Mapping Ultima Thule. Agata Lubowicka

Mapping Ultima Thule - Agata Lubowicka


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chapter, in which I attend first of all to the links between travel narratives and colonial ideologies. Further, I discuss the tools provided by postcolonial theory that promote postcolonial re-readings of the Western ways of “mapping” the Other. One such tool is the colonial discourse analysis developed by Edward W. Said, with its key notions of “representation” and “colonial tropes.” The Saidian discourse analysis is augmented by Homi Bhabha’s nuancing framework of the split subject, which produces possibilities for resistance to oppressive representation practices in every colonial text. Bhabha’s theories and the idea of ambivalence inherent in the representations of the Other provide the basis for my analytical approach later in this book.

      Chapter 2 discusses ways of constructing North Greenland and the Inughuit people by means of the entrenched colonial tropes of idealisation, essentialisation, binary oppositions and exoticisation in Knud Rasmussen’s pioneering account entitled The New People (Nye Mennesker, 1905). The tropes are confronted with the narrative sites of resistance to the dominant representations, which are a testimony to the discursive heteroglossia inherent in Rasmussen’s narrative. Chapter 3 shows the ambivalence of the representations of North Greenland and the Inughuit people in Rasmussen’s My Travel Diary (Min Rejsedagbog, 1915). My argument proceeds in two main stages, each of which focuses on how the representations of North Greenland’s nature and the Inughuit companions of the Danes, Uvdloriaq and Inukitsoq, are linked to constructing the masculinity of heroic polar explorers. The first part examines the practices of constructing the masculinity of polar explorers on the basis of hierarchised and gender-marked binaries, such as safety vs. danger, home vs. away, passivity vs. activity and nature vs. culture. The second part investigates the construction of the masculinity of polar explorers in relation to North Greenland’s nature, which is feminised as an effect of practices labelled as “scientific and aesthetic masculinity.” My reading of Rasmussen’s work proves, however, that it also contains meanings that oppose the colonial masculinist ideology, which results in an ambivalent construction of North Greenland and the Inughuit.

      In my concluding Chapter 4, I point out discursive shifts in the image of the North-Greenlandic telluric and cultural Other which took place between 1905 and 1915, i.e. when Rasmussen morphed from a rank-and-file member of an Arctic expedition into one of the major actors, who in the long run contributed to Denmark’s sovereignty over the entire territory of Greenland.

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      In my historical-literary and theoretical argument, I spell Greenlandic toponyms following modern Greenlandic spelling rules. In analytical passages, I rely on the ←42 | 43→spelling that Knud Rasmussen used in the first editions of the writings I address. For example, when referring to a North-Greenland island where the participants of the Literary Expedition camped, I write “Agpat,” which is consistent with the spelling of the name in the first edition of Nye Mennesker of 1905. In quotations from the English editions of reports by polar explorers from Scandinavia, I retain the Greenlandic spelling employed in the original editions, and when providing bracketed Danish and Norwegian vocabulary and expressions, I use their original spelling.

      My Polish book entitled W sercu Ultima Thule. Reprezentacje Grenlandii Północnej w relacjach z ekspedycji Knuda Rasmussena, which grew out of the PhD project I completed in 2014 and was published in 2017, was based on my study of Knud Rasmussen’s books which appeared in Danish. In this version, I use quotations from English editions of texts by Rasmussen and also by Fridtjof Nansen and Eivind Astrup. Since Rasmussen’s Min Rejsedagbog (My Travel Diary) has not been translated into English yet, quotations from this book and from the chapter “Efter Vildren” in Nye Mennesker were translated from Danish by Professor Jørgen Veisland, based on the first editions of the two works.

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