The Complete Works of F. Scott Fitzgerald. Knowledge house
the matter?”
Martha hesitated.
“No; I—” She stood there fidgeting. “It was a letter, Mrs. Piper, that I put somewhere.”
“A letter? Your own letter?” asked Evylyn, switching on the light.
“No, it was to you. ’Twas this afternoon, Mrs. Piper, in the last mail. The postman give it to me and then the back door-bell rang. I had it in my hand, so I must have stuck it somewhere. I thought I’d just slip in now and find it.”
“What sort of a letter? From Mr. Donald?”
“No, it was an advertisement, maybe, or a business letter. It was a long, narrow one, I remember.”
They began a search through the music-room, looking on trays and mantelpieces, and then through the library, feeling on the tops of rows of books. Martha paused in despair.
“I can’t think where. I went straight to the kitchen. The dining-room, maybe.” She started hopefully for the dining-room, but turned suddenly at the sound of a gasp behind her. Evylyn had sat down heavily in a Morris chair, her brows drawn very close together, eyes blinking furiously.
“Are you sick?”
For a minute there was no answer. Evylyn sat there very still and Martha could see the very quick rise and fall of her bosom.
“Are you sick?” she repeated.
“No,” said Evylyn slowly, “but I know where the letter is. Go ’way, Martha. I know.”
Wonderingly, Martha withdrew, and still Evylyn sat there, only the muscles around her eyes moving—contracting and relaxing and contracting again. She knew now where the letter was—she knew as well as if she had put it there herself. And she felt instinctively and unquestionably what the letter was. It was long and narrow like an advertisement, but up in the corner in large letters it said “War Department” and, in smaller letters below, “Official Business.” She knew it lay there in the big bowl with her name in ink on the outside and her soul’s death within.
Rising uncertainly, she walked toward the dining-room, feeling her way along the bookcases and through the doorway. After a moment she found the light and switched it on.
There was the bowl, reflecting the electric light in crimson squares edged with black and yellow squares edged with blue, ponderous and glittering, grotesquely and triumphantly ominous. She took a step forward and paused again; another step and she would see over the top and into the inside—another step and she would see an edge of white—another step—her hands fell on the rough, cold surface——
In a moment she was tearing it open, fumbling with an obstinate fold, holding it before her while the typewritten page glared out and struck at her. Then it fluttered like a bird to the floor. The house that had seemed whirring, buzzing a moment since, was suddenly very quiet; a breath of air crept in through the open front door carrying the noise of a passing motor; she heard faint sounds from upstairs and then a grinding racket in the pipe behind the bookcases—her husband turning off a water-tap——
And in that instant it was as if this were not, after all, Donald’s hour except in so far as he was a marker in the insidious contest that had gone on in sudden surges and long, listless interludes between Evylyn and this cold, malignant thing of beauty, a gift of enmity from a man whose face she had long since forgotten. With its massive, brooding passivity it lay there in the centre of her house as it had lain for years, throwing out the ice-like beams of a thousand eyes, perverse glitterings merging each into each, never aging, never changing.
Evylyn sat down on the edge of the table and stared at it fascinated. It seemed to be smiling now, a very cruel smile, as if to say:
“You see, this time I didn’t have to hurt you directly. I didn’t bother. You know it was I who took your son away. You know how cold I am and how hard and how beautiful, because once you were just as cold and hard and beautiful.”
The bowl seemed suddenly to turn itself over and then to distend and swell until it became a great canopy that glittered and trembled over the room, over the house, and, as the walls melted slowly into mist, Evylyn saw that it was still moving out, out and far away from her, shutting off far horizons and suns and moons and stars except as inky blots seen faintly through it. And under it walked all the people, and the light that came through to them was refracted and twisted until shadow seemed light and light seemed shadow—until the whole panorama of the world became changed and distorted under the twinkling heaven of the bowl.
Then there came a far-away, booming voice like a low, clear bell. It came from the centre of the bowl and down the great sides to the ground and then bounced toward her eagerly.
“You see, I am fate,” it shouted, “and stronger than your puny plans; and I am how-things-turn-out and I am different from your little dreams, and I am the flight of time and the end of beauty and unfulfilled desire; all the accidents and imperceptions and the little minutes that shape the crucial hours are mine. I am the exception that proves no rules, the limits of your control, the condiment in the dish of life.”
The booming sound stopped; the echoes rolled away over the wide land to the edge of the bowl that bounded the world and up the great sides and back to the centre where they hummed for a moment and died. Then the great walls began slowly to bear down upon her, growing smaller and smaller, coming closer and closer as if to crush her; and as she clinched her hands and waited for the swift bruise of the cold glass, the bowl gave a sudden wrench and turned over—and lay there on the side-board, shining and inscrutable, reflecting in a hundred prisms, myriad, many-colored glints and gleams and crossings and interlacings of light.
The cold wind blew in again through the front door, and with a desperate, frantic energy Evylyn stretched both her arms around the bowl. She must be quick—she must be strong. She tightened her arms until they ached, tauted the thin strips of muscle under her soft flesh, and with a mighty effort raised it and held it. She felt the wind blow cold on her back where her dress had come apart from the strain of her effort, and as she felt it she turned toward it and staggered under the great weight out through the library and on toward the front door. She must be quick—she must be strong. The blood in her arms throbbed dully and her knees kept giving way under her, but the feel of the cool glass was good.
Out the front door she tottered and over to the stone steps, and there, summoning every fibre of her soul and body for a last effort, swung herself half around—for a second, as she tried to loose her hold, her numb fingers clung to the rough surface, and in that second she slipped and, losing balance, toppled forward with a despairing cry, her arms still around the bowl … down …
Over the way lights went on; far down the block the crash was heard, and pedestrians rushed up wonderingly; up-stairs a tired man awoke from the edge of sleep and a little girl whimpered in a haunted doze. And all over the moonlit sidewalk around the still, black form, hundreds of prisms and cubes and splinters of glass reflected the light in little gleams of blue, and black edged with yellow, and yellow, and crimson edged with black.
— ◆ —
Bernice Bobs Her Hair.
The Saturday Evening Post (1 May 1920)
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional’s deaf sister—and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery.
The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval,