on foot or on our bicycles we would start.
In the old days I should have preferred our excursion to be made in bad weather. For then I still looked to find in Balbec the ‘Cimmerians’ land,’ and fine days were a thing that had no right to exist there, an intrusion of the vulgar summer of seaside holiday-makers into that ancient region swathed in eternal mist. But now, everything that I had hitherto despised, shut out of my field of vision, not only effects of sunlight upon sea and shore, but even the regattas, the race-meetings, I would have sought out with ardour, for the reason for which formerly I had wanted only stormy seas, which was that these were now associated in my mind, as the others had been, with an aesthetic idea. Because I had gone several times with my new friends to visit Elstir, and, on the days when the girls were there, what he had selected to shew us were drawings of pretty women in yachting dress, or else a sketch made on a race-course near Balbec. I had at first shyly admitted to Elstir that I had not felt inclined to go to the meetings that were being held there. “You were wrong,” he told me, “it is such a pretty sight, and so well worth seeing. For one thing, that peculiar animal, the jockey, on whom so many eager eyes are fastened, who in the paddock there looks so grim, a colourless face between his brilliant jacket and cap, one body and soul with the prancing horse he rides, how interesting to analyse his professional movements, the bright splash of colour he makes, with the horse’s coat blending in it, as they stream down the course. What a transformation of every visible object in that luminous vastness of a racecourse where one is constantly surprised by fresh lights and shades which one sees only there. How charming the women can look there, too! The first day’s racing was quite delightful, and there were women there exquisitely dressed, in the misty light of a Dutch landscape, in which one could feel rising to cloud the sun itself the penetrating coldness of the water. Never have I seen women arriving in carriages, or standing with glasses to their eyes in so extraordinary a light, which was due, I suppose, to the moisture from the sea. I should simply have loved to paint it. I came home from the races quite mad, and so keen to get to work! “After which he became more enthusiastic still over the yacht-races, and I realised that regattas, social fixtures where well-dressed women might be seen bathed in the greenish light of a marine race-course, might be for a modern artist as interesting a subject as were the revels which