The Oak Island Mystery. Lionel and Patricia Fanthorpe
father, certainly organized an effective consortium of business and professional men in and around Onslow, which became known as the Onslow Company. One member was Sheriff Tom Harris, another was Colonel Archibald, a town clerk and justice of the peace. He may well have been the father, or grandfather, of the other Archibald who was involved some fifty years later in the Pitblado episode.
The Onslow men dug away steadily, unearthing platforms of oak logs at regular ten-foot intervals as they cleared out more and more of the pit, but they encountered other curious layers as well. There are minor discrepancies and divergences in the accounts of what precisely was discovered at which level, but as the digging continued layers of putty, charcoal, and coconut fibre were pulled out.
There was so much putty spread over one layer of oak logs, according to one account, that it was used to glaze the windows of more than twenty local houses.
Hiram Walker was a ship’s carpenter who lived in Chester at the time, and worked on the Money Pit. Years later he told his granddaughter, Mrs. Cottnam Smith, that he had seen “bushels of coconut fibre” being lifted out of the shaft as the work progressed.
These points about the quantities of putty and coconut fibre are significant ones. Those earlier investigators who have tried to suggest that the Money Pit was merely a natural sink-hole in the limestone, and that the tunnels connecting it to Smith’s Cove and the southern shore were just fortuitous faults in the rock, have argued that the oak logs, fibre, putty, and charcoal had either slid into the shaft over many years, or been carried in up the tunnels gradually by the tides of centuries.
The actual descriptions of the pit and the accounts of how the work proceeded tell very different stories. A little coconut fibre might have drifted in, a few kilograms of putty might have been washed ashore from a wreck, a chunk or two of charcoal from a campfire, or a burnt-out vessel might have got down a natural shaft. The imagination can even stretch to a few oak branches blowing down in a gale and sliding together like a “platform” down the natural sinkhole.
One “oak platform”? One or two nuggets of marine putty? A handful of charcoal? A few yards’ drift of sparsely distributed coconut fibre? That much might just have got down there naturally. But there were at least ten oak platforms, at regular intervals, all wedged firmly into the hard clay of the shaft’s walls. There was a full, flat, regular layer of charcoal, and a similar one of putty. There was enough coconut fibre to fill several bushel baskets. But the most damning pieces of contradictory evidence were the original diggers’ pick marks clearly visible in the hard clay walls in 1795.
Another very intriguing find for the Onslow Company was the large, flat stone encountered just above the ninety-foot level.
The diggers tried to decipher the coded message but without success, wondering whether it was a vital clue to the whereabouts of the treasure, or to the identity of the original miners.
Almost as great a mystery as the strange inscription is the curious riddle of what subsequently happened to the stone itself. John Smith was halfway through building a fireplace in his Oak Island farmhouse: he incorporated the stone into that — partly to keep it safe, and partly to provide a conversation piece.
In 1865 the stone was taken from the Smith homestead and placed on display in the window of the bookbindery belonging to A. and H. Creighton in Halifax. A.O. Creighton was at that time treasurer of one of the Oak Island treasure hunting syndicates, and it was hoped that the displayed stone would encourage new shareholders to participate in the search. A witness named Jefferson MacDonald is reported to have said that he had seen the stone at close quarters, had helped to move it in fact, and that there was no doubt at all that there was a coded inscription on it which no one had been able to solve.
A.O. Creighton left the business in 1879 and a new firm was started by Herbert Creighton and Edward Marshall. Edward’s son Harry was with the firm from 1890 onwards, and he made a statement about the stone in 1935 to treasure hunter Frederick Blair and his lawyer Reginald Harris. The gist of Harry Marshall’s evidence was that he remembered the stone well, but had never seen the inscription on it because it had been worn away by years of use as a bookbinder’s beating stone. He said that the stone was two feet long, just over a foot wide, and about ten inches thick. He guessed its weight in the region of 175 pounds.[1] Both surfaces were smooth, but the sides were rough. Harry added that it was a very hard, finely grained stone with an olive tinge. He thought it might have been porphyry or granite. He also commented that it was totally unlike any stone he had ever seen in Nova Scotia.
If Harry Marshall was correct in his guess that the strange stone was porphyry, then a link with ancient Egypt may be established. In the days of Pliny (first century A.D.) mottled red or purple rocks were called porphorytes from the Greek word meaning “red.” Much of this early stone was volcanic, but the first Italian sculptors thought it was a variety of marble. The best red porphyry, known as porfido rosso antico, from which many ancient Egyptian monuments were carved, came from substantial deposits along the west coast of the Red Sea. The secret of its whereabouts was lost for many years, but the quarry was rediscovered at Jebel Dhokan.
Edward R. Snow mentions the stone in True Tales of Buried Treasure (New York: Dodd, Mead, and Co., 1962) and relates that the Reverend A.T. Kempton of Cambridge, Massachusetts, said that an old Irish teacher had translated it to read: “Forty feet below two million pounds are buried.” Our own cryptographer, computer engineer Paul V.S. Townsend, M.Sc., reached the same conclusion independently in under ten minutes. The decipherment is shown in the illustration on the diagram, along with the key to the symbols used. The second character is assumed to be a second point-down triangle (F) drawn in error and crossed out — this character is ignored in the decoding.
All very well, but everything depends upon whether the inscription as recorded is the original one which actually appeared on the stone when it was first unearthed from the Money Pit in 1803. The suspicion lingers that someone anxious to raise funds in 1865 put an entirely spurious message on the stone using a simple substitution cipher that was easy to crack. Conan Doyle’s short story “The Dancing Men” provides a similar riddle for Holmes to solve. What if that easy hoax code overlaid a genuine ancient inscription of similar appearance, to which the hoaxer had only to make a few additions and alterations? In that case we are dealing with a stone palimpsest, something from which the original writing has been erased or covered to make way for further writing. Historically, the process was usually applied to parchments and monumental brasses which were turned and re-engraved on the reverse side. The original Greek words palin and psao from which “palimpsest” is derived mean literally “again” and “to rub smooth.”
George Young drew our attention to a decipherment of the stone made by Professor Barry Fell from a copy of the inscription provided for him by Phyllis Donohue. Fell, an internationally acclaimed epigrapher, produced a religious text translation of the Money Pit stone from an early Libyan Arabic dialect used by a branch of the North African Coptic Church centuries ago.
Coptic is best understood as the linguistic descendant of the ancient Egyptian language. The oldest documents in the Coptic date back to the second and third centuries of the Christian era and are translations of the Christian scriptures. The writers tended to use Greek with seven demotic symbols added, rather than to use their own demotic script.
Coptic is known to exist in six forms: Bashmuric and Bohairic from Lower Egypt; Fayumic, Asyutic, Akhmimic, and Sahidic from Upper Egypt. There may be others.
What is of particular interest about a probable Coptic inscription on the Money Pit stone, and its relevance to the final solution of the Oak Island mystery, is that two very early Coptic manuscripts, the Pistis Sophia in the British Museum and the Bruce Codex in the Bodleian Library, both relate to an obscure Gnostic sect operating in Egypt in the third century A.D. Ancient Gnostic secrets are inextricably interwoven into the mystery of Rennes-le-Château, and the Rennes clues in turn throw light on the Oak Island problem.
If George Young’s thought-provoking hypothesis and Professor Fell’s scholarly interpretation are the correct ones — and there is some real likelihood that they are — then they provide an intriguing